After stretching the truth on a deal with a spiritual guru, literary agent Jack McCall finds a Bodhi tree on his property. Its appearance holds a valuable lesson on the consequences of every word he speaks.
Dave is a married man with three kids and a loving wife, and Mitch is a single man who is at the prime of his sexual life. One fateful night while Mitch and Dave are peeing in a fountain, lightning strikes and they switch bodies.
Josh Kovaks is the manager of a high-rise condominium in New York. He is close to all the tenants, especially financier Arthur Shaw. One day Shaw is arrested by the FBI for fraud. Josh thinks it's a misunderstanding that can be resolved, but later he learns that the employees' pension fund - which he asked Shaw to handle - is gone. When one of the employees tries to kill himself, Josh's views of Shaw change. He goes to see him and loses his temper, and his job. The FBI agent in charge tells him that Shaw might walk, and recovering the pension fund is unlikely. She tells him that it's been rumored that Shaw has $20 million lying around if he needs it in a hurry. Josh thinks he knows where it is, so with two other fired employees and an evicted tenant, they set out to get into Shaw's penthouse to get the money. But they realize they need the assistance of someone who knows how to steal, so Josh asks an old acquaintance named Slide who he knows is a thief to help them. Written by
The Ferrari Lusso used in many of the scenes is actually a heavily modified Volvo 1800. 2 were fabricated. Corroboration from the builder found on FerrariChat: "Hi, I'm Erich Schultz. I built the two replica Lussos for Tower Heist. I was hired by Ralph Lucci of Automobile Film Club of America, based in New York to do the job. Brett Ratner, the film's director wanted the job done by Ted Moser of Picture Car Warehouse in LA. Ted and I are friends so I told Ralph I would do the job with Ted and act as the project manager. Initially, we were given just seven weeks from getting the job to the final delivery date for two complete cars. I thought that this time frame was unrealistic and I needed ten weeks. We ended up taking eight and a half weeks from start to finish to build them. The decision to build onto a Volvo P1800 platform was mine. I noticed the similarity between the Lusso's windshield, A-pillar, and side windows with the P1800, which incidentally was designed in Italy. I used the P1800 as a platform for the Lusso mold plug. With the exception of the windshield frame, every surface and the overall dimensions of the P1800 were changed with metal work, MDF, urethane foam, fiberglass, and Bondo to transform it into a facsimile of the Lusso. Our replica is not identical in any way. We had to settle for very close. We did not have access to a real Lusso to get measurements or make plans or templates. I had a photo file of pictures that were downloaded from the internet and had to approximate everything by trying to scale dimensions from those photos." See more »
When Odessa arrives on Shaw's floor, she attempts to bribe the stationed FBI agent with a slice of drugged cake, which he rejects, saying that he's allergic to chocolate. This should not have been an issue, considering the cake offered was carrot cake. See more »
A robbery can change very quickly. You have to be ready to adapt to the situation at any moment. Anything can happen. I was on a job a few days ago and my homie got shot in the face!
If you get shot in the face, it's over.
If you get shot in your HEAD, it's over. If you get shot in your FACE, the bullet will go through your cheek and come out the other side! Then, what you gonna do?
Die! We're all gonna die!
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Written by Wilfrido Vargas (as Wilfrido Martinez), Calixto Ochoa
Performed by Wilfrido Vargas
Courtesy of Sony Music Entertainment US Latin LLC
By arrangement with Sony Music Licensing See more »
Not as dull as its title suggests, but still somewhat flat caper flick. It has a consistent string of laughs, but never quite hits the heights. Brockerick's down-and-out businessman is a good start but lands few jokes, and the plotting seems to meander. Stiller is a highlight, and Affleck and Murphy are good solid, but Aldo is a standout.
With that much star power, you'd think the comedy would make itself, but the actors feel confined. Weirdly, I think the movie could have been better if it had foregone the heist and explored the Stiller character and his buttoned-down-but-flexible managerial style. More tower. Less heist.
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