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Directed by | |||
| Christopher Guest | |||
Writing credits(WGA) | ||
| Christopher Guest | (written by) and | |
| Eugene Levy | (written by) | |
Produced by | |||
| Karen Murphy | .... | producer | |
Original Music by | |||
| Jeffrey C.J. Vanston | (as CJ Vanston) | ||
Cinematography by | |||
| Roberto Schaefer | (director of photography) | ||
Film Editing by | |||
| Robert Leighton | |||
Casting by | |||
| Richard Hicks | |||
| David Rubin | |||
Production Design by | |||
| Joseph T. Garrity | |||
Art Direction by | |||
| Pat Tagliaferro | |||
Set Decoration by | |||
| Dena Roth | |||
Costume Design by | |||
| Durinda Wood | |||
Makeup Department | |||
| Judi Cooper-Sealy | .... | hair designer | |
| Judi Cooper-Sealy | .... | wig designer | |
| Carol F. Doran | .... | additional wigmaker (as Carol Doran) | |
| Amy Hinkley | .... | hair staff assistant | |
| Felicia Linsky | .... | key makeup artist | |
| Vicky Phillips | .... | key hair stylist | |
| Theraesa Rivers | .... | assistant hair stylist | |
| Arturo Rojas | .... | assistant hair stylist | |
| Kate Shorter | .... | makeup designer | |
| Toni-Ann Walker | .... | key hair stylist: additional photography (as Toni Walker) | |
| Jennifer Zide | .... | assistant makeup artist | |
Production Management | |||
| Pamela Louise Griner | .... | post-production supervisor (as Pamela Griner) | |
| Dhana Rivera | .... | production supervisor (as Dhana Rivera Gilbert) | |
| Chrisann Verges | .... | unit production manager | |
Art Department | |||
| Bart Barbuscia | .... | swing gang | |
| Jonathan Bobbitt | .... | leadman | |
| Jose Bonilla | .... | gang boss | |
| David Chow | .... | set designer | |
| Skip Crank | .... | assistant property master | |
| Nella Davies | .... | art department staff assistant | |
| Francis Davis | .... | laborer | |
| Ken Deubel III | .... | head paint foreman (as Ken Deubel) | |
| Terry Deubel | .... | paint foreman | |
| Aaron Dornhoefer | .... | set painter | |
| Gregory M. Elley | .... | construction assistant | |
| Randy Eriksen | .... | property master: additional photography | |
| Bryan Garcia | .... | labor foreman (as Brian Garcia) | |
| Ron Gielow | .... | foreman | |
| Humberto Jimenez | .... | general foreman (as Humberto T. Jimenez) | |
| Humberto Jimenez | .... | propmaker (as Humberto T. Jimenez) | |
| Rutilo Jimenez | .... | propmaker (as Rutilo L. Jimenez) | |
| Mervyn Johnson | .... | construction coordinator | |
| Peggy Johnson | .... | set painter | |
| Thomas V. Johnson | .... | set painter (as Thomas Johnson) | |
| John Paul 'J.P.' Jones | .... | property master (as J.P. Jones) | |
| Jennifer Lagura | .... | swing gang (as Jennifer La Gura) | |
| Esteban J. Lascarez | .... | propmaker (as Esteban Jimenez Lascarez) | |
| Julia K. Levine | .... | set designer (as Julia Levine) | |
| Leslie McCarthy-Frankenheimer | .... | set decorator: additional photography (as Leslie Frankenheimer) | |
| Jon Nicholson | .... | on-set dresser | |
| Kathy Orlando | .... | set decorating buyer | |
| Edmund C. Quintero | .... | propmaker (as Edmundo C. Quintero) | |
| Ron Rhodes | .... | general foreman | |
| Kim Richey | .... | assistant property master | |
| Raquel Ruiz | .... | laborer | |
| Stephen Runningen | .... | graphic designer | |
| Debi Shirk Tagliaferro | .... | art department coordinator (as Debi Shirk-Tagliaferro) | |
| Louis Terry | .... | swing gang | |
| Mark Vena | .... | storyboard artist (as Marc Vena) | |
| Penny Wesney | .... | set painter | |
| Cate Whittemore | .... | portrait: young Rachel Pischer | |
| David Corral | .... | set dresser (uncredited) | |
| Chad B. Daring | .... | set dresser (uncredited) | |
| Eric Knight | .... | scenic painter (uncredited) | |
| Robert E. Knight | .... | head paint foreman (uncredited) | |
| Al Lewis | .... | set dresser (uncredited) | |
| Mike Sudrow | .... | on-set dresser (uncredited) | |
| Jana Treadwell | .... | tool keeper (uncredited) | |
Sound Department | |||
| Lawrence L. Commans | .... | boom operator (as Larry Commans) | |
| Mark Fay | .... | utility sound | |
| Alison Fisher | .... | adr supervisor | |
| Alison Fisher | .... | dialogue editor | |
| David Giammarco | .... | sound re-recording mixer | |
| Tim Gomillion | .... | sound recordist | |
| Robin Harlan | .... | foley artist | |
| Tom Krajecki | .... | audio consultant | |
| Travis MacKay | .... | adr recordist (as Travis Mackay) | |
| Paul Massey | .... | sound re-recording mixer | |
| Oscar Mitt | .... | assistant sound editor | |
| Sarah Monat | .... | foley artist (as Sara Monat) | |
| Randy Singer | .... | foley mixer | |
| William Stein | .... | sound re-recording engineer (as Bill Stein) | |
| Hamilton Sterling | .... | sound designer | |
| Hamilton Sterling | .... | supervising sound editor | |
| John Joseph Thomas | .... | foley supervisor | |
| Eric Thompson | .... | adr mixer | |
| Mark Weingarten | .... | sound mixer | |
| Mark Fay | .... | boom operator (uncredited) | |
Special Effects by | |||
| Robbie Knott | .... | special effects coordinator: The Effects Group | |
Visual Effects by | |||
| Saeed Faridzadeh | .... | digital artist: Handmade Digital | |
