| Photos (See all 43 | slideshow) | Videos (see all 17) |
| Russell Crowe | ... | Cal McAffrey | |
| Ben Affleck | ... | Stephen Collins | |
| Rachel McAdams | ... | Della Frye | |
| Helen Mirren | ... | Cameron Lynne | |
| Robin Wright | ... | Anne Collins (as Robin Wright Penn) | |
| Jason Bateman | ... | Dominic Foy | |
| Jeff Daniels | ... | George Fergus | |
| Michael Berresse | ... | Robert Bingham | |
| Harry Lennix | ... | Detective Bell | |
| Josh Mostel | ... | Pete | |
| Michael Weston | ... | Hank | |
| Barry Shabaka Henley | ... | Gene Stavitz | |
| Viola Davis | ... | Dr. Judith Franklin | |
| David Harbour | ... | PointCorp Insider | |
| Sarah Lord | ... | Mandi | |
| Tuck Milligan | ... | PointCorp Executive | |
| Steve Park | ... | Chris Kawai (as Stephen Park) | |
| Brennan Brown | ... | Andrew Pell | |
| Maria Thayer | ... | Sonia Baker | |
| Wendy Makkena | ... | Greer Thornton | |
| Zoe Lister Jones | ... | Jessy (as Zoe Lister-Jones) | |
| Michael Jace | ... | Officer Brown | |
| Rob Benedict | ... | Milt | |
| LaDell Preston | ... | Deshaun Stagg | |
| Dan Brown | ... | Vernon Sando | |
| Katy Mixon | ... | Rhonda Silver | |
| Shane Edelman | ... | D.A. Purcell | |
| Maurice Burnice Harcum | ... | Ben's Cashier | |
| Cornell Womack | ... | Junior Detective #1 | |
| Nat Benchley | ... | Junior Detective #2 | |
| Gregg Binkley | ... | Ferris | |
| Trula M. Marcus | ... | Carol (as Trula Marcus) | |
| Carolyn Barrett | ... | Policewoman Escorting Della | |
| Wil Love | ... | Iowan Congressman | |
| David E. Goodman | ... | Graves (as David Copeland Goodman) | |
| John Badila | ... | Mr. James | |
| Brigid Cleary | ... | Mrs. James | |
| Joy Spears | ... | Waitress / Dancer #1 | |
| Brandi Oglesby | ... | Waitress / Dancer #2 | |
| Stacey Walker | ... | Waitress / Dancer #3 | |
| R.B. Brenner | ... | Globe Production Manager | |
| Lucía Navarro | ... | Telemundo Reporter | |
| Chris Matthews | ... | MSNBC Reporter | |
| Lou Dobbs | ... | CNN Reporter | |
| James Vance III | ... | Reporter | |
| Sharon Dugan | ... | Business Woman | |
| Noel Werking | ... | Business Man | |
| Rose Coleman | ... | Jackie | |
| Lee von Ernst | ... | ICU Nurse | |
| Richard Ruyle | ... | Karaoke Singer | |
| Stuart Brazell | ... | Karaoke Bar Hostess (as Susan Stuart Brazell) | |
| Herbert Gordon | ... | News Reporter #1 (as Herbert 'Chris' Gordon) | |
| Keith Anthony Garvin | ... | News Reporter #2 | |
| Julie Carey | ... | News Reporter #3 | |
| Eun Yang | ... | News Reporter #4 | |
| Denae D'Arcy | ... | News Reporter #5 | |
| Natasha Chughtai | ... | News Reporter #6 | |
| Greg Graham | ... | The Wolf | |
| Eric Hatch | ... | Peter | |
| Josh Rhodes | ... | The Hunter | |
| rest of cast listed alphabetically: | |||
| Don Abernathy | ... | Hospital Employee (uncredited) | |
| Michael Alban | ... | Man in Market Place (uncredited) | |
| Woody Andrews | ... | Witness (uncredited) | |
| Kevin Bangos | ... | Foreign Press Writer (uncredited) | |
| Scott Barry | ... | Shopper (uncredited) | |
| Nora Bauer | ... | Reporter (uncredited) | |
| Ashley Bell | ... | Voice (voice) (uncredited) | |
| Christie Beran | ... | Pedestrian (uncredited) | |
| Robert Bizik | ... | Physician (uncredited) | |
| Bill Blair | ... | Newspaper Employee (uncredited) | |
| Michael Blumenstock | ... | Camera Man (uncredited) | |
| Devon Brookshire | ... | Congressional Secretary to Collins (uncredited) | |
| Laura Bryce | ... | Shopper (uncredited) | |
| Kyle Burgess | ... | Congressional Aide (uncredited) | |
| Margaret Carlson | ... | Extra (uncredited) | |
| Juan Eloy Carrera | ... | Washington Lobbyist (uncredited) | |
| Larry Carter | ... | Senator (uncredited) | |
| Robert Randolph Caton | ... | Washington Attorney (uncredited) | |
| Steve Clemons | ... | Extra (uncredited) | |
