| Photos (see all 2 | slideshow) |
| Richard Gere | ... | Erroll Babbage | |
| Claire Danes | ... | Allison Lowry | |
| KaDee Strickland | ... | Viola Frye | |
| Ray Wise | ... | Bobby Stiles | |
| Russell Sams | ... | Edmund Grooms | |
| Avril Lavigne | ... | Beatrice Bell | |
| Kristina Sisco | ... | Harriet Wells | |
| Dwayne L. Barnes | ... | Vincent Dennison (as Dwayne Barnes) | |
| Matt Schulze | ... | Glenn Custis | |
| Debrianna Mansini | ... | Harriet's Mother | |
| Ed Ackerman | ... | Louis Kessler | |
| French Stewart | ... | Haynes Ownby | |
| Paul Scallan | ... | Missing Girl's Father | |
| Susan Conklin | ... | Missing Girl's Mother | |
| Carmen Serano | ... | Woman in Gorilla Suit | |
| Victoria Gallegos | ... | Errol's Colleague #1 (as Victoria Gale) | |
| Josh Berry | ... | Deputy #1 | |
| Esodi Geiger | ... | Sheriff's Investigator (as Esodie Geiger) | |
| Frank Bond | ... | Deputy #2 | |
| Genia Michaela | ... | Barfly | |
| Robyn Reede | ... | Waitress | |
| Johnnie Hector | ... | Engineer (as Johnie Hector) | |
| Blake Catherwood | ... | Androgynous | |
| Dylan Kenin | ... | Bitten Man | |
| James Tarwater | ... | Finger Sniffer (as J. Tarwater) | |
| Brian Lucero | ... | Male Kisser | |
| J.D. Garfield | ... | Errol's Colleague #2 | |
| Roberto Enrique Pineda | ... | Brakeman | |
| Katherine Costa | ... | Secretary | |
| Twink Caplan | ... | Waitress #2 | |
| Matt Sanford | ... | James Ray Ward | |
| rest of cast listed alphabetically: | |||
| Skye MacCallum | ... | Nadine | |
| J. Nathan Simmons | ... | New York Commuter | |
| Jess Coffer | ... | Deputy Sheriff (uncredited) | |
| Erik Davies | ... | Actor (uncredited) | |
| Stephen Eiland | ... | Santa (uncredited) | |
| Jim Garrity | ... | Scarred Face Guy (uncredited) | |
| Robert Nathan Gleason | ... | Registered Sex Offender (uncredited) | |
| Tom B. Gleason | ... | C.S.I. Cop (uncredited) | |
| Chaz Grundy | ... | Deputy Sheriff (uncredited) | |
| Ric Maddox | ... | Det. Martin Ryder (uncredited) | |
| Paul McGowen | ... | Det. Grant P. Stockdale (uncredited) | |
| Bailey Ann Scheller | ... | Restraunt patron (uncredited) | |
| Dylan Scheller | ... | Restraunt patron (uncredited) | |
| Cyd Schulte | ... | Hot Babe (uncredited) | |
| Tavia Schwartz | ... | Pedestrian (uncredited) | |
| Z. Ray Wakeman | ... | Downtown Guy (uncredited) | |
| Lewie Wickham | ... | Diner Deputy (uncredited) | |
Directed by | |||
| Wai-keung Lau | (as Andrew Lau) | ||
| Niels Mueller | (reshoots) (uncredited) | ||
Writing credits(in alphabetical order) | ||
| Hans Bauer | writer | |
| Craig Mitchell | writer | |
Produced by | |||
| Karinne Behr | .... | executive producer | |
| Luc Campeau | .... | executive producer | |
| Jenette Kahn | .... | producer | |
| Wai-keung Lau | .... | producer (as Andrew Lau) | |
| Robert L. Levy | .... | executive producer | |
| Andrew Loo | .... | co-producer | |
| Philippe Martinez | .... | producer | |
| Larry Rapaport | .... | producer | |
| Adam Richman | .... | producer | |
| Elie Samaha | .... | producer | |
| Peter Schwerin | .... | executive producer | |
Original Music by | |||
| Guy Farley | |||
Cinematography by | |||
| Enrique Chediak | |||
Film Editing by | |||
| Tracy Adams | |||
| Martin Hunter | |||
Casting by | |||
| Lisa Beach | |||
| Toni Cobb Brock | |||
| Sarah Katzman | |||
Production Design by | |||
| Lester Cohen | |||
Art Direction by | |||
| Ed Vega | |||
Set Decoration by | |||
| Carla Curry | |||
Costume Design by | |||
| Deborah Everton | |||
Makeup Department | |||
| Sara Bozik | .... | additional makeup artist | |
| Jessie Brown | .... | additional makeup artist | |
| LuAnn Claps | .... | makeup artist: Richard Gere | |
| Tarra D. Day | .... | makeup department head | |
| RaMona Fleetwood | .... | hair department head | |
| Matthew Jorgensen | .... | makeup lab technician | |
| Neal Kennemore | .... | makeup lab technician: W.M. Creations | |
| Neal Kennemore | .... | mold maker: W.M. Creations | |
| Neal Kennemore | .... | sculptor: W.M. Creations | |
| Rich Knight | .... | makeup lab tech: W.M. Creations | |
| Rich Knight | .... | mold maker: W.M. Creations | |
| Rich Knight | .... | sculptor: W.M. Creations | |
| Aaron Koons | .... | special makeup effects lab technician | |
| Blair Leonard | .... | makeup artist | |
| Karen McDonald | .... | additional makeup artist | |
| Yvette Meely | .... | key hair stylist | |
| Matthew W. Mungle | .... | special makeup effects artist: prosthetic supply | |
