Jackie works as a CCTV operator. Each day she watches over a small part of the world, protecting the people living their lives under her gaze. One day a man appears on her monitor, a man she thought she would never see again, a man she never wanted to see again. Now she has no choice, she is compelled to confront him.
A poor boy of unknown origins is rescued from poverty and taken in by the Earnshaw family where he develops an intense relationship with his young foster sister, Cathy. Based on the classic novel by Emily Bronte.
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Whilst working as a CCTV operator in Glasgow's working-class Red Road estate, Jackie sees a face from the past, a face that she thought would no longer haunt her dreams. Keeping her distance, and with the use of her CCTV cameras, she follows the face and the man and she finally decides to confront him. It is here that past lives are once again entwined and reconciliations are aired. Written by
Red Road is the first of three films made at the behest of The Advance Party, a Danish project inspired by Lars von Trier, who challenged Arnold and two other new directors to create films with the same group of characters. See more »
The video screens in the surveillance centre do not show the date and time, which would severely limit their usefulness as filmed evidence in real life. The date and time have clearly been disabled to avoid continuity errors in filming. The 'shadow' of the numbers is however visible. See more »
[seeing Jackie for the first time]
Have we met?
Yeah, I saw you at a cafe.
Right. At a cafe.
[Clyde takes Jackie's hand and they both start to dance]
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The movie is beautifully shot but is so slow moving in the beginning that it might turn some viewers off. However, if you can bear with it, the last forty minutes are brilliant. The portrayal of a broken-hearted woman and her desperation for vengeance isn't of the stereotypical sort. Instead the audience is never really clued in to exactly what her motivations are, just that she has a reason. The twist and reveal are handled with deft emotion. The character of Clyde is an interesting one because you never really get a handle on him till the final moments of the film. It is the emotion of the film that makes the audience hold on until the very last moments, though the sex doesn't hurt either. Until it does, of course.
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