| Thomas Joe Craig | ... | Manchester K-9 Policeman (uncredited) | |
| Greg Crowe | ... | Neighbor (uncredited) | |
| Bruce Allen Dawson | ... | Detective (uncredited) | |
| Paul Dietz | ... | Waiter (uncredited) | |
| E.J. Dionne Jr. | ... | Extra (uncredited) | |
| John Doty | ... | Commuter (uncredited) | |
| Matt J. Doyle | ... | Politician (uncredited) | |
| Francesca Ellana | ... | Student on Metro (uncredited) | |
| Lourdes Faberes | ... | Reporter (uncredited) | |
| Paul Fahrenkopf | ... | Hearing Attendee (uncredited) | |
| Liam Ferguson | ... | Newspaper Reporter (uncredited) | |
| David Foster | ... | TV Cameraman (uncredited) | |
| Alexis Fowlkes | ... | Girl (uncredited) | |
| Mariano Gowland | ... | News Reporter (uncredited) | |
| Eileen Grubba | ... | Peggy (uncredited) | |
| Matthew James Gulbranson | ... | Collins' Driver (uncredited) | |
| Marcus Nel-Jamal Hamm | ... | Capitol Police Officer (uncredited) | |
| Frank Herzog | ... | Congressman Johnson (uncredited) | |
| Carol Ilku | ... | Reporter (uncredited) | |
| Ian Irizarry | ... | Pedestrian (uncredited) | |
| Tracie Jules | ... | DC Executive (uncredited) | |
| Katty Kay | ... | Extra (uncredited) | |
| Errol Krass | ... | Congressional Hearing Audience - Yawning (uncredited) | |
| T. Alloy Langenfeld | ... | Navy Commander Garner (uncredited) | |
| Kevin Leigh | ... | Man on Cell Phone (uncredited) | |
| Kimrie Lewis-Davis | ... | ICU Nurse (uncredited) | |
| Robert Maratea | ... | Reporter (uncredited) | |
| E Marshall | ... | Waiting for Metro (uncredited) | |
| Justin Mather | ... | Politician / Cyclist (uncredited) | |
| Charisse Matthews | ... | Pedestrian (uncredited) | |
| Fernando A. Mico | ... | Arts Patron (uncredited) | |
| Douglas Nelson | ... | News Reporter (uncredited) | |
| John Palmer | ... | Extra (uncredited) | |
| Hash Patel | ... | News Reporter (uncredited) | |
| Jose L. Penaranda | ... | Suspicious shopper (uncredited) | |
| Michael Ray Reed | ... | Sailor (uncredited) | |
| Bob Schieffer | ... | Extra (uncredited) | |
| David J. Smolar | ... | Staff Photographer (uncredited) | |
| Patrick Michael Strange | ... | Bicyclist / Neighbor (uncredited) | |
| Lance Strumpf | ... | Pointcorp Helicopter Pilot (uncredited) | |
| Tina Toner | ... | Nurse (uncredited) | |
| Debbie Tsamoudakis | ... | Reporter (uncredited) | |
| Towanda Underdue | ... | Subway Rider (uncredited) | |
| Juan Pablo Veizaga | ... | Congressman (uncredited) | |
| Bill Ward | ... | Driver / Neighbor (uncredited) | |
| Steven A. Webb | ... | Cameraman / Hooded Walker (uncredited) | |
| J.D. Wine | ... | Fish Market Patron (uncredited) | |
| Brianna Womick | ... | Bobbie's Waitress (uncredited) | |
| Bob Woodward | ... | Extra (uncredited) | |
| Stephen Zaleski | ... | Congressional Aide to Sen, Fergus (uncredited) | |
| Dianne Zaremba | ... | Legislative Director (uncredited) | |
Directed by | |||
| Kevin Macdonald | |||
Writing credits(WGA) | ||
| Matthew Michael Carnahan | (screenplay) and | |
| Tony Gilroy | (screenplay) and | |
| Billy Ray | (screenplay) | |
| Paul Abbott | (television series) | |
Produced by | |||
| Paul Abbott | .... | executive producer | |
| Tim Bevan | .... | producer | |
| Liza Chasin | .... | executive producer | |
| Eric Fellner | .... | producer | |
| Andrew Hauptman | .... | producer | |
| Eric Hayes | .... | co-producer | |
| Debra Hayward | .... | executive producer | |
| Kwame Parker | .... | associate producer (as Kwame L. Parker) | |
| E. Bennett Walsh | .... | executive producer | |
Original Music by | |||
| Alex Heffes | |||
Cinematography by | |||
| Rodrigo Prieto | |||
Film Editing by | |||
| Justine Wright | |||
Casting by | |||
| Avy Kaufman | |||
Production Design by | |||
| Mark Friedberg | |||
Art Direction by | |||
| Gregory S. Hooper | (additional art director) | ||
| Richard L. Johnson | |||
