Set in 1930s Shanghai, where a blind American diplomat develops a curious relationship with a young Russian refugee who works odd -- and sometimes illicit -- jobs to support members of her dead husband's aristocratic family.
In mid-1800s England, Oscar is a young Anglican priest, a misfit and an outcast, but with the soul of an angel. As a boy, even though from a strict Pentecostal family, he felt God told him ... See full summary »
Rosalind, the daughter of Duke Senior (the banished duke), is raised at the court of Duke Frederick (who is younger brother to Duke Senior and took over his dukedom), with her cousin Celia ... See full summary »
Sympathetic look loosely based on the relationship between tobacco heiress, Doris Duke (1912-1993) - think Duke University - and her shy butler, Bernard Lafferty. The icy and mercurial Duke fires her butler for serving a chilled cantaloupe; the agency sends Lafferty, formerly household staff to Liz Taylor and to Peggy Lee. He's an alcoholic, fresh out of rehab. He gradually becomes Duke's gay alter ego as she romps through life sleeping with young men, making shrewd decisions quickly, managing her fortune and orchids as Lafferty manages her New Jersey estate. With a wine cellar to die for, Bernard falls off the wagon. Can he pull himself together when Doris needs him? Written by
"She said it was important. 'Perhaps I will get the feeling back ..." It's the same body of a newspaper article for two different articles. Around 23 minutes into movie. One article had headline of Doris Duke attending opening with Leonard Bernstein. The second headline was her buying a Boeing 737 for $25 million. See more »
I wasn't sold on the idea of watching a film about a rich weirdo and the lawsuits that entail, post-mortem, ala "LIFETIME" nightly movies. I wanted to see Ralph work with Susan, but I still wouldn't have watched unless I researched the production of "Bernard and Doris". I saw Bob Balaban is directing.
I've never seen Bob Balaban's work as director. I've enjoyed all of Bob's acting credits which I've seen, particularly his improvisational skills in recent SCTV/Spinal Tap-quality films. I figure Bob knows the HW weirdness like nobody else due to his insightful improvisations. He gets it.
Therefore, he could do it, and bring it in below budget.
Great direction: Lighting and cinematography were far better than recent films I paid money for. I haven't seen Ralph perform this well since QUIZ SHOW, but he brought his talents to what was clearly a communal table of talent.
Susan Sarandon does very well, and the Susan/Ralph team works. The script works, and sells the story.
Balaban seems to have done much more with far less than this film portends to be, even for an HBO FILM.
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