Fred is living in the Paris Metro system. He is blackmailing Helena, whose safe he has robbed. Fred has various 'friends' all living in this sureal setting. The Roller is a rollerskating ... See full summary »
In the post-apocalyptic future, only a few humans are left. No one is able to speak; the film contains no dialogue, and characters communicate non-verbally. A determined loner befriends a ... See full summary »
Enzo and Jacques have known each other for a long time. Their friendship started in their childhood days in the Mediterranean. They were not real friends in these days, but there was ... See full summary »
In Marseille, the young Serbian-Albanian Adria Shala is an illegal immigrant traumatized by her past. Every now and then Adria recalls her life in Kosovo, when she was saved from rape by a ... See full summary »
André, a small-time ex-convict, seems to owe money to everyone in Paris, including a crime boss who promises to kill him if he doesn't repay him by midnight. After failing to find protection from the American embassy and the French police, a despairing André scrambles onto a bridge over the Seine, intending to leap to his death. He is surprised to see a tall, beautiful girl clinging to a rail on the same bridge, apparently preparing to end her life as well. She jumps, and he jumps too, suddenly resolving to save her life. After scrambling ashore, she tells him her name is Angel-A. Together, they take a cruise on the Seine, repay André's creditors, visit a Parisian nightspot, and more, as Angel-A helps André. He learns that for this purpose she has fallen out of the sky and into his life. André finds himself falling in love with this mysterious beauty. Written by
I must admit, I was worried. The first directorial effort by Luc Besson after 6 years, and Besson having produced (and written) movies in between that can IMHO be only described as crap. No need to worry however: Angel-A is simply a delightful film. Expertly framed by Thierry Arbogast it presents a very simply story in a genuinely funny and original way. Both Jamel Debbouze and Rie Rasmussen are perfectly cast and seem to be having a lot of fun playing their respective parts. While one could say that the general setup of the picture is hardly new, it really doesn't detract from the enjoyment of the film or the underlying story. The film doesn't present many twists and turns, the ending can be foreseen about halfway through the film. The joy of getting there however makes up for any of the afore mentioned problems.
Now, please Monsieur Besson: Don't make us wait 6 years for the next live-action picture!
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