| Gary Oldman | ... | Paul | |
| Virginie Ledoyen | ... | Lucy | |
| Paddy Considine | ... | Norman | |
| Aitana Sánchez-Gijón | ... | Isabel | |
| Jon Ariño | ... | Lechón | |
| Lluís Homar | ... | Paco | |
| Kandido Uranga | ... | Miguel (as Kándido Uranga) | |
| Álex Angulo | ... | José Andrés | |
| Savitri Ceballos | ... | José Andrés' Daughter | |
| Patxi Bisquert | ... | José Luis | |
| José Andrés Zalguegui | ... | Bartender (as José A. Zalduegui) | |
| Ramón Churruca | ... | Ignacio | |
| Isabel Jiménez | ... | Waitress | |
| Yaiza Esteve | ... | Nerea, The Child |
Directed by | |||
| Koldo Serra | |||
Writing credits | ||
| Jon Sagalá | (screenplay) & | |
| Koldo Serra | (screenplay) | |
Original Music by | |||
| Fernando Velázquez | |||
Cinematography by | |||
| Unax Mendía | (director of photography) (as Unax Mendia) | ||
Film Editing by | |||
| Javier Ruiz Caldera | |||
Casting by | |||
| Andrea Clark | |||
| Jeremy Zimmermann | (as Jeremy Zimmerman) | ||
Art Direction by | |||
| Juanjo Gracia | |||
| Mario Suances | |||
Set Decoration by | |||
| Mikel López | |||
Costume Design by | |||
| Josune Lasa | |||
Makeup Department | |||
| Oscar del Monte | .... | special makeup artist (as Óscar del Monte) | |
| Nacho Díaz | .... | special makeup artist | |
| Katy Fray | .... | makeup artist | |
| Katy Fray | .... | makeup designer | |
| Daniel Izar de la Fuente | .... | special makeup artist (as Daniel Izar) | |
| Yuraima Morcillo | .... | hairdresser assistant | |
| Yuraima Morcillo | .... | makeup assistant | |
| Jean-Jacques Puchu | .... | hairdresser | |
Production Management | |||
| Eduard Aguiló | .... | post-production supervisor | |
| Teresa Gefaell | .... | production supervisor: Filmax | |
| Mikel Huércanos | .... | unit production manager | |
| Jesús L. Pérez Villar | .... | post-production director (as Jesús Pérez Villar) | |
Second Unit Director or Assistant Director | |||
| Alfonso Nogueroles | .... | third assistant director | |
| José Ramón Otegui | .... | second assistant director | |
| Walter Prieto | .... | first assistant director | |
Art Department | |||
| Ander Armendariz | .... | art department assistant | |
| Ángel Armenteros | .... | painter | |
| Eriz Arostegui | .... | construction assistant | |
| Mónica Ausín | .... | props master | |
| Eneko Añorga | .... | construction assistant | |
| Pedro Castelo | .... | art department assistant | |
| Lorna Gotlib | .... | art director assistant | |
| Iñaki Iriondo | .... | construction manager | |
| Jon Lorente | .... | construction assistant | |
| Christina Peláez | .... | art department assistant | |
| Koldo Serra | .... | storyboard artist | |
| Haitz Urdangarín | .... | construction assistant | |
| Sergio Vadillo | .... | assistant set decorator | |
Sound Department | |||
| Eduardo G. Castro | .... | assistant sound editor | |
| Spencer Eagles | .... | sound recordist | |
| Spencer Eagles | .... | sound | |
| Raúl Marsal | .... | re-recording mixer assistant: Soundtrack (as Raul Marsal) | |
| Julien Martin | .... | foley recordist | |
| Andrew Morris | .... | boom swinger | |
| Julien Naudin | .... | foley artist | |
| Aitor Ortiz | .... | cable man | |
| Marc Orts | .... | sound mixer | |
| Nacho Royo-Villanova | .... | sound editor | |
| David Sans | .... | technical supervisor: Soundtrack | |
Special Effects by | |||
| Anthony S. Ciccarelli | .... | special effects technician (as Antoni Ciccarelli) | |
| Pau Costa | .... | special effects technician | |
| Javier Jal | .... | special effects technician | |
| Javier H. Moneo | .... | special effects technician (as Javier Hernández) | |
Visual Effects by | |||