| Lee Roderick | .... | lead compositor: Handmade Digital (as Lee Rod Roderick) | |
| Corinne Villa | .... | visual effects editor | |
| Mandy Arnold | .... | digital restoration artist (uncredited) | |
| Vincent Lavares | .... | data manager: Laser Pacific (uncredited) | |
| Matt Sell | .... | dustbuster (uncredited) | |
| Mai Suzuki | .... | digital restoration artist (uncredited) | |
| Diane Wright | .... | digital asset manager: Laser Pacific (uncredited) | |
Casting Department | |||
| Leigh French | .... | voice casting | |
| Tammy L. Smith | .... | extras casting: Smith & Webster-Davis Casting | |
| Stephanie Stenta | .... | casting assistant | |
| Dixie Webster | .... | extras casting: Smith & Webster-Davis Casting (as Dixie Webster-Davis) | |
Costume and Wardrobe Department | |||
| Judith Bartnik | .... | cutter/fitter | |
| Jamelle Flowers | .... | costumer | |
| Marcy Grace Froehlich | .... | assistant costume designer (as Marcy Froehlich) | |
| Jennifer Ireland | .... | costumer (as Jen Ireland) | |
| Roselee Showe | .... | costumer | |
| Jennifer Starzyk | .... | costumer | |
| Mary Beth Sterling | .... | costume staff assistant | |
| Emma Trenchard | .... | costume supervisor | |
| Kanani Wolf | .... | costumer | |
| Aaron Millsap | .... | costumer (uncredited) | |
Editorial Department | |||
| Brian Hall | .... | post-production coordinator | |
| Danny Miller | .... | first assistant editor | |
| Mike Sowa | .... | color timer | |
| Kyle DeVriendt | .... | digital film recordist (uncredited) | |
| Valance Eisleben | .... | digital data conformist (uncredited) | |
| Heather Holty | .... | digital intermediate producer (uncredited) | |
| Jesse Kobayashi | .... | digital intermediate producer (uncredited) | |
Music Department | |||
| Shelly Berg | .... | orchestrator | |
| Greg Bissonette | .... | musician: drums (as Gregg Bissonette) | |
| Fernand Bos | .... | music consultant | |
| Ed Cherney | .... | music mixer | |
| David Cole | .... | music recording engineer | |
| Paul Dugre | .... | music recording engineer | |
| Norbert Fimpel | .... | musician: saxophone | |
| Jerry Goodman | .... | musician: solo violin | |
| Christopher Guest | .... | musician: guitar | |
| Tom Halm | .... | music copyist | |
| Tom Halm | .... | music production coordinator | |
| Andrew R. Lynch | .... | music recording engineer (as Andrew Lynch) | |
| Dean Parks | .... | musician: guitar | |
| Joe Satriani | .... | musician: guitar | |
| Chris Tedesco | .... | musician: trumpet | |
| Adrian Van Velsen | .... | music editor | |
| Jeffrey C.J. Vanston | .... | music programmer (as CJ Vanston) | |
| Jeffrey C.J. Vanston | .... | musician: keyboards (as CJ Vanston) | |
| Jeffrey C.J. Vanston | .... | orchestrator (as CJ Vaston) | |
| Nick Weston | .... | music recording engineer | |
| David Williams | .... | musician: guitar | |
| Anthony Wilson | .... | musician: guitar | |
Transportation Department | |||
| Rich Bennetti | .... | transportation captain | |
| Mary Catando | .... | production driver (as Mary Catanado) | |
| Keith D. Fisher | .... | transportation coordinator (as Keith Fisher) | |
| Brick Graham | .... | production driver | |
| William Jakubecy | .... | production driver | |
| Gerry Knight | .... | transportation coordinator: additional photography | |
| Andee McGuffee | .... | production driver | |
| Thomas McNeal | .... | production driver | |
| Charles Montgomery | .... | driver: Mr. Guest (as Chuck Montgomery) | |
| Shaun Ryan | .... | production driver | |
| Steve Shoemaker | .... | transportation captain: additional photography (as Steve 'Shoe' Shoemaker) | |
| Frederick Trogdon | .... | production driver (as Fredrick Trogdon) | |
| Don Varela | .... | production driver (as Don Verela) | |
| William Wardlow | .... | production driver | |
| J. Armin Garza II | .... | driver: camera car (uncredited) | |
| Scott Howard | .... | transportation (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
I'm also surprised by some of the negative commentary around 'For your Consideration'. The satire seemed to me to be to be quite precise - particularly in its analysis of the average actor's life - which is a lot more like "For Your Consideration" or Ricky Gervais's brilliant "The Extras" than anything you're likely to see on Entertainment Tonight that is for sure.
Having studied method acting over several years (a long time ago), and having worked as an extra at different low points in my life (never ever again), I have to say that I laughed till I cried. Without giving the ending away,Marilyn Hacke's closing scene is so on the money - what a cracker!
Acting, actor training and film are all open to exploitation of the gullible because so many people are desperate to be part of it; consequently it's an area ripe for satire. For me, this was more on the money than "Waiting for Guffman" although I enjoyed that too. For your consideration has sharper edges. I think it's great that Ricky Gervais performs in this film. Gervaise is such an 'English' comic whilst Guest's sensibilities are very American - but in the shared fascination with human idiosyncracies, banalities and foibles, they both create a very contemporary form of the comedy of manners.