A comedy about a veteran NYPD cop whose rare baseball card is stolen. Since it's his only hope to pay for his daughter's upcoming wedding, he recruits his partner to track down the thief, a memorabilia-obsessed gangster.
Juan Carlos Hernández
Josh Kovacs is the manager of a residential apartment in New York. He is close to all the tenants, especially Arthur Shaw, a financier. One day Shaw is arrested by the FBI for fraud. Josh thinks it's a misunderstanding that can be resolved. But later he learns that the employees' pension fund which he asked Shaw to handle is gone. When one of the employees tries to kill himself, Josh's views of Shaw change. He goes to see him and loses his temper. He loses his job. The FBI agent in charge of Shaw tells him that Shaw might walk and recovering the pension fund is unlikely. She tells him that it's been rumored that Shaw has $20 million lying around if he needs it in a hurry. Josh thinks he knows where it is. So with two other employees who also lost their jobs and an evicted tenant, they set out to get into Shaw's penthouse to get the money. But they realize they need the assistance of someone who knows how to steal. So Josh asks a guy he knows is a thief named Slide to help them. Written by
The only improvised scene is when Odessa instructs Slide how to crack a safe in a very suggestive manner. See more »
The 1912 chess game Shaw references while talking to Kovacs is a real game, although rather than playing it out as he claims, Levitsky resigned after Marshall moved his Queen, realizing checkmate was inevitable. Additionally, the term "Marshall Swindle" did not originate solely from that game, but rather from Frank Marshall's well known tactic of giving his opponent a seemingly decisive advantage, only to storm back out of nowhere to "swindle" them out of the victory. Another well known "Marshall Swindle" occurred in 1904. See more »
Everyone's excited for the new Brett Ratner movie, right? Jonesing for another marginal action-comedy in the vein of Rush Hour 2? You're in luck! Tower Heist fits the bill, and despite its allusions to 2011 Wall Street turmoil, the familiar flick feels very much of that era. The Rat-man's latest is cookie-cutter entertainment at its most transient, but everyone likes cookies. Right?
In Tower Heist, Ben Stiller plays subservient chief of staff at a ritzy Central Park apartment complex but when a tenant (Alan Alda) swindles him and his workforce out of their pensions, it's no more Mr. Nice Josh. He masterminds a robbery with the help of his concierge (Casey Affleck), an elevator operator (Michael Peña), a downtrodden former resident (Matthew Broderick), and a Jamaican cleaning woman (Gabourey Sidibe). Unschooled as they are in the art of the steal, Josh also employs the aid of petty criminal "Slide," (Eddie Murphy) who gives the crew a crash course in crime.
The cast of Tower Heist, anchored by Stiller, Alda, and the under-appreciated 'other' Affleck, is its greatest asset. Gabourey Sidibe pulls a Melissa McCarthy in a similar big girl supporting role, and as for Eddie Murphy it's good to know that there's still a funny guy beneath the Norbit prosthetics. Granted, nobody's working with AAA material here, but their comic chemistry makes for some laugh out loud moments.
Conceived and written by Ted Griffin of Ocean's Eleven and Matchstick Men, Tower Heist strictly adheres to caper convention. Assemble the team, unfurl the plan, set said plan into motion, and wait for it all to come undone. It's a tried and true formula, which is ironic considering the risk its characters incur. There's even a heavy-handed chess metaphor about sacrificing one's Queen, but Griffin is a decidedly defensive player.
Then there's the Rat-factor. Poor Brett's an easy guy to hate. Called "Hollywood's Ad Impresario" by Businessweek, he's the dude who wants to make a Guitar Hero movie. He's a purely commercial filmmaker who's helmed competent but inferior follow-ups to beloved franchises like X-Men and Silence of the Lambs. And let's face it, he's kind of ugly. With Tower Heist, the director isn't flexing any artistic muscles, but he's got the mechanics down pat.
Plus, he's got the good sense to hire performers who probably don't need much direction. Guys like Stiller, Murphy, and Broderick are so well practiced that they're entertaining even when they're resting on their laurels. Similarly, Ratner's worked with cinematographer Dante Spinotti enough times to not have to concern himself with the visual aspects of filmmaking. Though the credits suggest otherwise, Ratner's role is nearer to producer than director.
Consequently, Tower Heist feels impersonal and even a bit disingenuous. After all, what could Brett Ratner, the privileged son of a Miami socialite turned blockbuster director, have in common with the working stiffs he portrays? It's easy to hate Ratner, but unfair to channel that negative energy at his work. With a good cast and decent material, Tower Heist is an amusing, inconsequential diversion that entertains and evaporates in the span of 100 minutes. And with a family friendly PG-13 rating, this cookie-cutter action-comedy is poised to make loads of dough.
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