| Photos (see all 33 | slideshow) | Videos (see all 6) |
| Neil Young | ... | Himself | |
| Emmylou Harris | ... | Herself | |
| Ben Keith | ... | Himself | |
| Spooner Oldham | ... | Himself | |
| Rick Rosas | ... | Himself | |
| Karl T. Himmel | ... | Himself (as Karl Himmel) | |
| Chad Cromwell | ... | Himself | |
| Wayne Jackson | ... | Himself | |
| Pegi Young | ... | Herself | |
| Grant Boatwright | ... | Himself | |
| Diana DeWitt | ... | Herself | |
| Gary W. Pigg | ... | Himself (as Gary Pigg) | |
| Anthony Crawford | ... | Himself | |
| Tom McGinley | ... | Himself | |
| Jimmy Sharp | ... | Himself | |
| Clinton Gregory | ... | Himself | |
| Larry Cragg | ... | Himself | |
| The Fisk University Jubilee Singers | ... | Themselves (as Fisk University Jubilee Singers) | |
| The Nashville String Machine | ... | Themselves |
Directed by | |||
| Jonathan Demme | |||
Produced by | |||
| Paul Deason | .... | co-producer | |
| Jonathan Demme | .... | producer | |
| Gary Goetzman | .... | executive producer | |
| Tom Hanks | .... | producer | |
| Ilona Herzberg | .... | producer | |
| Mia Lee | .... | associate producer | |
| Elliot Rabinowitz | .... | executive producer | |
| Neil Young | .... | executive producer (as Bernard Shakey) | |
Original Music by | |||
| Neil Young | |||
Cinematography by | |||
| Ellen Kuras | |||
Film Editing by | |||
| Andy Keir | |||
Production Design by | |||
| Michael Zansky | |||
Costume Design by | |||
| Manuel | |||
Makeup Department | |||
| Linda Boykin-Williams | .... | makeup artist | |
| Linda Dees Briggs | .... | makeup artist (as Linda Briggs) | |
| Linda Demith | .... | hair stylist (as Linda De Mith) | |
| Georgia Dunn | .... | makeup artist | |
| Melinda Dunn | .... | hair stylist | |
| Sandy Jo Johnston | .... | makeup artist | |
| Anne Morgan | .... | hair department head | |
| Michelle Probst | .... | makeup artist | |
| Bron Roylance | .... | makeup department head | |
| Maria Verel | .... | hair stylist: Ms. Harris | |
| Maria Verel | .... | makeup artist: Ms. Harris | |
Second Unit Director or Assistant Director | |||
| Greg Gilman | .... | second assistant director | |
| Anthony Hemingway | .... | first assistant director (as Anthony M. Hemingway) | |
Art Department | |||
| Jackie Brooks | .... | stagehand (as Jackie L. Brooks) | |
| James Covington | .... | master scenic artist | |
| Jon Herd | .... | stagehand | |
| Cole Kiracofe | .... | stagehand | |
| Dennis S. Kusks | .... | stagehand | |
| Benjamin Qualls | .... | stagehand | |
| Robert E. Smith | .... | stagehand | |
Sound Department | |||
| Les Banks | .... | audio designer: Ryman Auditorium | |
| Dave Bihldorff | .... | sound re-recordist | |
| Karen Brinton | .... | studio manager | |
| Tom Fleischman | .... | sound re-recording mixer | |
| Phil Gitomer | .... | tape operator | |
| David Hewitt | .... | sound engineer (as Dave Hewitt) | |
| Mark Humphreys | .... | sound engineer | |
| Dave Lohr | .... | sound engineer (as David Lohr) | |
| Sean McClintock | .... | stage assistant | |
| Christopher Newman | .... | production sound mixer (as Chris Newman) | |
| James Nichols | .... | sound consultant: Dolby (as James P. Nicholas) | |
| Igor Nikolic | .... | assistant sound editor (as Igor Nikolic') | |
| Rick Reith | .... | audio engineer: Ryman Auditorium | |
| J. Seeman | .... | sound recordist | |
| Paul Urmson | .... | supervising sound editor | |
| Allan Zaleski | .... | sound editor (as Al Zaleski) | |
| Mark Zimbicki | .... | boom operator | |
Costume and Wardrobe Department | |||
| Joseph Cassell | .... | costumer | |
| Dianne Dunn | .... | assistant costume designer | |
| Rhonda Keaton | .... | costumer | |
| Amy Patterson | .... | costumer | |
| Kim Perrett | .... | costumer (as Kimberly Rosen Perrett) | |
| Kelly Anne Ross | .... | costume supervisor (as Kelly Ross) | |
Editorial Department | |||
| Bill Baldwin | .... | digital intermediate producer (as Billy Baldwin) | |
| George Bunce | .... | editor: IQ | |
| Ethan Henerey | .... | apprentice editor | |
| Bert Hilaire | .... | digital intermediate engineer | |
