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Directed by | |||
| Mark Palansky | |||
Writing credits(WGA) | ||
| Leslie Caveny | (written by) | |
Original Music by | |||
| Joby Talbot | |||
Cinematography by | |||
| Michel Amathieu | |||
Film Editing by | |||
| Jon Gregory | |||
Casting by | |||
| Susie Figgis | |||
Production Design by | |||
| Amanda McArthur | |||
Art Direction by | |||
| Gerard Bryan | (as Ged Bryan) | ||
| John Reid | |||
Set Decoration by | |||
| Bridget Menzies | |||
Costume Design by | |||
| Jill Taylor | |||
Makeup Department | |||
| Joceline Andrews | .... | makeup artist | |
| Rebecca Cole | .... | makeup artist | |
| Tamsin Dorling | .... | hair stylist | |
| Tamsin Dorling | .... | makeup artist | |
| Paul Gooch | .... | hair stylist | |
| Paul Gooch | .... | makeup artist | |
| Kate Roberts | .... | make up & hair artist: daily | |
| Karen Scott | .... | makeup trainee | |
| Liz Tagg | .... | hair designer | |
| Liz Tagg | .... | makeup designer | |
| Elizabeth Yianni-Georgiou | .... | makeup hair | |
Art Department | |||
| Graham Baker | .... | head rigger | |
| Mark Billingham | .... | on-set dresser | |
| Simon Duric | .... | storyboard artist | |
| Mark Goerner | .... | illustrator | |
| Muffin Green | .... | property master | |
| Rohan Harris | .... | portrait | |
| Robert Haynes | .... | stand-by art director | |
| Sarah Jenneson | .... | assistant art director | |
| Dougie Lankston | .... | dressing props | |
| Adam A. Makin | .... | set constructor | |
| Jim McCallum | .... | stand-by props | |
| Adam McCreight | .... | dressing props | |
| Dave Reed | .... | construction manager | |
| George Simons | .... | graphic artist | |
| Pete Steward | .... | stand-by carpenter | |
| Chris Ulusele | .... | stand-by props | |
| Howard Weaver | .... | scenic artist | |
Sound Department | |||
| Jeremy Balko | .... | adr mixer | |
| James Bennett | .... | adr recordist | |
| Gareth Bull | .... | sound re-recording mixer | |
| Paul Carr | .... | adr recordist | |
| Matthew Collinge | .... | sound | |
| Michael Feuser | .... | assistant sound editor | |
| Les Fiddess | .... | foley artist | |
| Nick Foley | .... | adr mixer | |
| Howard Halsall | .... | adr editor | |
| Michael Maroussas | .... | assistant dialogue editor | |
| Adam Mendez | .... | sound re-recording mixer | |
| Michael Miller | .... | adr mixer | |
| Andrew Rowe | .... | sound assistant | |
| James Seddon | .... | engineer: Dolby | |
| Danny Sheehan | .... | supervising sound editor | |
| Nigel Stone | .... | dialogue editor | |
| Richard Straker | .... | sound re-recording mixer | |
| Ted Swanscott | .... | adr mixer | |
| Dominick Tavella | .... | sound re-recording mixer | |
| George Trevis | .... | sound maintenance | |
| Martin Trevis | .... | sound mixer | |
| Iain Jamieson | .... | assistant adr recordist (uncredited) | |
Special Effects by | |||
| Chris Hampton | .... | special effects technician | |
| Scott Stoddard | .... | prosthetics supervisor | |
| Jamie Weguelin | .... | special effects supervisor (as James Weguelin) | |
Visual Effects by | |||
| Diccon Alexander | .... | digital matte painter: Double Negative | |
| Oliver Atherton | .... | digital compositor | |
| Nik Brownlee | .... | digital compositor: Double Negative | |
| Darren Christie | .... | digital compositor | |
| J. David Everhart | .... | visual effects producer | |
| Antonella Ferrari | .... | visual effects editorial | |
| Ragui Hanna | .... | digital compositor | |
| Pete Hanson | .... | studio manager: Double Negative | |
| Alex Ireland | .... | digital compositor | |
| Sid Jayakar | .... | digital compositor | |
| Jody Johnson | .... | visual effects supervisor | |
| Frank Lawas | .... | visual effects I/O supervisor | |
| Gurel Mehmet | .... | concept artist: Double Negative | |
| Megan Omi | .... | digital compositor | |
| Alban Orlhiac | .... | senior texture artist: Double Negative | |
| James W. Riley | .... | visual effects producer | |
| Christoph Salzmann | .... | digital compositor: Double Negative | |
| Ellen Walder | .... | visual effects producer: Double Negative | |
| Pieter Warmington | .... | 3D supervisor: double negative | |
Stunts | |||
| Bill Davey | .... | stunt coordinator | |
| James Grogan | .... | stunt performer | |
| Tim Halloran | .... | stunt performer | |
| Ruth Jenkins | .... | stunt performer | |
| Luke Kearney | .... | stunt actor | |
| Glenn Marks | .... | stunt coordinator | |
| Kim McGarrity | .... | stunt performer | |
| Justin Pearson | .... | stunt performer | |
| William Willoughby | .... | stunt performer (2006) | |
Camera and Electrical Department | |||
| Paul Bates | .... | electrician | |
| Ashley Bond | .... | focus puller | |
| Simon Fogg | .... | grip | |
| Sam Goldie | .... | focus puller: re-shoots | |
| Ross Grainger | .... | lighting technician | |
| Tristan Haley | .... | additional photographer | |
| Tristan Haley | .... | clapper loader | |
| Alice Hobden | .... | assistant camera | |
| Stuart Howell | .... | Steadicam operator | |
| Stuart Howell | .... | camera operator: "a" camera | |
| Therese Hvattum | .... | camera trainee | |
| Gary Hymns | .... | grip | |
| Gary Hymns | .... | key grip | |
| Paul Hymns | .... | b camera grip | |
| Steve Kitchen | .... | best boy | |