| Adam Stockhausen | |||
Set Decoration by | |||
| Cheryl Carasik | |||
Costume Design by | |||
| Jacqueline West | |||
Makeup Department | |||
| Sandy Andrle Roffman | .... | makeup artist (as Sandy Andrle) | |
| Felicity Bowring | .... | makeup department head | |
| Sherri Bramlett | .... | hair stylist | |
| Jennifer Brown Greenberg | .... | makeup artist | |
| John Caglione Jr. | .... | makeup artist: Russell Crowe | |
| Diane Hammond | .... | additional makeup artist | |
| Diane Hammond | .... | makeup artist: second unit | |
| Julie Hewett | .... | department head makeup: additional photography | |
| John E. Jackson | .... | makeup artist: Ben Affleck | |
| Bob Kretschmer | .... | wig maker | |
| Annabelle MacNeal | .... | additional makeup | |
| Cathrine A. Marcotte | .... | key hair stylist (as Catherine A. Marcotte) | |
| Frances Mathias | .... | department head hair stylist: additional photography | |
| Rhonda O'Neal | .... | hair stylist | |
| Denise Paulson | .... | key makeup artist | |
| Kelvin R. Trahan | .... | department head hair | |
| Janice Tunnell | .... | assistant makeup artist | |
| Toni-Ann Walker | .... | hair stylist: Russell Crowe | |
| Carol S. Federman | .... | assistant makeup artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Timothy Blockburger | .... | second second assistant director: second unit (as Tim Blockburger) | |
| Chamonix Bosch | .... | additional second assistant director: Washington D.C. | |
| Doug Coleman | .... | second unit director | |
| Carlos De La Torre | .... | second second assistant director | |
| Peter Dress | .... | second assistant director: second unit (as Pete Dress) | |
| Frank Ferro | .... | first assistant director: second unit | |
| Scott Foster | .... | second second assistant director: Washington D.C. | |
| Alfonso Gomez-Rejon | .... | second unit director | |
| Gary Marcus | .... | first assistant director | |
| Dawn Massaro | .... | second assistant director (as Dawn Massaro-Adams) | |
| Donald Murphy | .... | first assistant director: second unit | |
| Kurt Uebersax | .... | second assistant director: second unit | |
Special Effects by | |||
| Hank Atterbury | .... | special effects technician: Washington D.C. | |
| Ron Bolanowski | .... | special effects coordinator: additional photography | |
| Jeff Bresin | .... | special effects technician | |
| Martin Bresin | .... | special effects supervisor (as Marty Bresin) | |
| Phaedra Eason | .... | special effects crew | |
| Jeremy Hays | .... | special effects coordinator (as Jeremy D. Hays) | |
| Jonathan Kombrinck | .... | special effects | |
| Matthew Lillis | .... | special effects technician | |
| Jim McPherson | .... | special effects technician: Washington D.C. | |
| Sean O'Harra | .... | special effects technician: Washington D.C. (as Sean Oharra) | |
| Ken Rudell | .... | special effects technician | |
| Dominic V. Ruiz | .... | special effects (uncredited) | |
Visual Effects by | |||
| Shish Aikat | .... | education manager, Rhythm & Hues | |
| Erik Akutagawa | .... | digital image resources supervisor | |
| Richard Alonso | .... | computer graphics | |
| Alana Aranki | .... | digital compositor | |
| Jeffery Beeland | .... | pipeline supervisor: Rhythm and Hues | |
| Beverly Bernacki | .... | digital compositor | |
| Adam Blank | .... | tracker: Rhythm & Hues | |
| Swapnil Borawake | .... | matchmove technical director: Rhythm and Hues | |
| Andy Chih-Jen Chang | .... | compositing technical director: Rhythm & Hues (as Andy Chang) | |
| Vikas Chirate | .... | systems administrator | |
| Patrick Clancey | .... | digital opticals | |
| Daniel Aristoteles Collins | .... | systems/operations: Rhythm & Hues | |
| Krystal Cooper | .... | render i/o coordinator: Rhythm & Hues | |
| Doug Cram | .... | digital compositor (as Douglas Cram) | |