| Jeff Huston | .... | scanning and film recording | |
| Beth Moran | .... | assistant editor | |
| Scot Olive | .... | digital intermediate colorist | |
| Matthew Reedy | .... | digital intermediate producer | |
| Corey Stewart | .... | digital intermediate engineer | |
| Bobbie Thomas | .... | dailies colorist | |
| Franklin Vargas | .... | digital intermediate assistant (as Frankie Vargas) | |
Music Department | |||
| Nancy Allen | .... | associate music editor | |
| David Angel | .... | musician: violin, The Nashville String Machine (as David Angell) | |
| John Carbonara | .... | assistant music editor | |
| Rob Clark | .... | associate music mixer | |
| Charles Cochran | .... | music arranger: The Nashville String Machine | |
| Brandon Colvin | .... | vocalist: bass, Fisk University Jubilee Singers | |
| Larry Cragg | .... | guitar tuner | |
| Dave Davidson | .... | musician: violin, The Nashville String Machine (as David Davidson) | |
| Jermaine Dunn | .... | vocalist: bass, Fisk University Jubilee Singers | |
| Conni Ellisor | .... | musician: violin, The Nashville String Machine | |
| Carl Gorodetzky | .... | contractor: The Nashville String Machine | |
| Carl Gorodetzky | .... | musician: violin, The Nashville String Machine | |
| Jim Grosjean | .... | musician: viola, The Nashville String Machine (as James Grosjean) | |
| Chad Hailey | .... | music mixer | |
| John Hausmann | .... | associate music mixer | |
| Ben Keith | .... | band leader | |
| Jeremy Kelsey | .... | vocalist: bass, Fisk University Jubilee Singers | |
| Moiro Konchellah | .... | vocalist: soprano, Fisk University Jubilee Singers | |
| Paul T. Kwami | .... | contractor: Fisk University Jubilee Singers (as Paul Kwami) | |
| Paul T. Kwami | .... | musical manager: Fisk University Jubilee Singers (as Paul Kwami) | |
| Anthony La Marchina | .... | musician: cello, The Nashville String Machine | |
| Olivia Mack | .... | vocalist: alto, Fisk University Jubilee Singers | |
| Darwin Mason | .... | vocalist: tenor, Fisk University Jubilee Singers | |
| Tim Mulligan | .... | associate music mixer | |
| Carole Neuen-Rabinowitz | .... | musician: cello, The Nashville String Machine | |
| Suzana Peric | .... | music editor (as Suzana Peric') | |
| Hayley Reed | .... | vocalist: alto, Fisk University Jubilee Singers | |
| Craig Rocky Roberts | .... | guitar tuner | |
| Pam Sixfin | .... | musician: violin, The Nashville String Machine (as Pamela Sixfin) | |
| Angela Stockdale | .... | vocalist: alto, Fisk University Jubilee Singers | |
| Wesley Trigg | .... | vocalist: tenor, Fisk University Jubilee Singers | |
| Alan Umstead | .... | musician: violin, The Nashville String Machine | |
| Gary Vanosdale | .... | musician: viola, The Nashville String Machine | |
| Jantina Virgil | .... | vocalist: soprano, Fisk University Jubilee Singers | |
| Kristin Wilkinson | .... | musician: viola, The Nashville String Machine | |
Transportation Department | |||
| Dave Hodgin Jr. | .... | transportation co-captain | |
| Harold Quillen | .... | transportation captain | |
| David Tinsley | .... | supplier: classic cars | |
Other crew | |||
| Denny Adcock | .... | researcher | |
| Tara Anderson | .... | photo assistant | |
| Shari Sweet Audretch | .... | office assistant | |
| Shari Sweet Audretch | .... | rehearsal assistant | |
| Sean Bradley | .... | production assistant | |
| Keri Braswell | .... | production assistant | |
| Christopher Brown | .... | production assistant | |
| George Bunce | .... | 2K conform | |
| Kelley Burlison | .... | production assistant | |
| Lisa Cofini | .... | post-production auditor | |
| Brenda Colladay | .... | researcher | |
| Christie Cox | .... | production assistant | |
| Lauren Dellolio | .... | assistant: Mr. Demme | |
| Brooklyn Demme | .... | stage assistant | |
| Josephine Demme | .... | production associate | |
| Ramona Demme | .... | assistant: Ms. Herzberg | |
| John Dowell | .... | museum supervisor: Ryman Auditorium | |
| Chris Silver Finigan | .... | production auditor | |
