Sebastian, a young man, has decided to follow instructions intended for someone else, without knowing where they will take him. Something else he does not know is that Gerard Dorez, a cop ... See full summary »
Pusit is having the worst day of his life. He just lost his job and is in serious debt. That is all about to change when he receives a mysterious phone call with a tempting offer. If he ... See full summary »
An enigmatic tale of four incredibly lucky people whose lives are intertwined by destiny are subject to the laws of fate. They discover that they cannot afford to be without luck as they ... See full summary »
Juan Carlos Fresnadillo
Max von Sydow,
Long wanted serial killer Gabriel Engel gets arrested in a spectacular police strike. Small town cop Michael Martens travels to the big city to interrogate him. He associates a brutal ... See full summary »
Christian von Aster,
Three French hipsters and their translator travel through rural Georgia to claim a remote, ruined castle that one of them has inherited. En route, they encounter an old man and his grandchild who are on a journey to carry out a mysterious, morbid ritual designed to end a conflict between warring clans.
Sebastian, a young man, has decided to follow instructions intended for someone else, without knowing where they will take him. Something else he does not know is that Gerard Dorez, a cop on a knife-edge, is tailing him. When he reaches his destination, Sebastian falls into a degenerate, clandestine world of mental chaos behind closed doors in which men gamble on the lives of others men. Written by
There is little one can say about the story without giving away its core absurdity. The first half is a mystery. In the second we are thrown into a violent hell. (For the sensitive: the gore is minimal and mostly off camera.) The film reintroduces us to the fact that the repetitiveness of violence deadens our revulsion to it. Here it applies to the main character in the film and to us as audience. It is disturbing how quickly we get used to each eruption of violence and come to see it as a game. This habituation is what soldiers in war, butchers, and grandma slicing the chicken's neck to get it ready for dinner go through. Death as means to an end. Ultimately an allegory of the predatory nature of power and money.
Filmed in B/W. Blood is dark gray which helps tame our revulsion. The director's brother plays the main role. He does a competent job. Filmed in wide format. Superb editing maintains the tension from beginning to end. As I understand it, "Tzameti" means thirteen. See the film to understand why the film is so named.
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