A comedy about a veteran NYPD cop whose rare baseball card is stolen. Since it's his only hope to pay for his daughter's upcoming wedding, he recruits his partner to track down the thief, a memorabilia-obsessed gangster.
Juan Carlos Hernández
Josh Kovacs is the manager of a residential apartment in New York. He is close to all the tenants, especially Arthur Shaw, a financier. One day Shaw is arrested by the FBI for fraud. Josh thinks it's a misunderstanding that can be resolved. But later he learns that the employees' pension fund which he asked Shaw to handle is gone. When one of the employees tries to kill himself, Josh's views of Shaw change. He goes to see him and loses his temper. He loses his job. The FBI agent in charge of Shaw tells him that Shaw might walk and recovering the pension fund is unlikely. She tells him that it's been rumored that Shaw has $20 million lying around if he needs it in a hurry. Josh thinks he knows where it is. So with two other employees who also lost their jobs and an evicted tenant, they set out to get into Shaw's penthouse to get the money. But they realize they need the assistance of someone who knows how to steal. So Josh asks a guy he knows is a thief named Slide to help them. Written by
When Kovaks is asked to steal $50 worth of materials, he steals a $12 candle and two pairs of underwear, but the underwear said 5 for $25. However, it is very possible (although unlikely) for the underwear to have an individual price of $19 or more, and the 5 for $25 just the sale price, bringing his total to $50. Some companies will purposely have high individual prices to encourage people to go for the sale. See more »
Not as dull as its title suggests, but still somewhat flat caper flick. It has a consistent string of laughs, but never quite hits the heights. Brockerick's down-and-out businessman is a good start but lands few jokes, and the plotting seems to meander. Stiller is a highlight, and Affleck and Murphy are good solid, but Aldo is a standout.
With that much star power, you'd think the comedy would make itself, but the actors feel confined. Weirdly, I think the movie could have been better if it had foregone the heist and explored the Stiller character and his buttoned-down-but-flexible managerial style. More tower. Less heist.
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