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Directed by | |||
| Preston A. Whitmore II | |||
Writing credits(WGA) | ||
| Preston A. Whitmore II | (written by) | |
Produced by | |||
| Tom Gores | .... | executive producer | |
| Frank Mancuso Jr. | .... | executive producer | |
| Frank Mancuso Jr. | .... | producer | |
| Aaron Mazzolini | .... | co-producer | |
| Lorenzo O'Brien | .... | co-producer | |
Original Music by | |||
| Matthias Weber | |||
Cinematography by | |||
| Christian Sebaldt | |||
Film Editing by | |||
| Stuart Acher | |||
| Anthony Adler | |||
Casting by | |||
| Kathy Mooney | |||
| Robi Reed | |||
Production Design by | |||
| Dawn Snyder | |||
Set Decoration by | |||
| Linda Cooper | |||
Costume Design by | |||
| Okera Banks | |||
Makeup Department | |||
| Latonya Hill | .... | key hair stylist | |
| Kimberly Jones | .... | makeup artist | |
| Brandi Mitchell | .... | makeup department head | |
Production Management | |||
| Terra Abroms | .... | post-production supervisor | |
| Michele Barrett | .... | production manager | |
| Tara L. Craig | .... | unit production manager | |
| Emily Thorne | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Regina Gordon | .... | first assistant director | |
| Shannyn K. Marlen | .... | second second assistant director | |
| Daniel Shultz | .... | second assistant director | |
Art Department | |||
| Lucie Bourgeau | .... | art department coordinator | |
| Lisa De Alva | .... | property mistress | |
| Derek Dean | .... | set dresser | |
| Mary Ellen Murphy | .... | leadperson | |
| Christina Spivak | .... | production assistant: set decorating | |
| Courtney Spivak | .... | artist: prop signs | |
Sound Department | |||
| Gregg Barbanell | .... | foley artist | |
| Gail Carroll-Coe | .... | boom operator | |
| Alan Freedman | .... | adr mixer | |
| Robert Getty | .... | supervising sound editor | |
| Danielle Ghent | .... | dialogue editor | |
| Derek Marcil | .... | sound re-recording mixer | |
| Eric Raber | .... | sound effects editor | |
| Brian Slack | .... | sound re-recording mixer | |
| Alec St. John | .... | supervising sound editor | |
| Beau Williams | .... | sound mixer | |
| Micah Johnson | .... | sound effects editor (uncredited) | |
Visual Effects by | |||
| Christopher Dusendschon | .... | digital imaging supervisor: iO FILM | |
Stunts | |||
| Horace Knight | .... | stunt double: Westley Jonathan | |
Camera and Electrical Department | |||
| Mark David Adler | .... | video assist recordist | |
| Michael W. Anderson | .... | key grip | |
| Brad Baker | .... | additional second assistant camera | |
| K.C. Bartos | .... | best boy grip | |
| Will Brick | .... | additional second assistant camera | |
| Malcolm Bryce | .... | gaffer | |
| Michael J. Conner | .... | generator operator: electrician | |
| Shawn Cragin | .... | assistant camera: "b" camera | |
| Andrew Hoehn Jr. | .... | first assistant camera: "a" camera | |
| Gregg Horvath | .... | first assistant camera | |
| Brad Irvin | .... | grip | |
| Mark Karavite | .... | a-camera/steadicam operator | |
| Brian Kelly | .... | electrician | |
| Sean T. Kelly | .... | pre-rig key grip | |
| Brad Knopf | .... | best boy electric | |
| Kenny Kondratko | .... | grip | |
| William MacLeod | .... | dolly grip: Detroit | |
| Miguel Pask | .... | second assistant camera: "a" camera | |
| Patrick Pask | .... | camera operator: "b" camera | |
| Anthony 'Spike' Simms | .... | gaffer | |
| Kim C. Simms | .... | still photographer | |
| Don Sustrich | .... | grip | |
| John Wendling | .... | dolly grip | |
| Scott Zuckerberg | .... | rigging best boy grip | |
Casting Department | |||
| Earl Minfield | .... | co-casting | |
| Kathy Mooney | .... | extras casting | |
| Cathy Thomas | .... | extras casting | |
Costume and Wardrobe Department | |||
| Teri Wertman | .... | key costumer | |
Editorial Department | |||
| Tim Craig | .... | first assistant editor | |
| Mato | .... | color timer | |
Music Department | |||
| Vito A. Colapietro II | .... | composer: additional music | |
| Neely Dinkins Jr. | .... | cues composer | |
| Michael Ripoll | .... | guitarist | |
| Paul Stewart | .... | music supervisor | |
| Yariv Vaknin | .... | music editor | |
Transportation Department | |||
| Archie Bane | .... | driver | |
| Lindsay Dougherty | .... | transportation office coordinator | |
| Robert Gillis | .... | driver: honeywagon | |
| Frank Morreale | .... | transportation captain | |
| David Schmidt | .... | driver: cast (uncredited) | |
Other crew | |||
| Gavin J. Behrman | .... | production auditor | |
| Mark Cheatham | .... | publicist | |
| Alex Fields | .... | assistant production office coordinator | |
| Pamela B. Green | .... | main title producer | |
| Michael J. Harker | .... | completion bond representative | |
| Eric Jackson | .... | location manager | |
| Paul Keehn | .... | production assistant | |
| Tom Lewis | .... | production attorney | |
| Alisa Lomax | .... | production coordinator | |
| Andrea McKee | .... | production assistant | |
| Bryan Meganck | .... | craft service assistant | |
| Megan Meganck | .... | key craft services | |
| Jenz Merrill | .... | video-to-film transfer supervisor | |
| Michelle M. Mix | .... | set production assistant | |
| Jim Nabti | .... | assistant production office coordinator | |
| Marlon Reid | .... | production assistant | |
| David Rumble | .... | location manager | |
| Jim Schiro | .... | first assistant accountant | |
| Paul E. Schulz | .... | assistant location manager | |
| Helen Stergiou | .... | payroll accountant | |
| Jarik Van Sluijs | .... | creative director: main titles | |
| Bob Weber | .... | post-production accountant | |
Thanks | |||
| Chaille Scott | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb bottom 100 movies | IMDb Action section |
| IMDb USA section |
This movie was easily the absolute worst movie I have seen in a long, long time. Wayne Brady, what are you doing? You are funny! I saw you on "Who's Line"! Why are you in this piece of crap movie? Seriously, I'm going to be objective here. The directing was cheesy and predictable, with stupid-looking segways of quickly blurring images of cheaply decorated sets. The production budget on this one was desperately trying to look much more expensive, which it failed at miserably. The lighting, make-up, and costumes all look as if I could have funded them myself. The overall look and quality of the film resembled that of a mid-80's Egyptian soap opera dubbed into French. (Either that or the Golden Girls.) Granted, the moves displayed by these self-proclaimed "street ballers" were quite impressive, but it comes of as an insult to the audience. It's as if the people who approved and funded the making of this movie said to themselves, "All we have to do is put a few shots of street balling and it doesn't matter how cheap we make the rest of the movie because it has a built in audience." Heres some advice, invest in a good writer, better casting, better directing, and production and maybe you'll begin to have a movie that borders on "not-awful." I couldn't stop laughing at how bad this movie was. I'm ashamed to have spent my hard earned $8.25 on this sad excuse for a major motion picture.