The movie is a coming-of-age drama about a boy growing up in Astoria, N.Y., during the 1980s. As his friends end up dead, on drugs or in prison, he comes to believe he has been saved from their fate by various so-called saints.
Keep track of everything you watch; tell your friends.
If your account is linked with Facebook and you have turned on sharing, this will show up in your activity feed. If not, you can turn on sharing
here
.
Cornered by the DEA, convicted New York drug dealer Montgomery Brogan reevaluates his life in the 24 remaining hours before facing a seven-year jail term.
Director:
Spike Lee
Stars:
Edward Norton,
Philip Seymour Hoffman,
Barry Pepper
A story about a troubled boy growing up in England, set in 1983. He comes across a few skinheads on his way home from school, after a fight. They become his new best friends even like family. Based on experiences of director Shane Meadows.
Director:
Shane Meadows
Stars:
Thomas Turgoose,
Stephen Graham,
Jo Hartley
In 1970s America, a detective works to bring down the drug empire of Frank Lucas, a heroin kingpin from Manhattan, who is smuggling the drug into the country from the Far East.
Director:
Ridley Scott
Stars:
Denzel Washington,
Russell Crowe,
Chiwetel Ejiofor
Set in Depression-era Franklin County, Virginia, a bootlegging gang is threatened by a new deputy and other authorities who want a cut of their profits.
Tells the story of seventeen year-old J (Josh) as he navigates his survival amongst an explosive criminal family and the detective who thinks he can save him.
Director:
David Michôd
Stars:
James Frecheville,
Bryce Lindemann,
Joel Edgerton
Dito, a writer in L.A., goes home to Astoria, Queens, after a 15-year absence when his mother calls to say his father's ill. In a series of flashbacks we see the young Dito, his parents, his four closest friends, and his girl Laurie, as each tries to navigate family, race, loyalty, sex, coming of age, violence, and wanting out. A ball falls onto the subway tracks at a station, small things get out of hand. Can Dito go home again? Written by
<jhailey@hotmail.com>
When Dito ('Shia LaBeouf') and Mike ('Martin Compston') are talking about what music they should play, Mike says that they should sound like Black Flag or Major Conflict. Major Conflict is a NY hardcore band in which the director of the movie actually played when he was young. See more »
Goofs
After Mike introduces Frank and Dito, the trio leaves Franks apartment. The cross the street and start to discuss wages, Job - from the bible, and Frank tells Mike he gets a raise. "well you just got a raise then, for the band". As soon as he finishes "for the band" there is a pay phone emerging from the left side of the screen. Verizon. The year is 1986 in the movie, however Verizon Wireless began operations on April 4, 2000. WSII. See more »
Quotes
Jenny:
My name is Jenny and everyone's a fucking joke.
See more »
"Brother Louie"
Written by Errol Brown and Anthony Wilson
Performed by Stories
Courtesy of Buddah Records
By Arrangement with Sony BMG Music Entertainment See more »
What kind of writer reveals his troubled childhood, then directs a semi-autobiographical film about it, using a character with his own name? Bold, foolish or maybe both, that's exactly what Dito Montiel did.
Reminiscent of Larry Clark's Kids in Manhattan, it depicts adolescents growing up in a tough neighbourhood, in the borough of Queens. For some of these youth, the dangers lay not just on the streets, but also in their own homes. Dito only knew he had to get away.
At first the film is a little difficult to watch visually the editing and hand-held camera are abrupt. As the film develops, and the story shifts into the present, it becomes evident that this was a deliberate device to depict the nature of recollection. As Dito makes the journey across the continent to visit the ill father he hasn't seen in 15 years, a montage of childhood memories flood his mind.
A Guide to Recognizing Your Saints at times is not an easy film to watch but is more accessible than Kids. Both films depict the dangers faced by adolescents. While Kids depicted the consequences of those dangers, this film portrays how one boy escapes from them, but ultimately needs to confront and reconcile his past.
The performances in the film are strong. The actors are all very credible. The dialogue is saturated with authenticity. Melonie Diaz, who previously appeared in Raising Victor Vargas, beautifully portrayed Dito's childhood girlfriend Laurie. Rosario Dawson plays the grown up Laurie, and incidentally made her film debut in Kids.
Producer Robert Downey Jr. who encouraged Montiel to make the film, was excellent in an understated role as the adult Dito. The transition of actors between 1986 and the present was depicted effectively. Special mention to Chazz Palminteri, who always has a strong but unforced screen presence.
A film made with a small budget, it pays off with a strong, emotionally powerful and worthwhile story. I was surprised how the emotional impact crept up towards the end, as Dito dealt with his past as best he could.
This film is highly recommended for those who enjoy human drama in shades of grey. There's no good guy/bad guy thing happening here. It's people dealing with the hand that destiny has given them, and trying to find their way. It is full of emotional honesty and plausibility that you can buy into. And don't leave until after the final credits.
67 of 71 people found this review helpful.
Was this review helpful to you?
What kind of writer reveals his troubled childhood, then directs a semi-autobiographical film about it, using a character with his own name? Bold, foolish or maybe both, that's exactly what Dito Montiel did.
Reminiscent of Larry Clark's Kids in Manhattan, it depicts adolescents growing up in a tough neighbourhood, in the borough of Queens. For some of these youth, the dangers lay not just on the streets, but also in their own homes. Dito only knew he had to get away.
At first the film is a little difficult to watch visually the editing and hand-held camera are abrupt. As the film develops, and the story shifts into the present, it becomes evident that this was a deliberate device to depict the nature of recollection. As Dito makes the journey across the continent to visit the ill father he hasn't seen in 15 years, a montage of childhood memories flood his mind.
A Guide to Recognizing Your Saints at times is not an easy film to watch but is more accessible than Kids. Both films depict the dangers faced by adolescents. While Kids depicted the consequences of those dangers, this film portrays how one boy escapes from them, but ultimately needs to confront and reconcile his past.
The performances in the film are strong. The actors are all very credible. The dialogue is saturated with authenticity. Melonie Diaz, who previously appeared in Raising Victor Vargas, beautifully portrayed Dito's childhood girlfriend Laurie. Rosario Dawson plays the grown up Laurie, and incidentally made her film debut in Kids.
Producer Robert Downey Jr. who encouraged Montiel to make the film, was excellent in an understated role as the adult Dito. The transition of actors between 1986 and the present was depicted effectively. Special mention to Chazz Palminteri, who always has a strong but unforced screen presence.
A film made with a small budget, it pays off with a strong, emotionally powerful and worthwhile story. I was surprised how the emotional impact crept up towards the end, as Dito dealt with his past as best he could.
This film is highly recommended for those who enjoy human drama in shades of grey. There's no good guy/bad guy thing happening here. It's people dealing with the hand that destiny has given them, and trying to find their way. It is full of emotional honesty and plausibility that you can buy into. And don't leave until after the final credits.