| Michael Crane | .... | lead digital compositor: Rhythm & Hues | |
| Tim T. Cunningham | .... | visual effects producer: Rhythm & Hues | |
| Sean Dowey | .... | motion graphics artist | |
| Saeed Faridzadeh | .... | digital compositor: Rhythm & Hues | |
| Mark Fletcher | .... | screen graphics designer | |
| Bill Georgiou | .... | sequence supervisor | |
| Anthony Harris | .... | color timing supervisor | |
| Phil Holland | .... | digital imaging specialist | |
| Sean Kennedy | .... | compositor: Rhythm & Hues | |
| Louis Kreusel | .... | render i/o coordinator: Rhythm & Hues | |
| Jay Lalime | .... | digital compositor | |
| David Lamps | .... | render i/o coordinator: Rhythm & Hues Studios | |
| Rahul Robert Lewis | .... | matchmove technical director | |
| J. Michael Marlett | .... | digital coordinator (as Michael Marlett) | |
| Michael T. Marlett | .... | digital coordinator | |
| Bob Mercier | .... | visual effects supervisor (as Robert C. Mercier) | |
| Rohini Montenegro | .... | digital compositor: Rhythm & Hues | |
| John Paszkiewicz | .... | vfx compositor | |
| Allen Rose | .... | effects lead | |
| Brad Smith | .... | render I/O administrator | |
| Jakris Smittant | .... | digital coordinator | |
| Ben Taylor | .... | render i/o administrator | |
| Robert Young | .... | digital compositor: Rhythm and Hues (as Reid Young) | |
| Elika Burns | .... | roto/paint supervisor: CIS Hollywood (uncredited) | |
| Thomas Mathai | .... | data manager (uncredited) | |
Casting Department | |||
| Elizabeth Dean | .... | casting manager | |
| Lois J. Drabkin | .... | casting associate | |
| Rich King | .... | extras casting | |
| Terry L. Lamfers | .... | casting executive | |
| Meagan Lewis | .... | location casting associate | |
| Caitlin McKenna-Wilkinson | .... | adr voice casting | |
| Pat Moran | .... | casting: Washington DC | |
| Robyn Owen | .... | casting associate: Los Angeles | |
| Shaunessy James Quinn | .... | extras casting assistant | |
| Leeba Zakharov | .... | casting assistant | |
| Kean Cronin | .... | extras casting (uncredited) | |
| Jeremy Lambert | .... | extras casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Susan Antonelli | .... | costumer | |
| Kadija Bangura | .... | costume production assistant | |
| Michael Castellano | .... | costumer: Russell Crowe | |
| Holly Davis | .... | assistant costume designer | |
| Naomi Gathmann | .... | costumer | |
| Tracy Gossett | .... | costume coordinator | |
| Lisa Lovaas | .... | costume supervisor | |
| Mara Majorowicz | .... | set costumer | |
| Meg Matthews | .... | costumer | |
| Ethan Meyer | .... | costume production assistant | |
| Donna O'Neal | .... | key set costumer | |
| Stephanie Portnoy Porter | .... | costumer (as Stephanie Portnoy) | |
| Adam Sabodish | .... | costume assistant: re-shoots | |
| Minerva Diann Savoy | .... | on-set costumer | |
| Amanda Sroka | .... | set costumer: 2nd unit | |
| Derek Sullivan | .... | costumer | |
| Deborah Zimmerman | .... | costumer | |
| Deborah Zimmerman | .... | set costumer: additional photography | |
Editorial Department | |||
| Siobhan Boyes | .... | post-production coordinator | |
| George Chavez | .... | color timer | |
| Gabriel Diaz | .... | post-production assistant | |
| Matt Evans | .... | first assistant editor | |
| Eileen Godoy | .... | digital intermediate producer | |
| Mo Henry | .... | negative manager | |
| Matt Hull | .... | assistant digital intermediate producer | |
| Yvan Lucas | .... | colorist: Efilm | |
| Tom Reiser | .... | colorist assist: Efilm | |
| Kevin Soares | .... | second assistant editor | |
| Matt Sweat | .... | post-production assistant | |
| Lisa Tutunjian | .... | digital intermediate editor | |
| Kristen Young | .... | assistant editor | |
| Jamie Adams | .... | assistant editor (uncredited) | |
Music Department | |||
| Leo Abrahams | .... | musician: guitars | |
