As the Mayan kingdom faces its decline, the rulers insist the key to prosperity is to build more temples and offer human sacrifices. Jaguar Paw, a young man captured for sacrifice, flees to avoid his fate.
In 1933 New York, an overly ambitious movie producer coerces his cast and hired ship crew to travel to mysterious Skull Island, where they encounter Kong, a giant ape who is immediately smitten with leading lady Ann Darrow.
A case of mistaken identity lands Slevin into the middle of a war being plotted by two of the city's most rival crime bosses: The Rabbi and The Boss. Slevin is under constant surveillance by relentless Detective Brikowski as well as the infamous assassin Goodkat and finds himself having to hatch his own ingenious plot to get them before they get him.
In the Maya civilization, a peaceful tribe is brutally attacked by warriors seeking slaves and human beings for sacrifice for their gods. Jaguar Paw hides his pregnant wife and his son in a deep hole nearby their tribe and is captured while fighting with his people. An eclipse spares his life from the sacrifice and later he has to fight to survive and save his beloved family. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
As a teenager, Mel Gibson was once called "almost" by an older boy, a deep insult. That inspired the line in which a headhunter calls Jaguar Paw "almost." See more »
There are piles of hundreds of corpses dead less than a month, just outside the city, and more piles of hundreds of freshly killed corpses inside the city itself. At no point in the life of the Maya, and definitely not in the 16th century when the film is set, would the surrounding jungle have been able to provide a population large enough to yield that many sacrifice victims. See more »
"A great civilization is not conquered from without until it has destroyed itself from within." W. Durant
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Daniel Paredes ...... Crazy Student and Son of a Driver See more »
Though I had no interest in the subject, I took a risk and just came back from seeing Mel Gibson's new flick and it is an exciting adventure which engages from the start with touches of humor that allow us to relate to the characters rather than hold them at a distance.
The accusation that it portrays the people unfairly has no merit. Both sides of human nature doubtless existed in each culture from the start. Look at The Fast Runner - a movie about a much smaller aboriginal community in which we see no matter how small your clan is someone will be a criminal and all soap opera elements will be represented.
Rudy Youngblood especially stands out here as the hero. Reading the subtitles will add comic relief to your screening, but the story itself plays visually. Again more is made of the violence than there should be. There is violence but it moves the story along and generates suspense.
I would give it a ten except that I understand IMDb sometimes discounts the tens and ones. Even if you had political reasons you did not like The Passion - or Braveheart for that matter - if you like a good motion picture Apocalypto is a good bet.
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