Production Management | |||
| David Manzanares | .... | unit manager | |
| Larry Rodriguez | .... | post-production executive | |
| Rick S. Sulier | .... | production supervisor | |
| Straw Weisman | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Neil Daly | .... | first assistant director | |
| Jason Graham | .... | second assistant director | |
| Megan Lombardo | .... | additional second assistant director | |
| Philip Seeger | .... | second second assistant director | |
Art Department | |||
| Brett Andrews | .... | props | |
| David D. Baumann | .... | assistant property master | |
| James Duddy | .... | swing gang | |
| Gary Eilar | .... | swing gang | |
| Michael Flowers | .... | set dresser | |
| Mary Holyoke | .... | set decoration buyer | |
| Kristen Kogler | .... | art department coordinator | |
| Ben Lowney | .... | property master | |
| Steven Maes | .... | graphic artist | |
| Ian Scroggins | .... | swing gang | |
| Liv Selinger | .... | leadman: re-shoots | |
| Raphael Senft | .... | set dresser | |
| Juan Souter | .... | swing gang boss | |
| Gabriella Villarreal | .... | assistant set decorator | |
| Jeffri Welsh | .... | props | |
| Christopher Windisch | .... | construction coordinator | |
| Jeri Woodward | .... | paint foreman | |
| Randal Woodward | .... | lead scenic | |
Sound Department | |||
| Joshua Adeniji | .... | foley editor | |
| Randy Babajtis | .... | sound designer | |
| Michael Baird | .... | sound editor | |
| Jeremy Balko | .... | adr mixer | |
| Dhyana Carlton-Tims | .... | supervising dialogue & adr editor | |
| David O. Daniel | .... | sound mixer | |
| Robert Dehn | .... | assistant sound editor | |
| Brent Findley | .... | assistant sound editor | |
| Lesa Foust | .... | cable utility sound | |
| Jason Gaya | .... | assistant sound editor | |
| Judah Getz | .... | assistant adr recordist | |
| Matthew Halbert | .... | boom operator | |
| Scott Hinkley | .... | sound re-recording mixer | |
| David Hughes | .... | assistant sound editor | |
| Cody King | .... | foley editor | |
| Richard Kitting | .... | sound recordist | |
| Jeff Knudsen | .... | additional boom operator | |
| Shawn London | .... | sound effects editor | |
| Jonathan Miller | .... | supervising sound editor | |
| Andrew Morgado | .... | foley mixer | |
| Michael Parlett | .... | sound effects editor | |
| Jonathan Wales | .... | sound re-recording mixer | |
| John Weitz | .... | sound utility | |
Special Effects by | |||
| Caylen Johnson | .... | special effects | |
| Margaret Johnson | .... | special effects coordinator (as Maggie Johnson) | |
| Randy E. Moore | .... | special effects foreman | |
| Stein Rosburg | .... | special effects technician | |
Visual Effects by | |||
| Francine Baker | .... | visual effects | |
| David M. Blum | .... | visual effects producer: Catalyst FX | |
| David M. Blum | .... | visual effects supervisor: Catalyst FX | |
| Anthony Davis | .... | digital compositor: Technicolor Digital Services | |
| Joe Gill | .... | digital artist: Catalyst FX | |
| David Hofflich | .... | visual effects | |
| Gregg Katano | .... | visual effects | |
| Joseph Madej | .... | visual effects | |
| Narbeh Mardirossian | .... | visual effects | |
| Gabriel Naylor | .... | digital artist | |
| Duy Tan Nguyen | .... | visual effects | |
| Antonio Orlina | .... | visual effects | |
| Lance Ranzer | .... | digital compositor | |
| George Rizkallah | .... | DI supervisor | |
| Judd Rubin | .... | visual effects | |
| Christian Schermerhorn | .... | digital artist: Catalyst FX | |
| Ian Truitner | .... | digital compositor | |
| John D. Van Wye | .... | digital artist: Catalyst FX (as Jon Van Wye) | |
Stunts | |||
| Tony Lee Boggs | .... | stunt coordinator (as Tony Boggs) | |
| Gloria Knight | .... | stunt double: Claire Danes | |
| Gloria Knight | .... | stunt double: Kristina Sisco | |
Camera and Electrical Department | |||
| Liza Bambenek | .... | second assistant camera | |
| Nick Barros | .... | grip | |
| Harland Espeset | .... | dolly grip | |
| Ryan Eustis | .... | second assistant camera: "b" camera | |
| George Greene | .... | electrician | |
| Hank Herrera | .... | best boy grip | |
| Aubrey Husar | .... | key grip | |
| George Ross Johnson | .... | rigger | |
| Steven Litecky | .... | gaffer | |
| James R. Powell | .... | assistant camera | |
| Jessica Ramos | .... | video playback operator | |
| Robert Rendon | .... | second assistant camera: additional camera | |