| Sarah Fleming | .... | production assistant | |
| Tim Foster | .... | stage manager | |
| Brian Gavron | .... | events manager: Ryman Auditorium | |
| George Gruhn | .... | researcher | |
| Courtney Ella Haley | .... | runner: band | |
| Jared Hardy | .... | production assistant | |
| Jared Hardy | .... | stand-in | |
| Richard Hoover | .... | production assistant | |
| Joanne Howard | .... | production associate | |
| Nathan Hughes | .... | stage technician: Ryman Auditorium | |
| Nick Jannelli | .... | production assistant | |
| Eric Johnson | .... | tour manager | |
| L.A. Johnson | .... | visual coordinator (as Larry Johnson) | |
| Shauna L. Kroen | .... | first assistant auditor | |
| Jerome Le Page | .... | production associate | |
| Chris Lesinski | .... | production assistant | |
| Bonnie Levetin | .... | production associate | |
| Amy Lewis | .... | media coordinator: Ryman Auditorium | |
| Edwin Lewis | .... | stage technician: Ryman Auditorium | |
| Sandy Liles | .... | researcher (as Sandy Lile) | |
| Holly Liter | .... | accounting coordinator: Ryman Auditorium | |
| Lucy Marshall | .... | production assistant | |
| Pam Matthews | .... | general manager: Ryman Auditorium | |
| Patrick McDonald | .... | key set production assistant | |
| Roxanne McIllwain | .... | food and beverage manager: Ryman Auditorium | |
| Roxanne McIllwain | .... | retail manager: Ryman Auditorium | |
| Bevin McNamara | .... | title designer | |
| Adam H. Miller | .... | production assistant (as Adam Miller) | |
| Wyatt Mims | .... | stage technician: Ryman Auditorium | |
| Jon Mire | .... | manager: technical services: Ryman Auditorium | |
| Cali Moore | .... | production assistant | |
| Regina Moore | .... | production associate | |
| Kenyon Noble | .... | production assistant | |
| John Nowland | .... | studio manager | |
| Erick Olmstead | .... | production assistant | |
| Bob O'Neal | .... | operations manager: Ryman Auditorium | |
| Erin O'Neill | .... | talent coordinator | |
| Wade Pinkston | .... | box office supervisor: Ryman Auditorium | |
| Mark Ragland | .... | location manager | |
| Steve Richard | .... | stage technician: Ryman Auditorium | |
| Todd Rowan | .... | production assistant | |
| Lindsey Scruggs | .... | production assistant | |
| George Smith | .... | security supervisor: Ryman Auditorium | |
| Thomas M. Somma | .... | production assistant | |
| Perry Sullivan | .... | production assistant | |
| Shannon Summers | .... | production assistant | |
| Sarah Beth Terry | .... | production assistant | |
| Bob Vergara | .... | production associate | |
| Peter Vogel | .... | assistant production coordinator | |
| Jayme Wagner | .... | guest services assistant: Ryman Auditorium | |
| G. Scott Walden | .... | marketing manager: Ryman Auditorium | |
| James Weems | .... | production assistant | |
| Meredith Weiss | .... | production assistant | |
| Sandra L. Yeary | .... | payroll auditor | |
| Lisa York | .... | production assistant (as Lisa A. York) | |
Thanks | |||
| Ben Young | .... | special thanks | |
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| Dont Look Back | Standing in the Shadows of Motown | Shine a Light | Jimi Hendrix | The Cure in Orange |
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Neil Young turned 60 last year. It was not his easiest year. His father died, a man very dear to Young, the man who really started Young on his long musical career when he gave him an Arthur Godfrey ukulele when he was seven or so. To make a grievous year worse, Young was discovered to have a life threatening cerebral aneurysm and required two surgical procedures to correct it, operations that were sandwiched in between recording sessions for his newest album, "Prairie Wind." Nevertheless, he came back and, surrounded by his longtime favorite musician friends and others, gave a whale of a pair of concerts on August 18 and 19, 2005, at Nashville's fabled Ryman Auditorium, home to the Grand Ole Opry from 1943 to 1974. Jonathan Demme and a first rate camera crew shot the show, and this film is the result.