| Pepe Cruz | .... | digital visual effects coordinator: Kinema Postproducción | |
| Alberto Esteban | .... | digital visual effects producer: Kinema Postproducción | |
| Ricardo G. Elipe | .... | visual effects supervisor: Kinema Postproducción | |
| Javier Hernanz Zajara | .... | system administrator: Kinema Postproducción (as Javier Hernanz) | |
| Javier Mosqueda | .... | digital color grading: Kinema Postproducción | |
| Víctor Poch | .... | digital color grading: Kinema Postproducción | |
| Chema Remacha | .... | digital visual effects producer: Kinema Postproducción | |
| Iñigo Remacha | .... | operator: flame and shake, Kinema Postproducción | |
| Javier Santaella | .... | operator: flame and shake, Kinema Postproducción | |
| Pablo Urrutia | .... | visual effects supervisor: Kinema Postproducción | |
Camera and Electrical Department | |||
| Alex Abajo | .... | additional electrician | |
| David Acereto | .... | camera operator | |
| Iván Apalategui | .... | electrician | |
| Ricardo Aranburu | .... | electrician (as Ricardo Aramburu) | |
| Eva Aycart | .... | camera loader | |
| Iñigo Bach | .... | key grip | |
| Tucker Davila Wood | .... | epk (as Tucker Dávila Wood) | |
| Elías Fernández | .... | gaffer | |
| Elena González | .... | additional electrician | |
| José Haro | .... | still photographer | |
| Iker Ibarluzea | .... | grip assistant | |
| Alberto Martinez | .... | second assistant camera (as Alberto Martínez) | |
| Josu Martínez | .... | epk | |
| Itziar Montiaga | .... | steadicam operator (as Iciar Montega) | |
| Ernesto Núñez | .... | electrician | |
| Aitor Olarra | .... | additional electrician | |
| Gorka Rotaetxe | .... | steadicam operator | |
| Kike Santiago | .... | playback operator | |
| Enrique Santiago Silguero | .... | video assist | |
| Juanjo Sánchez | .... | steadicam operator | |
| Rachid Talid | .... | steadicam operator | |
| Xavier Urretavizcaya | .... | electrician (as Xabier Urretabizcaia) | |
| Marc Vigil | .... | epk | |
| Manuel Álvarez | .... | first assistant camera | |
Costume and Wardrobe Department | |||
| Mónica Cristofoletti | .... | wardrobe assistant (as Mónica Cristofoletty) | |
| Estíbaliz Gabilondo | .... | wardrobe department intern | |
| Teresa Mora | .... | wardrobe assistant | |
| Gemma Rodríguez | .... | wardrobe department intern | |
Editorial Department | |||
| Félix Bueno | .... | post-production assistant | |
| Felisa Catalinas | .... | post-production coordinator: Technicolor Madrid | |
| David Collados | .... | negative cutter: Technicolor Madrid | |
| Álex de Molina | .... | post-production assistant | |
| Noemí Dulau | .... | effects film scanner: Technicolor Madrid (as Noemi Dulau) | |
| Giorgio Giordano | .... | technical director: Technicolor Madrid | |
| Daniel González | .... | color grader: Technicolor Madrid | |
| Florencia Handler | .... | effects film scanner: Technicolor Madrid | |
| Carlos Martínez | .... | laboratory: filming, Technicolor Madrid | |
| Carmen Mesa | .... | negative cutter: Technicolor Madrid | |
| Marisa Mohedano | .... | producer: Technicolor Madrid | |
| Pilar Rodriguez | .... | negative cutter: Technicolor Madrid (as Pilar Rodríguez) | |
| María Jesús Sánchez | .... | negative cutter: Technicolor Madrid (as María Jesús Sánchez-Morate) | |
| Jan Vilanova | .... | assistant editor | |
| George Koran | .... | colorist (uncredited) | |
Music Department | |||
| Julie Andrews | .... | musician | |
| Nicholas Bucknall | .... | musician | |
| Simon Chamberlain | .... | musician | |
| Errandu | .... | musician: trikitixa | |
| Eneko Espino | .... | musician: pandeiro | |