| Grant Maclean | .... | electrician (as Grant McLean) | |
| Nathan Mann | .... | focus puller: "b" camera | |
| Abi Oseni | .... | camera trainee | |
| Laurie Sparham | .... | still photographer | |
| Simon Surtees | .... | second assistant camera | |
| Pat Sweeney | .... | gaffer | |
| Nick Wall | .... | still photographer | |
Casting Department | |||
| Robert M.B. Burke | .... | extras casting | |
| Louis Elman | .... | adr voice casting | |
| Amelia Hashemi | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Karen Beale | .... | costume stand-by | |
| Tom Hornsby | .... | costume assistant: dailies | |
| Charlotte Sewell | .... | assistant costume designer | |
| Marion Weise | .... | costume supervisor | |
| David Wootton | .... | costumer | |
Editorial Department | |||
| Abhinav Bhat | .... | assistant editor | |
| Ryan Denmark | .... | assistant editor | |
| Lorene Dewett | .... | apprentice assistant editor: FT2 | |
| Paul Ensby | .... | additional color timer | |
| Jason Fabbro | .... | video colorist | |
| Dianne Gordon | .... | digital intermediate data manager | |
| Todd Kleparski | .... | digital intermediate producer | |
| Michael Levine | .... | additional editor: re-cut | |
| Marjolaine Mispelaere | .... | colorist | |
| Thy Quach | .... | editor trainee | |
| Ian Seymour | .... | associate editor | |
| Dominic Thomson | .... | digital editor | |
| Jay Warren | .... | digital intermediate project manager | |
| Mark Sahagun | .... | digital intermediate editor (uncredited) | |
Music Department | |||
| Christopher Austin | .... | conductor | |
| Christopher Austin | .... | orchestrator | |
| Richard Chester | .... | assistant composer | |
| Michael Connell | .... | music editor | |
| John M. Davis | .... | music editor | |
| Tass Filipos | .... | music editor | |
| Ben Foskett | .... | orchestrator | |
| Sam Jones | .... | assistant scoring engineer | |
| Andrew McCormack | .... | music coach: piano | |
| Hilary Skewes | .... | musician contractor | |
| Joby Talbot | .... | arranger | |
| Joby Talbot | .... | conductor | |
| Robin Urdang | .... | music consultant | |
| Artem Vassiliev | .... | orchestrator | |
| Mark Wyllie | .... | music engineer | |
Transportation Department | |||
| Mark Crowley | .... | driver: producer | |
| Andy Levett | .... | grip truck driver | |
| Phil Richman | .... | transportation captain | |
| Darren Thackeray | .... | driver | |
Thanks | |||
| Florina Massbaum | .... | the producers wish to thank | |
| Frank Moshier | .... | special thanks | |
| Vivien Straus | .... | thanks | |
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| Kings & Queen | The Wings of the Dove | The Lady Eve | Kind Hearts and Coronets | The Rules of the Game |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb UK section |
Fairy tales are wide spread, with witches and curses they have, they are all too familiar with their poor damsel in need of rescue by the Charming Prince. The same can be said for poor Penelope, played by the essence of beauty and intelligence that is Christina Ricci. Famed for her roles as Wednesday Addams in the Addams Family movies, then "Kat" Harvey in Casper and during an Ice Strom she was Wendy Hood, hey, she's even dated a lesbian Monster and been chained up in Black Snake Moan. This, too, is the second in a row movie that consists of her taking a curse, the previous being John Carpenter's light horror werewolf flick Cursed (2005). You name it she has done it, and with perfection. Now all grown up she is playing the titular role of her 2006 movie Penelope.
Filmed in London, and with a high level of English actors too, and cast as an American fairy tale, this is the unlucky story of a witches curse on the first-born daughter of the Blue Blood (aristocrat) family, the Wilhern's. The only way to break said curse is to find her Charming Prince who shall love her for all her worth, pig nose and all. Yep, her curse is to be born with the nose and ears of a pig, poor girl. Kept away from others for all her childhood and youth by her grieving parents, played with relish by Richard E. Grant and the lovely Catherine O'Hara adding a touch of very hyper stressed and neurotic motherly love. Who could ask for more? Well, more is what we get here, more fun, more sad reflection and more diversity from the standard tale of woe. With its witty players from said Grant and O'Hara, we also get the very talented James McAvoy and the nemesis that is Lemon, the evil News Reporter, Peter Dinklage, hot on her tail for revenge. Having done "Lassie" (2005), "Death at a Funeral" (2007) and in the pipeline "The Chronicles of Narnia: Prince Caspian". Excellent actor.
Funny in parts, and poignant in others, not an epic but not a waste of time either. A story of self believe and how one can learn to love oneself and then be loved in return, in any way, shape or form. Simple I know, but in this case, it works, with all the surrounding American accents sometimes rubbing the wrong way, we can easily dismiss the poor adaptations.
This ugly duckling fable will warm to your hearts and tingle you with delight, with a charming narrative and distinctive feel good factor, and if Disney had gotten their hands on the project, it just might have come across as over sappy, over benevolent and over too soon. And it's a good job they didn't, wasn't it?