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Directed by | |||
| Scott Z. Burns | |||
Writing credits(WGA) | ||
| Scott Z. Burns | (screenplay) | |
| Ken Kalfus | (short story "PU-239") | |
Produced by | |||
| Peter Berg | .... | executive producer | |
| Armyan Bernstein | .... | executive producer | |
| George Clooney | .... | executive producer | |
| Ben Cosgrove | .... | executive producer | |
| Elena de Leonardis | .... | associate producer (as Elena Jacobson) | |
| Miranda de Pencier | .... | producer | |
| Zanne Devine | .... | executive producer | |
| Rachel Eggebeen | .... | associate producer | |
| Jennifer Fox | .... | executive producer | |
| Guy J. Louthan | .... | producer | |
| Charlie Lyons | .... | producer | |
| Vlad Paunescu | .... | producer | |
| Dmitry Shutko | .... | line producer: Moscow | |
| Steven Soderbergh | .... | executive producer | |
Original Music by | |||
| Abel Korzeniowski | |||
Cinematography by | |||
| Eigil Bryld | |||
Film Editing by | |||
| Tatiana S. Riegel | |||
| Leo Trombetta | |||
Casting by | |||
| Nancy Bishop | |||
| Susan Bluestein | |||
| Kate Dowd | |||
| Camille St. Cyr | |||
Production Design by | |||
| Tom Meyer | |||
Art Direction by | |||
| Adrian Curelea | |||
| Sorin Popescu | |||
Set Decoration by | |||
| Oana Marinescu | |||
| Alexandra Botoi Tudorache | |||
Costume Design by | |||
| Oana Paunescu | |||
Makeup Department | |||
| Daniela Busoiu | .... | makeup artist | |
| Catalin Ciutu | .... | key hair stylist | |
| Letitia Ghenea | .... | assistant makeup artist | |
| Marese Langan | .... | hair designer | |
| Marese Langan | .... | makeup designer | |
| Cristina Temelie | .... | assistant hair stylist | |
| Andreea Tudose | .... | assistant makeup artist | |
Production Management | |||
| Eugen Dinca | .... | unit production manager: Romania | |
| Jasmine Kosovic | .... | post-production supervisor | |
| Mark L. Mitchell | .... | post production executive | |
| Bogdan Moncea | .... | executive in charge of production | |
| Nancy Rae Stone | .... | executive in charge of production | |
| Jennifer Wynne | .... | unit production manager: UK | |
Art Department | |||
| Alexandru Dinca | .... | props | |
| Viorel Ghenea | .... | property master | |
| Andreea Gherghel | .... | on-set dresser | |
| Adi Handac | .... | props | |
| Christian Niculescu | .... | production designer: Romania | |
| Ionel Popa | .... | propmaker | |
| Grigore Purcariu | .... | assistant art director | |
| Andi Rosu | .... | props buyer | |
| Rosca Stefan | .... | painter | |
| Monica Timofte | .... | assistant art director | |
| Adrian Ungureanu | .... | lead painter | |
Sound Department | |||
| Rick Ash | .... | sound | |
| Keith Bilderbeck | .... | sound effects editor | |
| Kelly Cabral | .... | supervising sound editor | |
| Melissa A. Corns | .... | sound effects editor | |
| Robert Edwards | .... | adr recordist | |
| Peter Gleaves | .... | adr mixer | |
| Jon Johnson | .... | sound | |
| Val Kuklowsky | .... | adr editor | |
| Michael Miller | .... | adr mixer | |
| Chris Navarro | .... | adr recordist | |
| Simon Price | .... | adr supervisor | |
| Miguel Rivera | .... | dialogue & adr editor | |
| Gabriel J. Serrano | .... | sound recordist | |
| Edward M. Steidele | .... | foley artist | |
| Lauren Stephens | .... | sound effects editor | |
| Andy Thompson | .... | adr mixer | |
| Eric Thompson | .... | adr mixer | |
| Chris Trent | .... | foley mixer | |
| Jerry Trent | .... | foley artist | |
Special Effects by | |||
| Laurence Harvey | .... | senior special effects technician | |
| Lucian Iordache | .... | special effects supervisor | |
| Jason Troughton | .... | special effects supervisor | |
| Ovidiu Veliscu | .... | special effects technician | |
Visual Effects by | |||
| Brian Shows | .... | digital intermediate supervisor | |
Casting Department | |||
| Nancy Bishop | .... | casting | |
| Susan Bluestein | .... | casting: USA | |
| Floriela Grapini | .... | casting: Romania | |
| Justin Haulbrook | .... | casting intern: USA | |
| Jason Kennedy | .... | casting associate: USA | |
| Kirsty Kinnear | .... | casting associate | |
| Camille St. Cyr | .... | casting: USA | |
| Noelle Trkulja | .... | casting assistant: Prague | |
Costume and Wardrobe Department | |||
| Laurentiu Alexe | .... | costume assistant | |
| Ana Maria Cucu | .... | assistant costume designer | |
| Carmen Ilie | .... | set costumer | |
| Oana Paunescu | .... | costumes | |
| Doina Raducut | .... | set costumer | |
Editorial Department | |||
| Natasha Blasick | .... | post-production | |
| Jason Bretz | .... | assistant editor | |
| George Chavez | .... | color timer | |
| Matthew W. Johnson | .... | iq artist | |
| Ella Leya | .... | assistant editor | |
| Peter McEvoy | .... | digital intermediate executive producer | |
| Marilyn McMahon Adams | .... | assistant editor | |
| Joey Mendez | .... | post-production assistant | |
| Roberta Raduca | .... | telecine colorist | |
| Kasia Skorynkiewicz | .... | post-production coordinator | |
Music Department | |||
| Daniel Birczynski | .... | music designer | |
| Tom Calderaro | .... | orchestrator | |
| Julie Eidsvoog | .... | music preparation | |
| Rick Giovinazzo | .... | orchestrator | |
| Greg Hayes | .... | score recordist | |
| Joel Iwataki | .... | music score mixer | |
| Steve Kempster | .... | score mixer | |
| Bryan Lawson | .... | music editor | |
| Sam Zeines | .... | assistant music editor | |
| Gina Zimmitti | .... | music contractor | |
Transportation Department | |||
| Sorin Dinu | .... | transport coordinator | |
| Octav Tudor | .... | transportation coordinator | |
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Based on a short story by Ken Kalfus, PU-239 is about a man who worked all of his adult life in a nuclear processing facility, only to find himself contaminated beyond hope of survival because the plant is literally falling apart. Faced with precious little time to look out for his family's future, a good man does a bad thing, by stealing a small quantity of weapons grade plutonium to sell on the black market. His journey takes him to Moscow,where he must deal with Russian mobsters and street thugs while trying to survive long enough to make a transaction.
The film is filled with little facts about the power and dangers of radiation, and examples of the affect that perestroika has had on Russian society. The plot takes many turns as the main characters find themselves in one ironic situation after another. While the details may be contrived (hey - it's a movie), the basic plot is very plausible and the scary thing is how much enriched plutonium is actually unaccounted for in the former USSR.
I feel sure this film will be made available on DVD someday. But if you have access to HBO, watch it now. If you like dark satire and science, this films for you.