| Andrew Findon | .... | musician (as Andy Findon) | |
| Isobel Griffiths | .... | orchestra contractor | |
| Skaila Kanga | .... | musician | |
| Helen Keen | .... | musician | |
| Peter Lale | .... | musician | |
| Martin Loveday | .... | musician | |
| Harkaitz Martínez | .... | musician: txalaparta | |
| Perry Montague-Masson | .... | musician | |
| Oreka TX | .... | musician: txalaparta | |
| Igor Otxoa | .... | musician: txalaparta | |
| Anthony Pike | .... | musician | |
| Juan Antonio Ros | .... | music engineer (as Juanan Ros) | |
| Juan Antonio Ros | .... | music recording engineer (as Juanan Ros) | |
| Juan Antonio Ros | .... | music recordist (as Juanan Ros) | |
| Alex Ruíz de Azua | .... | musician: whistle, harmonica | |
| Mary Scully | .... | musician | |
| Leila Stacey | .... | assistant orchestra contractor | |
| Michael Thompson | .... | musician (as Mike Thompson) | |
| Fernando Velázquez | .... | musician: Spanish guitar | |
| Fernando Velázquez | .... | orchestra conductor | |
| Richard Watkins | .... | musician | |
| Gavyn Wright | .... | orchestra leader | |
Transportation Department | |||
| Julio Alonso | .... | driver: shooting vehicles | |
| Pablo Arroyo | .... | coordinator: shooting vehicles | |
| Juan José Burguera | .... | driver: art department vehicle | |
| Alberto Casado | .... | generator driver | |
Other crew | |||
| Arkaitz Aguado | .... | location security | |
| Andoni Aguirre | .... | stand-in: rain effect | |
| Oier Aguirre | .... | location security | |
| Eduardo Albaladejo | .... | management of rights: Filmax Entertainment | |
| Enrique Altuna | .... | production cashier | |
| Amalan | .... | caterer | |
| Jordi Aragay | .... | accounting coordinator: Castelao Productions | |
| Mari Arnedo | .... | production assistant | |
| Xabier Arrillaga | .... | location security | |
| Gorka Askasibar | .... | additional production assistant | |
| Aitor Barros | .... | location security | |
| Iker Bereziartua | .... | production intern | |
| Leire Bernabé | .... | production secretary | |
| Luján Blanco | .... | additional production assistant | |
| Mary Brites | .... | production controller: Castelao Productions | |
| José María Camacho | .... | floor runner | |
| Vicente Canales | .... | head of sales | |
| Basia Dereszewska | .... | production coordinator: Holy Cow Films | |
| Fabio Diéguez | .... | animal trainer coordinator | |
| Fabio Diéguez | .... | animal wrangler (as Fabio Dieguez) | |
| Nuria Domínguez | .... | script | |
| Ingy Fillion | .... | production assistant: Divine Productions | |
| Alexander García | .... | location security (as Alex García) | |
| Alexander García | .... | production crew (as Alex García) | |
| Teresa García | .... | production assistant | |
| Tania Gauder | .... | legal affairs | |
| François Georges-Picot | .... | assistant: legal affairs | |
| Peru Herrero | .... | production intern | |
| Mikel Huércanos | .... | location manager | |
| Amaya Iribar | .... | dialogue coach | |
| Meritxell Juncosa | .... | production coordinator: Soundtrack | |
| Pablo Larumbe | .... | stand-in: rain effect | |
| Miriam Manzano | .... | production intern | |
| Alberto Marini | .... | script consultant | |
| Moira McMillan | .... | legal affairs | |
| Yulene Monfort | .... | accountant: Videntia Frames Producciones (as Yulene Monfort Pineda) | |
| Manuel Monzón | .... | development executive | |
| Helena Moreno Núñez | .... | development executive (as Helena Moreno) | |
| Antonio Morán | .... | animal wrangler | |
| Victoria Musiedlak | .... | production assistant: Divine Productions | |
| Iñigo Olondris | .... | location security | |