| Geoff Alexander | .... | orchestrator | |
| Nick Angel | .... | music supervisor | |
| Thomas Bloch | .... | musician: cristal baschet | |
| Paul Clarvis | .... | musician: musical sculptures and percussion | |
| Tim Davies | .... | additional orchestrator | |
| Andrew Dudman | .... | music recording engineer | |
| Clarissa Farrán | .... | score assistant | |
| Flood | .... | music producer: additional music | |
| Flood | .... | score producer | |
| Geoff Foster | .... | score recording engineer | |
| Alex Heffes | .... | musician: guitars | |
| Alex Heffes | .... | score co-producer | |
| Steve Hubback | .... | musician: musical sculptures and percussion | |
| Lewis Jones | .... | assistant music engineer | |
| Rael Jones | .... | assistant music editor: UK | |
| Mark Kilian | .... | additional music arranger | |
| Andy Kitchen | .... | assistant music engineer (as Andrew Kitchen) | |
| Kirsten Lane | .... | music consultant | |
| Laurence Love Greed | .... | assistant engineer (as Lawrence Greed) | |
| Catherine Marks | .... | assistant score engineer | |
| Kathy Nelson | .... | executive in charge of music | |
| Andy Richards | .... | score mixer | |
| Matt Robertson | .... | music programmer | |
| Barnaby Robson | .... | musician: clarinet | |
| Schlomo | .... | musician: human beatbox | |
| Lee Scott | .... | music editor | |
| Nevin Seus | .... | assistant music editor | |
| Kenneth Sillico | .... | orchestra leader (as Kenneth Sillito) | |
| Hilary Skewes | .... | score contractor | |
| Hilary Skewes | .... | score coordinator | |
| Tony Stanton | .... | music preparation | |
| Neil Stemp | .... | music programmer | |
| Dimitri Tikovoi | .... | musician: drums | |
| John Warhurst | .... | music editor: UK | |
| Vicki Williams | .... | music coordinator | |
Transportation Department | |||
| Ryan Allen | .... | transportation | |
| Fabian Arroyo | .... | transportation | |
| John A. Brubaker | .... | transportation coordinator | |
| Robert Brubaker | .... | picture cars | |
| Richard Denson | .... | transportation co-captain | |
| Anthony Detiege | .... | transportation | |
| Robert E. Dingle | .... | transportation captain | |
| TyRee Dingle | .... | driver | |
| Adam Fox | .... | transportation dispatcher | |
| Don Haggerty | .... | driver | |
| Stan Mataele | .... | driver | |
| Aaron McKissick | .... | driver | |
| John McKissick | .... | driver | |
| Javier Miranda | .... | driver | |
| Tony Mouradian | .... | driver | |
| Mike Mulgrew | .... | driver | |
| Marc Pietzmeier | .... | driver | |
| Chance Robertson | .... | driver | |
| Niu Sale | .... | driver | |
| Kurt Schmiederer | .... | driver | |
| Cesar Solis | .... | driver | |
| Fred Teague | .... | transportation captain | |
| Paul Tumber | .... | transportation | |
| Chad Wadsworth | .... | driver | |
| Chad Wadsworth | .... | production van operator | |
Thanks | |||
| Walter Donohue | .... | the filmmakers would like to thank | |
| Adrian M. Fenty | .... | the filmmakers would like to thank | |
| Bob Gruen | .... | the filmmakers would like to thank | |
| Sam Messer | .... | the filmmakers would like to thank | |
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| Collateral | The Fugitive | Eraser | Perfect Stranger | The Interpreter |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Congressman Stephen Collins (Ben Affleck) is helping with the government investigation of a shady military-based company when he receives word that his mistress has committed suicide. Visually distraught, he leaves a hearing in tears and sets off a media circus. Seasoned reporter Cal McAffrey (Russell Crowe) was his roommate in college, and the two have remained friends. In a bid to quash the political blogging of junior reporter Della Frye (Rachel McAdams), McAffrey sets out to find the truth about the story.