Demme, better known to many for his narrative films, like "The Silence of the Lambs," "Philadelphia" and "Beloved," brings plenty of experience to making performance films as well. In 1984 he collaborated with David Byrne and Talking Heads to make the highly regarded concert film, "Stop Making Sense," and in 1998 he filmed a concert by Brit folk-soft rocker Robyn Hitchcock, "Storefront Hitchcock." He also filmed the late monologist Spalding Gray's "Swimming to Cambodia" in 1987, and has made short performance films and videos with Neil Young and Bruce Springsteen. "Heart of Gold" opens with brief, informal interview segments with several of the band members and a few glimpses of Nashville in the vicinity of The Ryman. Then we cut to the chase, the concert itself, which has two segments.
In the first part, Young and his band perform all but one of the 10 numbers on the "Prairie Wind" album; after that, there's a series of Young's past hits. There's just one song written by somebody else, Young's fellow Canadian Ian Tyson's wistful 1963 ballad, "Four Strong Winds," which Young tells the audience was an inspiration to him when he was getting started in music at age 17 or so. The concert is beautiful in every respect. Young still can deliver in his distinctively soulful, mellow, plains roots manner, often shifting up an octave into falsetto, a trademark sound of his. The accompanying musical group and their arrangements are all marvelous.
The cinematography, a team effort led by DP Ellen Kuras ("I Shot Andy Warhol," "Bamboozled," "Eternal Sunshine of the Spotless Mind," "No Direction Home - Bob Dylan"), is sublime. Camera angles are imaginative; the shots are simple and held long, never distracting the viewer's attention from the musicians; and the focus is always on the stage, no swoopy audience shots are allowed. The editing, by Andy Keir ("Mandela," Beloved," "The Secret Lives of Dentists," "Off the Map") is just as it should be for a musical performance film: not a single song is interrupted even once. Stage backdrops in lovely colors - muted yellows and ochres enhance the visual effects.
The concert nicely balanced the new with the old in Young's music. If the fresh songs from "Prairie Wind" don't include any obvious blockbuster hits in the making, the uniform virtuosity with which they are written and delivered indicates that Young's talent is still very much intact. Before a song inspired by his 21 year old daughter, Young says he used to write numbers like this for women his own age when he was young, and "I've still got a few left in me." Maybe I'm starting a new genre now, though, one for "empty nester" songs, he goes on to say.
Young doesn't shy away from nostalgia here. And why should he? At 60, a survivor of a bad year, with a wondrous songbook behind him, it is that time in life for anyone to begin to be reflective. He talks about his much used guitar, which he bought from Grant Boatwright years ago. It once belonged to Hank Williams, who played it on the Ryman stage in his last appearance there in 1951.
For anyone whose formative or defining life experiences were, like mine, sometimes accompanied by Young's music from his 1968 hit with Buffalo Springfield, "I Am a Child," and "Heart of Gold," in 1972, onward this concert is sure to be emotionally compelling. For that matter, anyone who appreciates country-pop music, and the images of traditional Americana it evokes, cannot fail to find satisfaction watching this movie, satisfaction we also see in the faces of the players themselves, several of whom have worked with Young for 30 years or more, so glad to be back on stage with each other and with Young, their leader, feeling stronger again and healing.
With Emmylou Harris (vocals, guitar), Ben Keith (band leader, steel guitar), Spooner Oldham (keyboards), Rick Rosas (bass), Grant Boatwright (guitar), Karl T. Himmel and Chad Cromwell (drums), Wayne Jackson of the Memphis Horns (trumpet), Neil's wife Pegi Young (vocals, guitar), Anthony Crawford (vocals, guitar), Diana Dewitt (vocals), Gary Pigg (vocals), Tom McGinley (tenor sax), Jimmy Sharp (guitar, vocals), Clinton Gregory (fiddle), Larry Cragg (guitar, banjo, trombone, fiddle, vocals, broom), the Fisk University Singers and The Nashville String Machine. My grade: A 10/10.