| Videos |
| Matthew D. McCallum | ... | LENi | |
| Kristen Bell | ... | Pretty Girl | |
| Dina Meyer | ... | Venus | |
| Analisa Brouet | ... | Babe | |
| Elizabeth Keener | ... | Bitch Clerk | |
| Gil McKinney | ... | Hot Security Guard | |
| Robert Peters | ... | Backwards Man (Narrator) | |
| rest of cast listed alphabetically: | |||
| Courtney Abbiati | ... | Tan Man's Gal | |
| Jessica Boal | ... | Beauty Queen | |
| Kasi Brown | ... | Ballroom Dancer | |
| Alexandra Y. Caluen | ... | Ballroom Dancer | |
| Philip E. Caluen | ... | Ballroom Dancer | |
| Claire Castle | ... | Lesbian | |
| Max Ciano | ... | Window Man | |
| Rudy Correa | ... | Ballroom Dancer | |
| Rhea George | ... | Ballroom Dancer | |
| Dennis Gorman | ... | Ballroom Dancer | |
| Emyrn Grove | ... | Ballroom Dancer | |
| Katie Hansen | ... | Ballroom Dancer | |
| Jonathan Jedeikin | ... | Priest | |
| Kevin Lawn | ... | Priest | |
| Phil Levesque | ... | Priest | |
| Christine Marais | ... | Beauty Queen | |
| Michael Mewborne | ... | Priest | |
| Brian Ralston | ... | Priest | |
| David W. Ross | ... | Tan Man (as David Ross) | |
| Karen Smith | ... | Lesbian | |
| Jason Solowsky | ... | Priest | |
| Nefetari Spencer | ... | Beauty Queen | |
| Stephen Triplett | ... | Priest | |
| John Wilshire | ... | Creepy Cop | |
Directed by | |||
| Tim Garrick | |||
Writing credits(in alphabetical order) | ||
| Analisa Brouet | writer | |
| Tim Garrick | writer | |
Produced by | |||
| Analisa Brouet | .... | producer | |
| Tim Garrick | .... | producer | |
| Kevin Lawn | .... | producer | |
| Michael Mewborne | .... | producer | |
| Derek Powell | .... | associate producer | |
| Brian Ralston | .... | producer | |
| Jacob Snyder | .... | line producer | |
| Mitchell Welch | .... | executive producer | |
Original Music by | |||
| Brian Ralston | |||
Cinematography by | |||
| Chris Chambers | (director of photography) | ||
Film Editing by | |||
| Charles Kaplan | |||
Casting by | |||
| Carrie Bilsborrow | |||
Production Design by | |||
| Alan E. Muraoka | |||
Art Direction by | |||
| Rich Murray | |||
Makeup Department | |||
| Heylee Harris | .... | key hair stylist | |
| Heylee Harris | .... | key makeup artist | |
| Jenna Keller | .... | key hair stylist | |
| Jenna Keller | .... | key makeup artist | |
Second Unit Director or Assistant Director | |||
| Topher Miller | .... | first assistant director | |
Sound Department | |||
| Martinez Aytch | .... | boom operator | |
| Rene Cornijo | .... | boom operator | |
| Patrick Cusack | .... | post sound prep | |
| Lisa K. Fowle | .... | sound designer | |
| Lisa K. Fowle | .... | sound re-recording mixer | |
| Peter V. Meiselmann | .... | production sound mixer | |
Visual Effects by | |||
| Carole Cowley | .... | visual effects consultant | |
Stunts | |||
| Nick Brandon | .... | stunts | |
| James M. Churchman | .... | stunts | |
| Scott Workman | .... | stunt coordinator | |
Animation Department | |||
| N.C. Winters | .... | animator | |
Editorial Department | |||
| Shaley Brooks | .... | colorist | |
| Chris Wagley | .... | film color timer | |
Music Department | |||
| Michael Mewborne | .... | music scoring assistant | |
| Jason Solowsky | .... | music scoring assistant | |
Other crew | |||
| Esmerelda Goya | .... | script supervisor | |
| Chris Hassan | .... | assistant: Mr. Garrick | |
| Daniel Montgomery | .... | production assistant | |
| Recent Posts (updated daily) | User |
|---|---|
| -Surprised. | boy-with-gun |
| Where can I get or watch this short movie? | LouDogLB |
| Incredibly Funny | cman1144 |
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| Full cast and crew | Company credits | IMDb Short section |
| IMDb USA section | Add this title to MyMovies |
This film is first class. The camera work, music and story all hit their marks with precision. I can only imagine how difficult it was to get the timing and story of this short film to flow so well together. I think the perfect cast were chosen for their parts. I found each cast member humorous with complete believability for each of their roles.
The Receipt is hilarious with the right balance of complexity. I'm glad that I had the opportunity to view it and would like to thank Mr Ralston and everyone behind The Receipt for making it possible.
I watched the film Run Lola Run immediately after viewing The Receipt and then watched The Receipt again. I think doing that let me have the best appreciation for the film.