Arthur Bishop thought he had put his murderous past behind him, until his most formidable foe kidnaps the love of his life. Now he is forced to travel the globe to complete three impossible assassinations, and do what he does best: make them look like accidents.
Tommy Lee Jones
Mei, a young girl whose memory holds a priceless numerical code, finds herself pursued by the Triads, the Russian mob, and corrupt NYC cops. Coming to her aid is an ex-cage fighter whose life was destroyed by the gangsters on Mei's trail.
A thief with a unique code of professional ethics is double-crossed by his crew and left for dead. Assuming a new disguise and forming an unlikely alliance with a woman on the inside, he looks to hijack the score of the crew's latest heist.
Frank Martin puts the driving gloves on to deliver Valentina, the kidnapped daughter of a Ukranian government official, from Marseilles to Odessa on the Black Sea. En route, he has to contend with thugs who want to intercept Valentina's safe delivery and not let his personal feelings get in the way of his dangerous objective.
When his mentor is taken captive by a disgraced Arab sheik, a killer-for-hire is forced into action. His mission: kill three members of Britain's elite Special Air Service responsible for the death of his sons.
Ex-con Jensen Ames is forced by the warden of a notorious prison to compete in our post-industrial world's most popular sport: a car race in which inmates must brutalize and kill one another on the road to victory.
Arthur Bishop (Jason Statham) is a 'mechanic' - an elite assassin with a strict code and unique talent for cleanly eliminating targets. It's a job that requires professional perfection and total detachment, and Bishop is the best in the business. But when his mentor and close friend Harry (Donald Sutherland) is murdered, Bishop is anything but detached. His next assignment is self-imposed - he wants those responsible dead. His mission grows complicated when Harry's son Steve (Ben Foster) approaches him with the same vengeful goal and a determination to learn Bishop's trade. Bishop has always acted alone but he can't turn his back on Harry's son. A methodical hit man takes an impulsive student deep into his world and a deadly partnership is born. But while in pursuit of their ultimate mark, deceptions threaten to surface and those hired to fix problems become problems themselves. Written by
The "Mechanic Needed" photo of Harry that Bishop sees on his laptop is a publicity still of Donald Sutherland at the 2009 Palm Springs Film Festival Awards Gala. Another still from this event is the primary photo of Sutherland's IMDb page. See more »
In the overview shot of the airport in Chicago, we see Continental and Delta airplanes in liveries that have not been used for at least 10 years. Also, the Continental 747 is not a model that they have flown for some time. See more »
What I do requires a certain mindset. I do assignments; designated targets. Some jobs need to look like accidents. Others must cast suspicion on someone else. A select few need to send a clear message. Pulling a trigger is easy. The best jobs are the ones nobody even knows you were there.
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Some things may not make sense and the storytelling may feel extremely fast paced, but you know what, in those moments where 'The Mechanic' promised to entertain you, it does it at its best. And don't get me wrong, cause I'm not a Statham's fan. I didn't like 'The transporter' cause the acting (especially the bad guy) was way too unreal. I didn't like 'Crank' either cause the directing was really bad. 'The Mechanic' is not a movie focused on the story but on the action, and that's where it shines. The action scenes are really sublime and they don't stop until the last minute. Actors also fit in an interesting story. Again, the director chose not to develop the story but to give an explosive experience, and I believe he achieved it. Don't look for a deep experience here and you won't be disappointed.
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