Trouble starts when Lars, a 25-year-old with few prospects for the future, discovers that an older man is fooling around with the teenage boys in his suburb. A terrible rage is triggered in... See full summary »
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Enrico Lo Verso,
Glenn Andre Kaada
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Jarle Klepp from "The Man Who Loved Yngve" is now a student on 25, loving women, indie rock and deconstruction. Then he gets a letter telling him he's a father, after a drunken one night stand with a 15 year old, 7 years ago, back in 1989.
Rolf Kristian Larsen,
Amina Eleonora Bergrem,
Pål Sverre Hagen
Trouble starts when Lars, a 25-year-old with few prospects for the future, discovers that an older man is fooling around with the teenage boys in his suburb. A terrible rage is triggered in Lars, and he embarks on a crusade to stop the abuser. But it soon spins out of control, and Lars' actions end up endangering those he set out to protect. Written by
This movie is a psychological thriller focusing on the emotional crises created by pedophilia. While the subject matter may be distasteful, even disgusting, to some, this movie is an important contribution that depicts there is a very fuzzy line between good and evil. The movie rightly points out that the pedophile is not the only villain. He shares that platform with people who by not caring aid and abet the crime. Largely absent parents who don't care enough to screen who babysits a child, community services that turn a blind eye to what is obviously there, our social control mechanisms such as schools, police and child welfare organizations that are perceived as punitive all share responsibility for child abuse.
The title "Sons" tells us how children become emotionally trapped in what their adolescent mind perceives as love and consent. How with years the torment builds and explodes shows us the tragic consequences. The movie through its characters traces the destruction caused by molestation and reveals the toxic shame that emerges in adult life because of it.
The director is brand new but if future works are as cleverly crafted as this, he has a bright future. The cast is entirely believable.
This movie does not (nor does it intend to) delve into the mystery of pedophilia nor its possible treatment. It does give one pause to re-examine the knee-jerk attitude of moral indignation when we hear of its happening and asks us to examine if we care enough to watch what is going on about us.
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