Two homies, Smokey and Craig, smoke a dope dealer's weed and try to figure a way to get the $200 they owe to the dealer by 10pm that same night. In that time, they smoke more weed and get jacked and shot at in a drive-by.
Story of a promising high school basketball star and his relationships with two brothers, one a drug dealer and the other a former basketball star fallen on hard times and now employed as a security guard.
Craig and Day Day have finally moved out of their parents houses and into their own crib. The cousins work nights at a local mall as security guards. When their house is robbed on Christmas... See full summary »
NOTORIOUS is the story of Christopher Wallace. Through raw talent and sheer determination, Wallace transforms himself from Brooklyn street hustler (once selling crack to pregnant women) to one of the greatest rappers of all time; THE NOTORIOUS B.I.G. Follow his meteoric rise to fame and his refusal to succumb to expectations - redefining our notion of "The American Dream." Written by
Fox Searchlight Pictures
When the young Christopher Wallace is writing rhymes in his notebook on the stoop, he is left-handed. Then when the grown up Christopher Wallace is in prison writing rhymes in his notebooks, he is seen writing right-handed. See more »
That shit just clicked. Puffy gave it the gloss. The way them sneers hitting them vocals drop, he took that track from one hundred percent to two hundred percent. They started sayin' we brought Funk back to Hip Hop. All I know is I was doing what I always did.
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Bass Not Bass
Written by Alex Franchi and Daniele Torrente
Performed by MasterMix
Turntable scratches by Rob Swift (as DJ Rob Swift)
Courtesy of LoveCat Music by arrangement with Ocean Park Music Group See more »
Looks good and covers a lot of ground but doesn't work as a dramatic film
The opinion on IMDb on this film seems to be pretty split and the reason appears to be because many are not writing their opinions of the film so much as they are reviewing Biggie and/or hip-hop itself. So the unquestioning 10* reviews rave about the man and his music, while the 1* reviews talk more about the aspects of the music and culture he represents than they do about the film. I was curious to see what the film was like on its own merits so I made an effort to see it recently. The truth of the matter that the film is "ok" but not anything more than that and I say that as a hip-hop listener who likes more east coast than west coast.
The problem with the film is that it is far to driven by ticking boxes of people and events. As a result it doesn't flow so much as it does introduce people and things in a way that the audience will recognise. This is all well and good but it breaks up the film as a dramatic piece for example with Lil' Kim, she is not allowed to just be part of the story, no, when she is introduced we even get a shot of her name badge so we can all be sure from the start as to who she is. It is like this with events as well, and the dialogue is surprisingly expositional in its nature with far too many characters seemed to be talking just for the sake of filling in blanks or moving to the next scene. As a sort of summary of Biggie's career this is fine I suppose but when it comes to caring about the characters then it does hurt it quite bad.
Not that the film is overly concerned with the characters because the events-driven script doesn't really have any. Before anyone messages me with insults, I can see that there are physically people on the screen there, doing and saying things as these people, but in terms of character development and depth there is none. Nobody ever feels real partly because of the dialogue but also because the material doesn't give anybody room to develop. This is best seen in the "second-tier" characters such as Puffy and the many women in Biggie's life but it comes over differently with Biggie himself. Contrary to his musical personae, the film does not play up the negative side of Biggie's life too much. It cannot completely hide it though and we do get lots of infidelity and things like him happily selling crack to a pregnant woman. However all of these things tend to be deliberately cancelled out later on in some daft and unnecessary scenes. For example we get to see the crack user years later, fine and playing with her child (also fine) and of course much is put right by conversations, commitments and phone calls on the night that he gets killed. Such things damage the film further as both a record and as a dramatic film I didn't want "warts & all" but an edge of realism and criticism (where warranted) would have been good.
It might be them or it might be the material but either way, the cast are not that great. Woolard does a solid impersonation of Biggie and deal well with the material but he has nowhere to go with his character other than the specifics of the scene there is not a man inside his performance so much as an image of a man. Luke and Bassett are both very talented actors but neither gets to showcase that here indeed Luke is only memorable for how well he nails Puffy's dancing style. Naughton's Lil Kim sticks in the mind for reasons other than her performance (although again as an impression it is good enough for here). Smith, Ringgold, Mackie and others just do the basics as the film gives them no other options.
The end result is a film that looks good and covers a lot of ground but doesn't work as a dramatic film. The people and events are there but they are only ever names and things that happen never real people or events that come from the story. The cast turn in solid but not that good performances accordingly but nobody can raise it beyond what it is. Not "bad" generally but just really lacking over what I would have expected from a biopic.
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