Adapted from David McCullough's Pulitzer Prize-winning biography, this lavish seven-part miniseries chronicles the life of Founding Father John Adams, starting with the Boston Massacre of 1770 through his years as an ambassador in Europe, then his terms as vice president and president of the United States, up to his death on July 4, 1826. Written by
During an interview on NPR's "Fresh Air," Paul Giamatti told interviewer Dave Davies that the scene in which Abigail and John have sex upon being reunited after many years apart was not written as a sex scene. The script only called for John and Abigail to kiss, but Giamatti said that he and Laura Linney discussed between themselves that they thought the characters would go farther in that situation, and they decided to "keep going" and hope the director and camera person would follow them, which they did. The scene they improvised and shot was originally much longer than what ended up in the finished film. See more »
A camera is reflected in the carriage window glass during a close-up of young John Quincy Adams just before his departure for Russia. Even the lettering (reversed in the reflection but readable) of the camera's make and model are clearly visible: ARRIFLEX 35. See more »
I will not voluntarily put on the chains of France while struggling to throw off those of Great Britain!
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In the film industry we have seen many exceptional productions, made so by incredible special effects, animation processes, Computer-Generated Imagery (CGI) and the like.
Seldom we find this same quality in the performance from the individual actors. More often we do recognize the difficulty, uniqueness and the gift that theater performances bring to their audiences. The gift of the individual performer is bared to the audience, where the audience feels the essence of the character transported by its performer.
The John Adams production has accomplished this by giving these performers the opportunity to display the essence of their talents. It is evident they gave their all.
The professionalism and talent of the entire production is of the highest quality, the realism and fidelity to the times is very impressive.
The attention to details, the very talented cast and the unique ability of Tom Hooper to capture what words cannot describe, has made this production a true work of art.
Paul Giamatti and Laura Linney professional eclectic careers are and will continue to define them as great actors. Both have reached for the best performance have not only achieved it but have surpassed it.
Paul and Laura do not only deserve the Oscar but they should be recognized has to have given their all, in an effort to help the audience better understand the complex multi-dimensional and existential realities of two historical individuals that have truly shaped the genesis and future the United States of America.
Paul Giamatti and Laura Linney have with their performance added the unique and the exceptional to an already fine production.
A truly multi-dimensional performance. Thank you Paul - thank you Laura for a rare gift.
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