After stretching the truth on a deal with a spiritual guru, literary agent Jack McCall finds a Bodhi tree on his property. Its appearance holds a valuable lesson on the consequences of every word he speaks.
Josh Kovaks is the manager of a high-rise condominium in New York. He is close to all the tenants, especially financier Arthur Shaw. One day Shaw is arrested by the FBI for fraud. Josh thinks it's a misunderstanding that can be resolved, but later he learns that the employees' pension fund - which he asked Shaw to handle - is gone. When one of the employees tries to kill himself, Josh's views of Shaw change. He goes to see him and loses his temper, and his job. The FBI agent in charge tells him that Shaw might walk, and recovering the pension fund is unlikely. She tells him that it's been rumored that Shaw has $20 million lying around if he needs it in a hurry. Josh thinks he knows where it is, so with two other fired employees and an evicted tenant, they set out to get into Shaw's penthouse to get the money. But they realize they need the assistance of someone who knows how to steal, so Josh asks an old acquaintance named Slide who he knows is a thief to help them. Written by
Stiller has picked up Murphy from leaving jail, and they drive under bright sunshine and shadow (39min 47sec). Inside the car, the lighting stays absolutely steady, with no changes reflecting the outside environment. See more »
Several years ago, he was asked to manage all your pensions. Right now, they're saying that anyone who invested with Mr Shaw has been frauded.
Did he get your money too?
...Yeah. He did.
See more »
Genius of Love
Written by Tom Tom Club
Performed by Tom Tom Club
Courtesy of Metered Music Inc. and
Courtesy of The Island Def Jam Music Group
Under license from the Universal Music Enterprises and
Courtesy of Warner Bros. Records Inc.
By arrangement with Warner Music Group Film & TV Licensing See more »
Not as dull as its title suggests, but still somewhat flat caper flick. It has a consistent string of laughs, but never quite hits the heights. Brockerick's down-and-out businessman is a good start but lands few jokes, and the plotting seems to meander. Stiller is a highlight, and Affleck and Murphy are good solid, but Aldo is a standout.
With that much star power, you'd think the comedy would make itself, but the actors feel confined. Weirdly, I think the movie could have been better if it had foregone the heist and explored the Stiller character and his buttoned-down-but-flexible managerial style. More tower. Less heist.
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