| Gary Stretch | ... | Mitchell 'Boots' Mason | |
| Vinnie Jones | ... | Dunn | |
| Stephen Rea | ... | Anawalt | |
| Shannyn Sossamon | ... | Claire | |
| Christopher Lee | ... | Mr. Mason | |
| Lee Ryan | ... | Reuben | |
| Adrian Paul | ... | Christian Mason | |
| Jean Marsh | ... | Mrs. Mason | |
| Sadie Frost | ... | Dutch | |
| Geoff Bell | ... | Frank Marshall | |
| George Harris | ... | Doctor | |
| rest of cast listed alphabetically: | |||
| Luing Andrews | ... | Vladimir | |
| Sam Ardley | ... | Teen One | |
| Dean Bardini | ... | Frank's Mate | |
| Greg Bennett | ... | Mason's Lawyer | |
| Hannah Curtis | ... | Natalie | |
| Richard Durden | ... | Carl | |
| Adam F. | ... | Sean (as Adam Fenton) | |
| Adam Fogerty | ... | Tony | |
| Rufus Graham | ... | Auctioneer | |
| Nikki Harrup | ... | Barmaid | |
| Gael Johnson | ... | Christian's PA | |
| Emma Linley | ... | Christine | |
| Meredith Ostrom | ... | Amanda Mason | |
| Austen Palmer | ... | Henry Holmes | |
| Anton Saunders | ... | Vladimir Luchko | |
| Gregg Sulkin | ... | Teen Two | |
| Chris Wilson | ... | Police Officer | |
| Sarah Hannah | ... | Bar Maid (uncredited) | |
Directed by | |||
| Marcus Warren | |||
Writing credits(in alphabetical order) | ||
| Marcus Warren | ||
Produced by | |||
| John Cairns | .... | producer | |
| Pene Cairns | .... | co-executive producer | |
| Cameron Casey | .... | associate producer | |
| Mark Cellier | .... | executive producer | |
| Mike Corfe | .... | co-executive producer | |
| John Daly | .... | executive producer | |
| David Dickson | .... | associate producer | |
| Cortney Haile | .... | associate producer | |
| Rowland Huelin | .... | co-executive producer | |
| Mike Ingham | .... | co-executive producer | |
| Shirley Ingham | .... | co-executive producer | |
| Nadya Jary | .... | associate producer | |
| Mike Klein | .... | co-executive producer | |
| Caroline Levy | .... | line producer | |
| Tosca Musk | .... | associate producer | |
| Byron Schley | .... | associate producer | |
| Roderick Sheen | .... | co-executive producer | |
| Gina Stroud | .... | associate producer | |
Original Music by | |||
| Paul Oakenfold | |||
Cinematography by | |||
| Robert Morris | |||
Film Editing by | |||
| David Head | |||
Casting by | |||
| Zora DeHorter | |||
Production Design by | |||
| Marcus Wookey | |||
Art Direction by | |||
| Nick Dent | |||
Costume Design by | |||
| Andrew Cox | |||
Makeup Department | |||
| Roz Abery | .... | prosthetic makeup artist | |
| Jemma Carballo | .... | assistant makeup artist | |
| Tara McDonald | .... | hair designer | |
| Tara McDonald | .... | makeup designer | |
Production Management | |||
| Jaynie Miller | .... | production manager | |
| Liz Pearson | .... | post-production supervisor | |
| Jon Thompson | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Ian Hughes | .... | third assistant director | |
| Jamie Macdermott | .... | first assistant director | |
| Adam Morris | .... | second assistant director | |
Art Department | |||
| Joe Borowski | .... | dressing props | |
| Joe Borowski | .... | stand-by props | |
| Christopher Chandler | .... | standby prop | |
| Charlotte Crosbie | .... | production buyer | |
| Cathy Featherstone | .... | production buyer | |
| Dougie Lankston | .... | dressing props | |
| Adam McCreight | .... | property master | |
| Tony Statham | .... | signs and graphics | |
| Dorothy Sullivan | .... | art department assistant | |
Sound Department | |||
| Naomi Dandridge | .... | adr recordist | |
| Paul William Edwards | .... | foley editor | |
| Simon Epstein | .... | foley mixer | |
| Andrew Felton | .... | boom operator | |
| Alan Freedman | .... | adr mixer: Los Angeles | |
| Tony Gibson | .... | sound effects editor | |
| Scott Jones | .... | adr mixer | |
| Arran Mahoney | .... | sound effects editor | |
| Claire Mahoney | .... | foley artist | |
| Chris Navarro | .... | adr mixer | |
| Rashad Omar | .... | sound mixer | |
| Filipa Principe | .... | dialogue editor | |
| Nigel Squibbs | .... | sound re-recording mixer | |
| Lionel Strutt | .... | adr coordinator | |
| Chris Sturmer | .... | dolby sound consultant | |
| Jason Swanscott | .... | foley artist | |
