Jenna is unhappily married, squirreling away money, and hoping to win a pie-baking contest so, with the prize money, she'll have enough cash to leave her husband Earl. She finds herself pregnant, which throws her plans awry. She bakes phenomenal pies at Joe's diner, listens to old Joe's wisdom, tolerates her sour boss Cal, is friends with Dawn and Becky (her fellow waitresses), and finds a mutual attraction with the new doctor in town. As the pregnancy advances, life with Earl seems less tolerable, a way out less clear, and the affair with the doctor complicated by his marriage. What options does a waitress have? Written by
Assuming this movie takes place in the present, the nurse's uniform in the delivery room is a least twenty years out of date. RN's are no longer required to wear all white nor to wear their nursing school cap. Even the most die-hard ones gave up the white and caps by the mid 80's. See more »
Dear damn baby, If you ever want to know the story of how we bought your damn crib, I will tell you. Your crib was bought with the money that was supposed to buy me a new life. Every time I lay you down in that damn crib, I'm gonna think, 'Damn baby. Damn Crib. Me stuck like a pin in this damn life.'
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Greetings again from the darkness. Very personal and intimate story from the very talented Adrienne Shelly. Ms. Shelly was tragically murdered before the film was released, but what a legacy and gift she left for her husband, daughter and film lovers.
Keri Russell ("Felicity") stars as Jenna, a fabulous pie maker who is a lost soul married to the world's worst husband - played brilliantly by Jeremy Sisto. She works at a diner with her two friends played wonderfully by the bubbly Cheryl Hines and the film's writer and director, Adrienne Shelly. The relationship between these three is very realistic, touching and entertaining. They love and cherish each other.
Outstanding support from Eddie Jemison ("Ocean's Eleven, Twelve and Thirteen"), Nathan Fillian ("Serenity") and the great Andy Griffith, who has some great lines and definitely should work more often!! Jemison's spontaneous poetry capture the heart of Ms. Shelly's character and Fillian's Dr. Pomatter shows Russell what it is like to be adored, rather than abused.
This is not slick Hollywood film-making. It is quirky ... just like real life. These are characters, who for the most part, make the best of their situations. Every now and then, if we are lucky, we capture a moment of pure bliss ... whether it is in the selfless hug from another, or the miracle of childbirth. The script analyzes loneliness and bad relationships with a twist of humor and much insight.
While it is heart-breaking that Ms. Shelly did not live to see the final product, we see her heart and soul on screen. And don't miss her real daughter (Sophie Ostrey) as Ms. Russell's 3 year old LuLu. This is a wonderful little film with some terrific moments and a nice message to enjoy your life.
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