| Aritz Ormazabal | .... | location security | |
| Maria Parrón | .... | head of business and legal affairs | |
| Walter Prieto | .... | provider: walkie-talkies | |
| Ana Rubio | .... | production coordinator: Monfort Producciones | |
| Martin Samper | .... | making-of crew coordinator | |
| Jon Sangroniz | .... | production intern | |
| Félix Sepúlveda | .... | armorer: Magnum 44 | |
| Elena Serra | .... | development executive | |
| Koldo Serra | .... | website designer (as Dr. Phibes) | |
| Elisa Sirvent | .... | production coordinator: Castelao Productions | |
| Elise Toledo | .... | production intern | |
| Jorge Tuca | .... | head of development | |
| German Valledor | .... | production intern (as Germán Valledor) | |
| Manel Vicaria | .... | press and promotion | |
| Manuel Yebra | .... | assistant to co-executive producer | |
Thanks | |||
| Mikel Clemente | .... | the director wishes to thank | |
| Borja Cobeaga | .... | the director wishes to thank | |
| Borja Crespo | .... | the director wishes to thank | |
| Nahikari Ipiña | .... | the director wishes to thank | |
| Josu Martínez | .... | the director wishes to thank | |
| Jon Sagalá | .... | the director wishes to thank | |
| Manolo Solo | .... | the director wishes to thank | |
| Patxi Urkijo | .... | the director wishes to thank (as Don Patxi Urkijo) | |
| Nacho Vigalondo | .... | the director wishes to thank | |
| Marc Vigil | .... | the director wishes to thank | |
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| Son of Rambow | Dreamcatcher | Brokeback Mountain | Intact | Red Lights |
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First, what's wrong with it. Aside from Cohen's wonderful song, the sound and music were poor and didn't add anything. The cinematography was not particularly inventive or inspiring.
But still a 10.
Why?
Okay you have to catch what this excellent writing is up to.
The twist at the end is pure and righteous symmetry.
It's about justice and revenge, an atypical and furious interpretation of right and wrong. It's got a piece of The Unforgiven about it.
It posits that some things just can't be fixed, and that the penalty does often indeed involve even more suffering of the innocent.
All the acting is excellent. The direction is excellent.
The writing is difficult, twisted, demanding, and wonderful, hard to grasp at first, hard to at first grasp, even at the end. But within it's own pained logic of warfare, just.
The heroic transformation is really spectacularly fierce in that the delivery of justice and punishment requires such a high price to be paid by the destroyed innocent, and the hero, that it at first doesn't even seem like justice.... but it sinks in, that it is.
Sure, it has deliberate echos of Deliverance, but it's actually much more sinister and indirectly more disturbing, not just to personal safety, but to our perception of right and wrong, and justice, punishment, and revenge.
It reminds me in some ways of Death and the Maiden.
It could have almost been a stage piece.
If it wasn't low budget and foreign, with non-U.S.-well-known writing and directing, and with higher "production values", it would have made big stink here.
Or maybe not. Us Americans are often so dull about clear winning and losing, that they get lost in movies like this. Our loss.
Oh, and I want to thank Gary Oldman for taking a shot at this. I wouldn't have known about it or seen it with him, and I thank him for roping me in!
God only knows what great stuff I miss from not having the time to watch everything! I wish I could clone myself and have them watch it so, I would have reviews I could trust! ;)