| Simon J. Willis | .... | sound mixer | |
Special Effects by | |||
| Stuart Browne | .... | special effects technician | |
| Rob Partridge | .... | armory head | |
| Alastair Vardy | .... | special effects supervisor | |
Visual Effects by | |||
| Joel Bodin | .... | digital compositor | |
| Ryan Hutchings | .... | compositor | |
| Jonna Isotalus | .... | digital compositor | |
| Rick McMahon | .... | roto/prep | |
| Jola Piesakowska | .... | visual effects supervisor | |
| Lewis Saunders | .... | compositor | |
| Robert A. Willis | .... | digital compositor | |
Camera and Electrical Department | |||
| Susie Allnutt | .... | still photographer | |
| Andrew Bailey | .... | gaffer | |
| Sergio Bernuzzi | .... | grip | |
| Robert Binnall | .... | camera operator: "b" camera | |
| Warren Buckingham | .... | first assistant camera: "a" camera | |
| Dan Carling | .... | camera trainee | |
| David Churchyard | .... | clapper loader | |
| Martin Cox | .... | bestboy | |
| Kit Fraser | .... | additional photographer | |
| Bill Kaye | .... | still photographer: additional | |
| Terry Robb | .... | rigging gaffer | |
| Fran Weston | .... | focus puller: "b" camera | |
Costume and Wardrobe Department | |||
| Rebecca Grint | .... | costume assistant | |
| Lupt Utama | .... | costume supervisor | |
Editorial Department | |||
| Ross Baker | .... | colorist | |
| Sean Barton | .... | additional editor | |
| Nigel Bunyan | .... | assembly editor | |
| Tim Drewett | .... | digital film technician | |
| Nina Khan | .... | post-production manager | |
| Steve Knight | .... | digital intermediate technician | |
| Justin Lanchbury | .... | di film consultant | |
| Laura Metcalfe | .... | post-production facilities manager | |
| Des Murray | .... | on-line editor | |
| Andy Richards | .... | senior digital intermediate technician | |
| Gemma Townsend | .... | digital intermediate technician | |
Music Department | |||
| Claire Freeman | .... | assistant music supervisor | |
| Marc Marot | .... | music supervisor | |
| Michael J. McEvoy | .... | composer: additional music | |
| Paul Oakenfold | .... | music supervisor | |
Transportation Department | |||
| Nick Kenyon | .... | driver: cast | |
| Cain Lee | .... | cameracar driver | |
Other crew | |||
| William Archer | .... | assistant to producer | |
| Lucy Chilton | .... | production assistant | |
| Matthew Clarke | .... | location scout | |
| Lucy Eldridge | .... | runner | |
| Nikki Ellis | .... | assistant to director | |
| David Fennings | .... | set runner | |
| Claire Finbow | .... | production assistant | |
| Ben Hopwood | .... | production runner | |
| Richard Hyland | .... | production accountant | |
| Amanda Lean | .... | script supervisor | |
| Kelly Marcel | .... | script editor | |
| Tom Mulberge | .... | set runner | |
| Suzanne Nolan | .... | story consultant | |
| David O'Donoghue | .... | business affairs | |
| Helene Oosthuizen | .... | script supervisor | |
| Andrew Ryland | .... | location assistant | |
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| The Bank Job | Speed | Shattered | The Gauntlet | Batman Returns |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Thriller section | IMDb UK section |
With a new TV for Christmas and having viewed most of the new titles out there, I was looking for something new and visually pleasing with some potential action to spice it up. After reading terrible reviews almost across the board for this movie, I came across one review that said it was a good action movie to just sit back and enjoy and that the story wasn't terrible...the reviewer must have been thinking of another movie. I was looking forward to at least some quality acting based on the cast, but it was one corny line and terrible camera angle after the other. The action was extremely limited which made the long stretches of poor story and character development even more unbearable. When the action did show up, it was quick and made even worse by the cheesy matrix style(camera following slow motion bullets with trails) it was edited with. Avoid this one if you value 2 hours of your life that you could be doing something much more productive with. I felt cheated in the end.