Set in 1930s Shanghai, where a blind American diplomat develops a curious relationship with a young Russian refugee who works odd -- and sometimes illicit -- jobs to support members of her dead husband's aristocratic family.
In mid-1800's England, Oscar is a young Anglican priest, a misfit and an outcast, but with the soul of an angel. As a boy, even though from a strict Pentecostal family, he felt God told him... See full summary »
In the opulent St. Petersburg of the Empire period, Eugene Onegin is a jaded but dashing aristocrat - a man often lacking in empathy, who suffers from restlessness, melancholy and, finally,... See full summary »
On a rainy London night in 1946, novelist Maurice Bendrix has a chance meeting with Henry Miles, husband of his ex-mistress Sarah, who abruptly ended their affair two years before. ... See full summary »
Following the lives of ten characters through their letters and diaries in the ten days before D-Day. The mini-series contains documentary interviews with the people on which the book, and this mini-series were based.
Sympathetic look loosely based on the relationship between tobacco heiress, Doris Duke (1912-1993) - think Duke University - and her shy butler, Bernard Lafferty. The icy and mercurial Duke fires her butler for serving a chilled cantaloupe; the agency sends Lafferty, formerly household staff to Liz Taylor and to Peggy Lee. He's an alcoholic, fresh out of rehab. He gradually becomes Duke's gay alter ego as she romps through life sleeping with young men, making shrewd decisions quickly, managing her fortune and orchids as Lafferty manages her New Jersey estate. With a wine cellar to die for, Bernard falls off the wagon. Can he pull himself together when Doris needs him? Written by
"She said it was important. 'Perhaps I will get the feeling back ..." It's the same body of a newspaper article for two different articles. Around 23 minutes into movie. One article had headline of Doris Duke attending opening with Leonard Bernstein. The second headline was her buying a Boeing 737 for $25 million. See more »
One thing you can say about this film is that the lead cast do not let you down. There are really only two actors here, Sarandon and Fiennes and they are the only things that stop this film being dreadful. She is quite believable as a rich, bad tempered cosseted poorly educated boor. She radiates everything that is wrong about unearned income. She cares for nothing and nobody but herself and her attempts at 'spiritual development' are so nauseating that it's tempting to fast-forward. Bernard seems such an unperson, a person of such low self-esteem that he only lives through his pathetic arse-kissing of Doris. There really was no reason to make a film about two such dull people. On the plus side though, there is no glossing over the shallowness of their lives, and that's something Hollywood rarely does convincingly.
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