Paul Scheer sheds some light on The Room, lets us in on a secret in The Disaster Artist, and answers your questions. Plus, we explore the origins of midnight movies and take a look at IMDb's Top 10 Stars of 2017.
Having escaped her abusive ex-husband Goss, recently released from state prison, Agnes, a lonely waitress with a tragic past moves into a sleazy, rundown motel. Her lesbian co-worker R.C. introduces her to Peter, a peculiar, paranoiac drifter and they begin a tentative romance. However, things aren't always as they appear and Agnes is about to experience a claustrophobic nightmare reality as the bugs begin to arrive... Written by
I was lucky enough to see the movie in a French theater showing a part of the Cannes film festival selection.
If you know William Friedkin mostly for his gritty thrillers or The exorcist, Bug might be a surprise: a single location, 5 characters, no car chase, but still a lot of ambiguity and psychological exploration.
Bug actually reminds me of the first Friedkin movies, also based on plays and more interested in character study than spectacular effects. It's all the more striking that Bug looks like a young man's movie, filled with energy, experimentation, absurd humor and a genuine sense of artistic freedom. Bug tries a lot of things, doesn't always succeed but remains an intense exercise of style. Recommanded for everybody who enjoys a good surprise.
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