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| Credited cast: | |||
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Tsuyoshi Kusanagi | ... |
Toshio Onodera
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| Ko Shibasaki | ... |
Reiko Abe
(as Kô Shibasaki)
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Etsushi Toyokawa | ... |
Yusuke Tadokoro
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Mao Daichi | ... |
Saori Takamori
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Mitsuhiro Oikawa | ... |
Shinji Yuki
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Mayuko Fukuda | ... |
Misaki Kuraki
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Hideko Yoshida | ... |
Tamae Tanokura
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Akira Emoto | ... |
Prof. Fukuhara
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| Jun Kunimura | ... |
Kyosuke Nozaki
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Kôji Ishizaka | ... |
Prime Minister Yamamoto
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Ken'ichi Endô | ... |
Shin-ichirou Nakata
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Takeshi Katô | ... |
Prof.Yamashiro
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| Rest of cast listed alphabetically: | |||
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Hideaki Anno | ... |
Yamashiro's Son in law
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Moyoco Anno | ... |
Yamashiro's Daughter
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Harutoshi Fukui |
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In the aftermath of a major earthquake under Suraga Bay, Misaki (a young girl) and Toshiro (a pilot of a deep sea submarine) are rescued from a ruined city street just as leaking gasoline ignites. Reiko Abe arrives just in time, lowered from a helicopter. Scientists predict that Japan will sink within 40 years, due to subduction of a tectonic plate to the west. However, Dr. Tadokoro, who leads an oceanic scientific team that includes Toshiro, calculates that this will happen far sooner, in only 338.54 days. He presents his findings to Prime Minister Yamamoto who decides to create a new department for impending disaster relief assigning Saoro Takamori to cover the new duties, since of all his ministers she will take it seriously but also bring "heart" to the process. As further earthquakes, tsunamis, and volcanic eruptions devastate Japan, the government pleads with other countries to take refugees. Yamamoto flies to China to negotiate relocations there, but his plane is destroyed by a... Written by Brian Greenhalgh
Epic disaster movie, but totally different from Hollywood-Stuff (may be a budget thing, too). It's more about personal drama and the Big Picture than all-out Smashing Mayhem and people running around, screaming and dying. The actual Sinking of Japan takes place in a few short destruction-sequences throughout the movie and they are superbly executed (for Japanese standards), in between it's all about Love, Hope, and Sorrow in lofty dialog. Kou Shibasaki and her good looks remain the best thing about this movie. One perfect Farewell-Scene is being spoiled by stupid R'nB-Music, the ending had me crying with affection, though, I suck.