The movie is a coming-of-age drama about a boy growing up in Astoria, N.Y., during the 1980s. As his friends end up dead, on drugs or in prison, he comes to believe he has been saved from their fate by various so-called saints.
Turning her back on her wealthy, established family, Diane Arbus falls in love with Lionel Sweeney, an enigmatic mentor who introduces Arbus to the marginalized people who help her become one of the most revered photographers of the twentieth century.
Robert Downey Jr.,
An English Professor tries to deal with his wife leaving him, the arrival of his editor who has been waiting for his book for seven years, and the various problems that his friends and associates involve him in.
The story of the assassination of U.S. Senator Robert F. Kennedy who was shot in the early morning hours of June 5, 1968 in the Ambassador Hotel in Los Angeles, and 22 people in the hotel whose lives were never the same.
Two girls, Carla and Lou meet on the street outside a loft waiting for their boyfriends. In a short time, they find out that they're waiting for the same guy - young actor Blake, who said ... See full summary »
Robert Downey Jr.,
Natasha Gregson Wagner
Dito, a writer in L.A., goes home to Astoria, Queens, after a 15-year absence when his mother calls to say his father's ill. In a series of flashbacks we see the young Dito, his parents, his four closest friends, and his girl Laurie, as each tries to navigate family, race, loyalty, sex, coming of age, violence, and wanting out. A ball falls onto the subway tracks at a station, small things get out of hand. Can Dito go home again? Written by
Martin Compston was cast as Mike based on his performance in Ken Loach's Sweet Sixteen - for which he won Best Actor at the British Independent Film Awards. Executive producer Trudie Skyler was on the jury for said award. See more »
After Mike introduces Frank and Dito, the trio leaves Franks apartment. The cross the street and start to discuss wages, Job - from the bible, and Frank tells Mike he gets a raise. "well you just got a raise then, for the band". As soon as he finishes "for the band" there is a pay phone emerging from the left side of the screen. Verizon. The year is 1986 in the movie, however Verizon Wireless began operations on April 4, 2000. WSII. See more »
[after walking in on Antonio and Jenny having sex]
Hell yea - when can I get in on that shit?
Fuck off, Guiseppe.
All I'm sayin' is that if I was an ugly bitch and two hot dudes like us wanted to fuck me, I'd be into it.
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An authentically heartfelt, and truly inspiring film, by a first-time filmmaker, Recognizing Your Saints, bellows deep in the heart and soul of everyone that is privileged to see it. Written and directed by Dito Montiel, from his autobiographical novel of the same title, Recognizing Your Saints is a sincerely brave effort, by a shy and yet outspoken filmmaker. Rehashing his hellish childhood in 1980's Astoria, Queens, Montiel brings a brilliant cast together to portray the misery of the youth growing up around him at the time.
Starring Robert Downey Jr. as the adult version of Montiel and Shia LaBeouf as the angst teenager, there is an almost perfect synergy between the two portrayals of Montiel at two different spectrum's of his life. Being called back to a Queens that Montiel left with his life and the clothes on his back, he is called back to take his dying father to the hospital.
Questions of fatherly love and compassion are brought out throughout the film, only to be answered by the gently grim, unyielding hand of Montiel's father played by native New Yorker, Chaz Palmintieri. Comparisons to Mean Streets, Kids and Raising Victor Vargas can be made to this New York drama on the whole. But, every scene, individually is so undeniably real that Montiel's film surpasses its comparisons and resonates as an entirely different type of film.
This film, about a group of kids can be told anywhere and that is what is unique about it, that it does not limit itself to the city it subsequently takes place on. It was a great surprise after the screening of the film, to have a nice personal Q & A, with the director himself. Being a very shy man, Montiel answered a few questions about the characters in the film, and where they are now. He also explained how much he loved working with the young cast, and breaking the rules of film making, he did not know existed. Overall this is a great film, filled with amazing performances, no one should miss.
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