State of Play sets itself up early on to be a cookie-cutter, predictable thriller. But as the film progresses, it rather quickly becomes the twisty and conniving thriller it needs to be. Despite being heavily dialogue driven, the film is an intense ride that will keep people on edge throughout. Some scenes are downright terrifying in their amped up suspense and political intrigue. This film really set out to be tense, and succeeds wonderfully. It knows just what punches to pull, and when to pull them.
The script, written by political scribes Matthew Michael Carnahan, Tony Gilory and Billy Ray, is insight and intriguing. It could have easily been made boring and inundated with rehashed politicalisms (like all of their last films), but this film revels in how interesting it becomes. It has laughs strung throughout (a genuine surprise), and lacks the nerve to become loaded to the brim with facts and innuendos. Instead, it expertly weaves between scenes, amping up the intensity of some scenes, and downplaying others.
But this is mainly due to the incredible performances by the cast. Crowe (who I usually loathe) and Affleck are simply outstanding in their roles. Age issues aside, both play their character with finesse and charisma. Affleck looks and acts like a confused wet-behind-the-ears, gunning-for-higher-office political pawn from beginning to end. Some of the reactions on his face are downright devastating in how excellently they are conveyed. And this is a guy critics once said could not act. Coupled with one-two shot of acting in Hollywoodland and directing Gone Baby Gone, we may be seeing a renewed resonance and importance for the Oscar-winner. Crowe on the other hand, delivers his strongest performance in years. While he has been downplayed and underused in his last few films, he carries this film. He is stubborn and vaguely likable, but he makes his character work for all of his idiosyncrasies and ethically-questionable tactics. He makes a seasoned journalist look like an amateur.
McAdams, all but a ghost recently, holds her own against the two heavy-hitters and delivers a performance that is both inspired and emotional. It gives her a lot of room to act, and she delivers in every instance. The rest of the cast is a bit mixed however, as so little of them is given that much to do. Harry Lennix, Robin Wright Penn, Jeff Daniels, the horrifying Michael Berresse and especially Jason Bateman, all deliver noteworthy performances, but never get to really shine in them. They all have their traits and motivations, but get little screen time to truly express them. They each are developed quite strongly, but they lack the movement afforded to Crowe, Affleck and McAdams. I simply loved Helen Mirren's scenery-gauging editor and all of her subtleties. But she too, is downplayed to the point of almost barely being in the film.
Despite its intensity, the film is bogged down by its dialogue-heavy scenes and consistent character additions. It is easy to keep track of everyone, but so many people are introduced that the film loses its focus on more than one occasion. It makes for a few scenes that are merely filler between the scenes of useful heavy acting. It just feels so tiring. I understand now how daunting a task it must have been to convert six hours of British television into a 127-minute film, but there are scenes that are just too easy to not have been cut out (some entire mildly useful subplots may have helped). Adding characters in makes sense for a story about two journalists frantically searching to lift the lid on a story, but there needs to be more emphasis on what was needed and not needed. A brilliant montage in the middle of the film goes almost entirely to waste because the filmmakers lack the knowledge of what should be cut. Limiting the preposterous and silly climax could have also done wonders. The scenes that are left in the film (including the finale) are great, but they could have been stronger if they were as tightly wound as the film wants itself to be. A little less shaky hand camera movement could have also significantly benefited the film.
Even with its problems, it is clear from the on-set of the first shot in the bullpen at the Washington Globe that the filmmakers are going for a very keen sense of homage to All the President's Men. While the on-going and very professional relationship between McAffrey and Frye is very similar to Woodward and Bernstein, the fabric of journalistic integrity and researching are the core of State of Play. The film is loaded with allusions to the Oscar-winning film, and even mimics shots right out of the film. While it is obvious for anyone who has seen Men, this film's nods are done in such a delicate and unique way that they never become distracting or blatant. The film is its own, and does not ever feel like it is living in its big-brother's shadow. It is a fresh take on old-fashioned reporting in a very digital age, and frequently walks the tight line of old versus new.
State of Play looked interesting, and surprisingly delivers on almost every count. It is not a perfect film, but it is a solid example of great film-making. It wants to be more, but seems content at being a twisty and suspenseful modern thriller.
8/10.