, which just finished playing Tiff, directed by Sebastian Lelio and starring Paulina Garcia has been selected to represent Chile in the Foreign Language race for the 86th Academy Awards ®
Fresh off its highly successful North American premiere at The Telluride Film Festival, Gloria
was Special Presentation at the Toronto Int'l Film Festival.
I was lucky to be able to spend an hour speaking with director Sebastián Lelio
2013 Berlin Film Festival Best Actress Award winner Paulina Garcia, the film’s star.
Paulina Garcia in real life barely resembled Gloria
who is a seemingly comfortable “woman of a certain age” who still feels young…like me, and also like me, she enjoys dancing. Her children have lives of their own as does her former husband, she has a job and while comfortable, she is a bit at a loss for a place and for love. I had not realized that in fact those people I dance with are perhaps also looking for love – all I ever see them do is dance.
But like Gloria
, though lonely, they are making the best of their situation. Her fragile happiness changes the day she meets Rodolfo. Their intense passion, to which Gloria
gives her all, leaves her vacillating between hope and despair - until she uncovers a new strength and realizes that, in her golden years, she can shine brighter than ever.
Speaking with Paulina Garcia, I was first struck with how unlike the character Gloria
she was. Sophisticated and refined, speaking perfect English, we related on a different level from how I related to her in the film, and I had related intimately; I had identified completely with Gloria
and I had thought I would, in fact, be meeting Gloria
Paulina told me how unusual it is to be in every scene. Playing such a character focused so deeply into life forced her to move the center of herself to a different point. After the movie had been shot, she felt the pain in her very bones from the different positions and motions of Gloria
’s person. When it was over, she felt like she had emerged from a very deep ocean dive. Acting is on the surface, but the character played is really more like an iceberg.
Sebastian added that the relationship between Gloria
and everyone else is not the action but in the air around them. It is the anti-matter you experience in the film, not the plot. The spotlight was always upon her. There was not a single frame in which Gloria
’s body was not present. Every single scene is about how she is feeling about people, things and the world. And she reflects the world, as it is today in Santiago, Chile – discontented and seeking ways to take action against the discontent.
The relationship built between Sebastian and Paulina prior to filming was not based on the film, but on aligning their minds. It was an unusual friendship that was built between the director and actress. He gave her things to read unrelated to the film, she read Cassavetes on Cassavetes, (the name Gloria
was not spurious); he gave her quotes, information on vortexes and whatever else interested him in those days. He was very clear about how personal the film would be, creating layers of emotion and artistry. Once they began working together, they shared a sort of mindful shorthand. He might say, “Do your own vortex” and she would define the world in her own terms so she could do her part. Paulina/Gloria
was the point of the film and everything had to go around her, as if she were the vortex.
The other character in the film – whom we did not discuss at all, but who was an extraordinary counterweight to Gloria
, was Sergio Hernandez
who played Rodolfo. Very sexy and very soulful, he is dogged in his pursuit of Gloria
and is dogged by his “ex-wife” and daughters. He has played in Sebastian Lelio’s previous films La Sagrada Familia
in 2006 which I caught during my first trip to Chile as an guest of the Valdivia Film Festival in ‘05 and in El Ano del Tigre, his third film which played Locarno in 2011. Both these were also “insistent observations of characters going through evolutionary crossroads: family as a sacred trap; the interest in the tension that exists between a person and character; and the conviction that film is a face-on battle”, to quote Sebastian.La Sagrada Familia
was shot in 3 days in 35mm, a true indie film. It was a sort of “punk” film and it met with great success and so Sebastian could access national funds to make his second film Navidad
which along with some private investment was finally paid off two months ago. Navidad
was about teenage runaways going through a sort of initiation into the carney world. He directed Year of the Tiger just after Chile’s major earthquake and Fabula
put in the money ($100,000) for this urgent film. It is a testament to the Year Zero and was shot in 12 days. It went on to play Toronto and Locarno. These are all available along with interviews on Festival Scope.
The year 2005 was the year that a new generation of filmmakers was beginning to create Chilean cinema as we know it today. Not only Sebastian Lelio withLa Sagrada Familia
, but the producer of Gloria
and Year of the Tiger, Fabula
’s Pablo Larrain (along with his brother Juan de Dios
Larrain) was developing his breakout film, Tony Manero
and had just finished Fuga
. Pablo also wrote and directed Post Mortem
, produced El año del tigre
, produced and directed No
and produced this year’s Sundance hit Crystal Fairy
. It was Diego Izquierdo
whose Sexo con Amor
we were repping who brought us to Valdivia that year as he was working on El rey de los huevones . It was the year En la Cama
by Matias Bizes ( La vida de los peces
) was the most popular film in Chile and films were finally breaking from the post-Pinochet trauma. The “other Sebastian”, Sebastian Silva
, was the inspiration behind the writers of Mala Leche
and La Sagrada Familia
, and was writing the first film he would also direct, La vida me mata (Life Kills Me).Gloria
was such a fine work of art that it was developed in the Cannes Residency (Cinefondation) program and garnered national funds for its production. It was screened as a Work in Progress first in Chile’s Sanfic and then in San Sebastian in 2012 where it won the Cine in Construccion Award. Sebastian has recently received a Guggenheim fellowship and support of the Daad Berliner Kunstlerprogram for the development of his new projects.
To be witness to Chile’s spectacular growth in the international business gives me such a thrill. I can’t wait to see Sebastian’s next film which he is working on now in the Berlinale Residency (September – December), writing it with an eye toward co-production. The new film explores masculine emotions. Perhaps it will once again star Paulina Garcia.Gloria
Directed by: Sebastián Lelio
Tiff 2013 - Special Presentation
Chile - 109 minutes - In Spanish with English subtitles
Director: Sebastián Lelio
Starring: Paulina García
- Juan de Dios Larraín
, Pablo Larraín
Tiff 2013: Special Presentation
U.S. Distributor: Roadside Attractions
Canadian Distributor: Mongrel Media
The film will be released by Roadside Attractions
and is being sold internationally by Funny Balloons, who has already sold it to
Rialto Distribution (Australia)
Métropole Films Distribution
New Cinema Ltd.
NetherlandsWild Bunch Benelux
Filmcoopi Zurich Ag