Jackie works as a CCTV operator. Each day she watches over a small part of the world, protecting the people living their lives under her gaze. One day a man appears on her monitor, a man she thought she would never see again, a man she never wanted to see again. Now she has no choice, she is compelled to confront him.
A poor boy of unknown origins is rescued from poverty and taken in by the Earnshaw family where he develops an intense relationship with his young foster sister, Cathy. Based on the classic novel by Emily Bronte.
Zoë is a single mother who lives with her four children in Dartford. She is poor and can't afford to buy food. One day her ex-boyfriend drives by and asks her to go on a date with him. ... See full summary »
A teenage girl gets ready to go out to meet her boyfriend, despite her mother's loud verbal disapproval of her clothes. She goes out to a deserted area with him and he begins to touch her ... See full summary »
A teenage girl with nothing to lose joins a traveling magazine sales crew, and gets caught up in a whirlwind of hard partying, law bending and young love as she criss-crosses the Midwest with a band of misfits.
Whilst working as a CCTV operator in Glasgow's working-class Red Road estate, Jackie sees a face from the past, a face that she thought would no longer haunt her dreams. Keeping her distance, and with the use of her CCTV cameras, she follows the face and the man and she finally decides to confront him. It is here that past lives are once again entwined and reconciliations are aired. Written by
Red Road is the first of three films made at the behest of The Advance Party, a Danish project inspired by Lars von Trier, who challenged Arnold and two other new directors to create films with the same group of characters. See more »
The video screens in the surveillance centre do not show the date and time, which would severely limit their usefulness as filmed evidence in real life. The date and time have clearly been disabled to avoid continuity errors in filming. The 'shadow' of the numbers is however visible. See more »
Do you know what I wonder about you?
How your cunt taste like.
[looking at Clyde blankly, not being surprised at all]
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I saw "Red Road" at Cannes, and it was my pick as best film almost to the end, beaten out only by "Pan's Labyrinth". The film keeps you off balance throughout because you are not told what to think of events; they simply unfold without explanation until the events themselves necessitate dialogue between the two main characters. Not knowing becomes rather vexing because you are always trying to figure out why the protagonist does so much that you feel is wrong, but it's all just part of the fun. And the kind of storytelling I enjoy most. It reminded me of "Exotica", another film I loved. Too, the faces of the actors are relatively unfamiliar which adds to the mystery, since they carry no "baggage" from previous films to the characters.
There doesn't seem to be a distributor connected to this movie yet, and we'd really lose out if it doesn't get to the U.S.
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