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Directed by | |||
| Dito Montiel | |||
Writing credits(in alphabetical order) | ||
| Dito Montiel | book | |
| Dito Montiel | written by | |
Produced by | |||
| Rene Bastian | .... | co-producer | |
| Lucy Cooper | .... | line producer | |
| Charlie Corwin | .... | producer | |
| Robert Downey Jr. | .... | co-producer | |
| Jonathan Elias | .... | co-producer | |
| Alex Francis | .... | associate producer | |
| Amanda Mackey Johnson | .... | executive producer (as Amanda Mackey) | |
| Clara Markowicz | .... | producer | |
| Linda Moran | .... | co-producer | |
| Bobby Sager | .... | executive producer | |
| Peter Sahagen | .... | executive producer | |
| Sting | .... | executive producer | |
| Trudie Styler | .... | producer | |
| Travis Swords | .... | producer | |
Original Music by | |||
| Jonathan Elias | |||
Cinematography by | |||
| Eric Gautier | (director of photography) | ||
Film Editing by | |||
| Jake Pushinsky | |||
| Christopher Tellefsen | |||
Casting by | |||
| Melissa Chusid | |||
| Amanda Mackey Johnson | (as Amanda Mackey) | ||
| Cathy Sandrich | (as Cathy Sandrich Gelford) | ||
Production Design by | |||
| Jody Asnes | |||
Set Decoration by | |||
| Cherish Magennis | (as Cherish Magennis Hale) | ||
Costume Design by | |||
| Sandra Hernandez | |||
Makeup Department | |||
| Mary Cooke | .... | key hair stylist (as Mary Cook) | |
| Suzanne DeSimone | .... | additional makeup artist (as Suzanne D. De Simone) | |
| Joseph Farulla | .... | additional makeup artist (as Joe Farulla) | |
| Linda Grimes | .... | key makeup artist | |
| Michael Laudati | .... | additional makeup artist | |
| Dionne Pitsikoulis | .... | makeup artist | |
| Eileen Tersago | .... | additional hair stylist | |
Production Management | |||
| Nicola Westermann | .... | unit production manager | |
Art Department | |||
| Sarah Berney | .... | scenic artist (as Sarah L. Berney) | |
| Benji Cox | .... | art department assistant (as Benjamin K. Cox) | |
| Benjamin Craig | .... | scenic artist | |
| Colin Eletto | .... | art department assistant | |
| Shannon Finnerty | .... | assistant property master | |
| Jessioca Gonzalez | .... | art department intern | |
| Nora Killoran | .... | additional set dresser | |
| Lianir Lopez | .... | art production assistant | |
| Christina Madry | .... | art intern | |
| David Moriarty | .... | scenic artist | |
| Hannah Newman | .... | construction assistant | |
| Andy Pan | .... | lead man | |
| Mike Romano | .... | set carpenter | |
| Jeremy Rosenstein | .... | art department assistant | |
| Kyle Salvatore | .... | on-set dresser | |
| Nicole M. Solis | .... | scenic artist (as Nicole Solis) | |
| Joshua Visser | .... | construction coordinator (as Joshua M. Visser) | |
| Bentley Wood | .... | property master | |
| Derek J.W. Wybourn | .... | assistant property master | |
| Marian Ziola-Stoeffelmeier | .... | scenic artist | |
Sound Department | |||
| Leslie Bloom | .... | foley artist | |
| Pam DeMetruis-Thomas | .... | adr editor (as Pam De Metruis-Thomas) | |
| Eugene Gearty | .... | sound editor | |
| John Gutierrez | .... | boom operator | |
| Paul Hsu | .... | sound re-recording mixer | |
| Paul Hsu | .... | supervising sound editor | |
| Charles R. Hunt | .... | sound mixer (as Charles Hunt) | |
| Branka Mrkic | .... | dialogue editor (as Branka Mrkic-Tana) | |
| Beauxregard Neylen | .... | assistant adr engineer | |
| Beauxregard Neylen | .... | assistant foley engineer | |
| Alex Raspa | .... | adr engineer | |
| Alex Raspa | .... | foley engineer | |
| Chris Rich | .... | sound facility supervisor | |
| Lila Yomtoob | .... | assistant sound editor | |
Visual Effects by | |||
| Keith Yurevitz | .... | visual effects | |
Stunts | |||
