During the century of the Spanish Gold, Doña Prouhèze, wife of a nobleman, deeply loves Don Rodrigo, who is forced to leave Spain and go to America. Meanwhile Prouhèze is sent to Africa to ... See full summary »
Manoel de Oliveira
Luís Miguel Cintra,
Belle toujours occurred to me unexpectedly and, as I had the will to pay my tribute to Luis Buñuel and Jean-Claude Carrière, I was happy to have found a way to do so, perhaps the best, and I started working. What is it about? Taking two of the strange characters from the film Belle de Jour, and make them relive, thirty eight years later, in the strangeness of a secret which was only in the possession of the masculine character and a knowledge that had become crucial to the female character. Thus, passed this time, they meet again. She tries to avoid him by all means. But he stalks her and eventually manages to gain her attention with the intention of revealing the secret that he alone can unfold. They set a meeting, a dinner, where she expects that all will be revealed. During dinner, she, now a widow, awaits the expected revelation: what he had told her husband while he was mute and paralytic because of a gunshot wound fired by a lover of hers. The situation is tense and she ends up ... Written by
Manoel de Oliveira
Symphonie n° 8 en sol majeur - Op. 88 (mouvements 3 et 4)
(credited incorrectly as mouvements 2 et 3)
Composed by Antonín Dvorák
Performed by L'Orchestre de la Fondation Calouste Gulbenkian
Conducted by Lawrence Foster See more »
I remember reading somewhere that Oliveira's film works as a symbol of the impossible reconciliation between past and present, between cinema (with its passion for manipulation) and reality (with its relentless curiosity for the truth), two dimensions that clash irremediably in modern times.
Personally, I found this to be a excellent comedy, full of delicious winks to symbolic surrealism (the Joan of arc statue, the rooster scene!), a mayor work in Oliveiras impressive catalog and a proper tribute to Buñuel's work. It's a bit sad that it has been terribly underrated by "major" critics around the globe (Cahiers, etc.) *Taken from a comment I made to filmref.com
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