The world's greatest detective Daryl Zero aided by his associate Steve Arlo investigates a complex and mysterious case of blackmail and missing keys for shady tycoon Gregory Stark who is less than forthcoming about what is really happening!
A mob mix-up in Chicago sends two chanteuses screaming for L.A., where they score a perfect gig: posing as drag queens on the dinner theater/cabaret circuit. Things get extra-weird when a guy falls for one of the girls.
By working through problems stemming from his past, Tom Warshaw, an American artist living in Paris, begins to discover who he really is, and returns to his home to reconcile with his family and friends.
A television network is making a pilot of Mike's quirky comedy based on the aftermath of his brother's suicide. As the network suits ask for change after change, and as Mike struggles with compromise, there are strains on families, execs who show rushes to their children, leads who feel each other out, and assistants who put a smile on everything. Can an honest show get made in the world of reality TV chasing an audience of teen-aged boys? Written by
Sigourney Weaver's character was written as a man. It wasn't until late in pre-production that it was decided that the role of could actually be a woman instead. Still, no line was re-written for the gender change. Even the name Lenny was kept. See more »
[to a colleague whose spouse has moved out]
Spouses are not necessarily a fixture of the schedule.
See more »
During the end credits an elimination round from the fictional reality show "Slut Wars" plays, featuring Seth Green as the host. See more »
I can see how this film might not be for everybody, but I make my living writing for television and this movie is actually pretty dead on. The satire works because I felt they keep it real. Stuff that might seem absurd I have seen happen (actually real stuff that happens in the development of a pilot would make people shout at the screen and say "come on - that couldn't happen!!). The film is very well cast - everyone from Lindsay Sloane to Ion Gruffudd give strong performances. Many of my fellow writers begged me to see it, so I finally went and I thought Kasdan does an excellent job. But the film could pretty much play like a documentary - without fail, the nets will almost instantly try and change the ONE thing about a project that makes it unique - they want it to be like everything else (Weaver's character has the great line - "it seems original and original scares me!"). It is a real marathon filled with danger to get a pilot sold, then possibly get it filmed, then edited, then tested and then through literally winning a lottery - getting it on the air!! But at the end of the day - it is the viewers who decide what stays on - if something gets numbers, it stays
if it doesn't - it goes. And every now and then a unique and smart
show will get on the air and more times than not - no one will watch it. Viewers SAY they want something different, but most of the time when you try to do that - they go "what the hell is this?? This is too different" and then they go back to watching Jim Belushi.
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