| Roy Farfel | .... | stunt coordinator | |
Casting Department | |||
| Lori Eastside | .... | extras casting | |
| Avy Kaufman | .... | additional casting | |
Costume and Wardrobe Department | |||
| Ngina Bowen | .... | wardrobe supervisor | |
| Leslie Fry | .... | wardrobe intern | |
| Whitney Kyles | .... | assistant costume designer | |
| Christina Madry | .... | wardrobe intern | |
| Evelyn Mejia | .... | wardrobe intern | |
| Yvette Stapleton | .... | key costumer (as Yvette E. Stapleton) | |
| David F. Zambrana | .... | assistant costume designer | |
Editorial Department | |||
| Adam Folk | .... | post-production coordinator | |
| Vaughan Killin | .... | color timer | |
| William Lehman | .... | assistant editor | |
| Anthony Ripoli | .... | assistant editor | |
| Larry Schmitt | .... | on-line editor | |
Music Department | |||
| Jim Black | .... | music clearances: Clearsongs Inc. | |
| Jimmy Haun | .... | additional scoring | |
| Vincenzo LoRusso | .... | lead music mixer | |
| Vincenzo LoRusso | .... | music recording engineer | |
| Nathaniel Morgan | .... | music recording engineer | |
| David Wittman | .... | additional scoring | |
Transportation Department | |||
| John McMorrow | .... | driver | |
| Timothy Paustian | .... | transportation captain (as Timothy J. Paustian) | |
Other crew | |||
| Matthew Amenta | .... | set production assistant (as Matthew C. Amenta) | |
| Victoria Asher | .... | set intern | |
| Luches Banks | .... | set production assistant | |
| Eli Barach | .... | office intern | |
| Anna Bosco | .... | accountant: JFA Inc. | |
| Steve Boyle | .... | accountant: JFA Inc. | |
| Alayne Brady | .... | office intern | |
| Inna Braude | .... | assistant: Kingu Films | |
| Emerson E. Bruns | .... | production legal counsel | |
| Linda Carbone | .... | production executive: Kingu Films, New York | |
| Jeff Caron | .... | location manager | |
| Amyjoy Clark | .... | additional production assistant: first team | |
| Daniel Coss | .... | location manager: New York | |
| Alison Davis | .... | production secretary (as Alison M. Davis) | |
| Patricia de Paula | .... | production coordinator | |
| Payton Dunham | .... | assistant location manager: preparation | |
| Bailey Ertel | .... | set production assistant | |
| Jason Fesel | .... | set production assistant (as Jason Fredrick Fesel) | |
| John B. Finn | .... | accountant: JPA Inc. (as John Finn) | |
| Jessica Flores | .... | office intern (as Jessica J. Flores) | |
| Stacy Frankel | .... | assistant: Original Media | |
| Cliff Fuller | .... | production office coordinator | |
| Rebecca Fulton | .... | script supervisor | |
| Ish Goldstein | .... | set production assistant | |
| Wilson Green | .... | set production assistant | |
| Wayne Han | .... | production assistant | |
| Sebastian Iervolino | .... | set intern | |
| Pino Insegno | .... | voice dubbing: Robert Downey Jr | |
| Sondra James | .... | loop group coordinator | |
| Markus Janner | .... | titles & opticals: Duart Digital | |
| Theis Jessen | .... | office production assistant | |
| John Kaylin | .... | dubbing producer | |
| Margaret Koschik | .... | location assistant (as Meg Koschik) | |
| Lianir Lopez | .... | art production assistant | |
| Theresa Lowrey | .... | assistant: Trudie Styler | |
| Christine McAndrews | .... | production executive: Kingu Films, New York | |
| Watari Nishida | .... | set production assistant | |
| Shane O'Dell | .... | office manager: Belladonna | |
| Ray Parada | .... | additional footage | |
| Alyson Perlongo | .... | assistant: Original Media | |
| Melissa Pfluger | .... | craft service: Kitchen 306 Inc. | |
| Christina Prudenti | .... | craft service: Kitchen 306 Inc. | |
| Jimmy Rich | .... | assistant: Robert Downey Jr. | |
| Neil Ruddy | .... | weapons specialist | |
