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Sleeping Murder 

Gwenda Halliday, a wealthy young Englishwoman recently emigrated from India, intuitively buys a seaside manor house, where she re-experiences a murder.



(screenplay), (novel)

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Episode cast overview, first billed only:
Kelvin Halliday
Emilio Doorgasingh ...
Sergant Desai
George Erskine
Mr Sims
Helen Marsden
Duchess of Malfi
Shop Assistant
Walter Fane
Mrs Pagett
Helen Coker ...
Lily Tutt
Dickie Erskine


Gwenda Halliday moves to England from India and moves into a house in a seaside village. She will soon be married and needs to renovate the house first. However, she keeps getting the strange feeling that she's been in the house before even though, as far as she is aware, she has never been in England before. Then a view of a part of the house sparks an image of a murder in her mind, and she gets extremely agitated. Her assistant, Hugh Hornbeam, is worried about her and calls in a friend, Miss Marple. It turns out Ms Halliday has previously lived in England, in that same house. Written by grantss

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Crime | Drama | Mystery


TV-PG | See all certifications »

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Release Date:

5 February 2006 (USA)  »

Filming Locations:

Company Credits

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Technical Specs



Aspect Ratio:

1.78 : 1
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Did You Know?


A postcard supposedly from the missing Helen who disappeared in the 1930s has a stamp of Queen Elizabeth II, whose reign started in 1952. See more »


Chief Inspector Arthur Primer: Miss Marple, still snooping?
Miss Jane Marple: I hate a case unsolved.
See more »


Version of Miss Marple: Sleeping Murder (1987) See more »

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User Reviews

a jumbled mess that bears very faint relation to the original
6 February 2006 | by See all my reviews

I was looking forward to the new adaptation of Sleeping Murder for a long time - and rarely have I been so sorely disappointed and affronted by a television programme! It's the utterly inexplicable changes to the book that made this adaptation not only hard to follow but also exasperating for any fans of Agatha Christie. I simply fail to see the point in changing the nationalities of characters, their relation to each other, and even the means of Miss Marple's involvement - which is tenuous and peripheral throughout.

While the more recent adaptations of Poirot seem to be taking on the darker tone of the original books, this version of Marple appears to have an insatiable urge to 'jolly-hockey-stick' up the story to the point where it's an embarrassing parody of the original and a grave injustice to the author's legacy. Given the success of the 1980s adaptation of Sleeping Murder starring the excellent Joan Hickson, it's not surprising that the programme-makers might want to change elements of the story in order to justify the remake - but this just felt like it was cashing in on the names of Agatha Christie and Marple, with no respect for and little understanding of what made the book and the earlier TV programmes so memorable.

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