| Zac Sneesby | .... | best boy grip | |
| Alejandro Snodgrass | .... | grip | |
| Mark Steinig | .... | grip | |
| Lisbeth Storandt | .... | first assistant camera: "b" camera | |
| Paige Thomas | .... | camera operator: "c" camera | |
| Aurelia Winborn | .... | first assistant camera: "a" camera | |
Casting Department | |||
| Annie Hedgpeth | .... | casting associate | |
| Gwyn Savage | .... | casting: New Mexico | |
| Gwyn Savage | .... | extras casting | |
| Gwyn Savage | .... | local casting | |
| Carol Stanzione | .... | adr voice casting | |
Costume and Wardrobe Department | |||
| Fran Allgood | .... | costume supervisor | |
| Maria Bentfield | .... | costumer | |
| Tabitha Johnson | .... | costume assistant | |
Editorial Department | |||
| Burdette Anderson | .... | post-production executive | |
| Ron Brennan | .... | digital intermediate colorist | |
| George Chavez | .... | color timer | |
| Mark Dinicola | .... | colorist assist | |
| Blake Harjes | .... | first assistant editor | |
| Azim Tirmizi | .... | colorist: dailies | |
| Christine Vasquez | .... | digital intermediate producer | |
| Jan Yarbrough | .... | senior digital intermediate colorist | |
Music Department | |||
| Gemma Dempsey | .... | additional music supervisor | |
| Guy Farley | .... | conductor | |
| Ben Fenner | .... | score mixer | |
| Ben Fenner | .... | score recordist | |
| Stephanie Gonley | .... | orchestra leader | |
| Phil Hope | .... | executive music supervisor | |
| Will Johnstone | .... | composer: additional music | |
| Will Johnstone | .... | music programmer: ProTools and percussion | |
| Andy Kitchen | .... | assistant music engineer: Abbey Road Studios | |
| Frank Lambert | .... | music preparation | |
| Karen Leite | .... | assistant music engineer: Sphere Studios | |
| Michael Lloyd | .... | additional music supervisor | |
| Sam Okell | .... | assistant music engineer: Abbey Road Studios | |
| Andrew Pearce | .... | orchestrator | |
| Adrian Thomas | .... | musical associate | |
| Simon White | .... | music supervisor | |
Transportation Department | |||
| Lucas Stein | .... | driver | |
| Recent Posts (updated daily) | User |
|---|---|
| Holy moley! | ctomvelu-1 |
| Didn't Get Ending | Kstreckfuss |
| Original version | mkwright88 |
| Simply unwatchable! | eibon-6 |
| Song in movie | moonlightsiren18 |
| Directors cut? | bonehead7 |
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb USA section | Add this title to MyMovies |
The films starts of good: the premise is intriguing and there are some scenes that get you dragged into the movie. As the movie progresses, the script starts making less and less sense and the last twenty minutes felt incredibly rushed and out of tone.
The direction wasn't good at all. What bothered me for instance was the camera-work. Too many different styles are mixed and it all ends up looking incredibly sloppy instead of the intended 'modern/flashy' effect. The music should have been better too. There were numerous examples of scenes that should have been silent that had music playing in the background and vice versa. Also, the music played was not of the highest quality.
The film is somewhat engaging, it deals with a sensitive subject and tries to deal with it in an honest yet confronting matter. At least, in the beginning. In the 2nd part of the movie there's little left of the objectivity in the script. I won't name any concrete examples because I don't want to spoil it for anyone but I'm sure you'll know what I'm talking about if you ever see it.
The acting was all right in my opinion. Not top notch but not horrible either. Gere is average like always and Danes doesn't really leave big impression either. The supporting cast should've been better, the example of Miss Avril Lavigne immediately comes to mind. She manages to ruin the only scene she has.
Many people will compare this movie to 8mm, because of the similar harsh theme but they have little in common. 8mm is a lot more powerful,darker and shows more guts(not literally). It's easily the better film. There are some shocking scenes in 'The Flock', one of which resembles a scene in 8mm a lot but this time they lacked the nerve to go all the way.
To summarize, is this movie bad? No, but it won't blow you away. The ideas are interesting but after a while the script feels uninspired and formulaic. The acting is mediocre and the score is bad. It's not really worth seeing but it'll briefly entertain you.
5.4/10