| Nan Sandle | .... | production assistant: first team (as Nan Marie Sandle) | |
| Clarence Sharpe | .... | key production assistant | |
| Joleen Small | .... | office intern | |
| Jesse Spellman | .... | set production assistant (as Jesse Spellman III) | |
| Greg Staley | .... | additional set production assistant | |
| Cordelia Stephens | .... | clearances and product placement | |
| James P. Stephens | .... | assistant to director | |
| Anita Sumner | .... | senior production executive: Kingu Films, London | |
| Olivia Vesey | .... | set intern | |
| T.G. Wilkinson | .... | set intern (as Tom Wilkinson) | |
| Keith Yurevitz | .... | titles & opticals: Duart Digital | |
| Alexander Zweig | .... | assistant location manager (as Alex Zweig) | |
Thanks | |||
| Ed Harris | .... | special thanks | |
| Anne Hubbell | .... | thanks | |
| Craig Kestel | .... | special thanks | |
| Kenneth Shiffrin | .... | special thanks (as Kenneth Schiffrin) | |
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| Full cast and crew | Company credits | External reviews |
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In this autobiographical coming-of-age piece, director Dito Montiel confronts his gritty past in Astoria, Queens. He tells the doomed story of a teenage boy who spends his days in the seedy hot crime-infested backstreets of 1980's New York City to the day when he leaves for California and does not return until twenty years later, when his father (Chazz Palminteri) is sick. The retelling is impressive and absorbing.
A Guide to Recognizing Your Saints is bursting with the flair of a debut director, who is eager to employ a wide variety of techniques steadicams, punctured narrative, flashbacks, script interjections, dreamlike non-chronological editing and an uneven pace. The good news is that it channels Spike Lee's criminal Queens street style with fast-paced local jargon that recycles 'fuck' in every sentence and snaps and crackles like kindling in a fireplace between its many thug-like characters. Owing to its coming-of-age format, the story often stays wildly unfocused and you get the feeling many scenes do not serve a purpose other than to get us a feel for the venality with which things were run.
Nevertheless, the characters are all absorbing, especially the young versions of Robert Downey Jr, Eric Roberts and Rosario Dawson. One of these is Antonio a childhood friend of Dito's and local bully who does wonderful improvisation-like raw lines. The vast contingent of American preeteen fangirls who were lusting after Channing Tatum after his cheesy teen movies had put me off this actor at first, but it cannot be denied that he gives one of the most intense performances in the film as Antonio he is hard-edged, testosterone-fuelled and doomed. Robert Downey Jr. is remarkably toned down as the grown-up Dito, delivering sparse lines and abandoning his usual colourful style of acting.
Together the four Queens teens harass girls, beat up rival gangs, shoplift and give attitude to on-lookers and this is undoubtedly when it feels the most like Spike Lee Lite. Saints patiently crafts tension at several points in the story, and it prefers climaxes to continuity as bad events snowball into criminal messes, deaths and the final abandonment by Dito. A Guide to Recognizing Your Saints is an interesting and compelling story, recreated with deft strokes by local Dito Montiel.
Sting and Trudi Styler loved the script so much they went to great lengths to support the production, and Chazz Palminteri delayed the shooting of another film of his with money out of his own pocket just to be able to play the bruised father in the film. These should serve as marks of its success and most of all the commitment with which its cast approached the film.
7.5 out of 10