Jackie works as a CCTV operator. Each day she watches over a small part of the world, protecting the people living their lives under her gaze. One day a man appears on her monitor, a man she thought she would never see again, a man she never wanted to see again. Now she has no choice, she is compelled to confront him.
A woman on the run from the mob is reluctantly accepted in a small Colorado town. In exchange, she agrees to work for them. As a search visits town, she finds out that their support has a price. Yet her dangerous secret is never far away...
A man in his early 30s (Keane) struggles with the supposed loss of his daughter from port authority bus terminal in New York, while fighting serious battles with schizophrenia. We can never... See full summary »
A grief-stricken mother takes on the LAPD to her own detriment when it stubbornly tries to pass off an obvious impostor as her missing child, while also refusing to give up hope that she will find him one day.
Whilst working as a CCTV operator in Glasgow's working-class Red Road estate, Jackie sees a face from the past, a face that she thought would no longer haunt her dreams. Keeping her distance, and with the use of her CCTV cameras, she follows the face and the man and she finally decides to confront him. It is here that past lives are once again entwined and reconciliations are aired. Written by
Red Road is the first of three films made at the behest of The Advance Party, a Danish project inspired by Lars von Trier, who challenged Arnold and two other new directors to create films with the same group of characters. See more »
The video screens in the surveillance centre do not show the date and time, which would severely limit their usefulness as filmed evidence in real life. The date and time have clearly been disabled to avoid continuity errors in filming. The 'shadow' of the numbers is however visible. See more »
Do you know what I wonder about you?
How your cunt taste like.
[looking at Clyde blankly, not being surprised at all]
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An intimate and moving portrayal of characters both devastated and desperate. Performances are very subtle, yet brimming with emotion, so much so that some scenes are really quite uncomfortable to watch. Direction is also brilliant and the low budget restrictions really do not show. Also a very successful portrayal of the way many people in Glasgow live. I am very excited about the next two in the trilogy, as there were strong hints of very interesting stories accompanying the supporting characters. This film is so full of emotion that i just hope that people around the world don't come to think that Glasgow could be the most dreich place in the world.
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