| Xevat Gectan | ... | Ibo (as Xewat Geçtan) | |
| Erdal Celik | ... | Azad | |
| Bulent Buyukasik | ... | Zeki | |
| Nurretin Celik | ... | Semo | |
| Yusef Geçtan | ... | The messenger | |
| Taies Farzan | ... | Zilan | |
| Necmettin Çobanoglu | ... | Zeki's father | |
| Özay Fecht | ... | Zeki's mother | |
| Oral Uyan | ... | Ahmet | |
| Xhiljona Ndoja | ... | Mirka | |
| Tatyana Goncharova | ... | Olga (as Tatiana Goncharova) | |
| Danuta Medrala | ... | Sonja | |
| rest of cast listed alphabetically: | |||
| Mathieu Akuyz | |||
| Coskum Ayfekin | ... | Ibo's father | |
| Bokir Bozlak | |||
| Jean-Marc Calderoni | |||
| Celal Ceyran | ... | Client 3 | |
| Selhatini Dogan | |||
| Felemez Emrek | |||
| Ismail Erbir | |||
| Hussi Kutlucan | ... | Client 1 | |
| Steve Lamesch | |||
| Daniel Lieser | ... | Morgue employee | |
| Mehmet Mustafa Geçtan | ... | Client 2 | |
| Ferdi Oncul | |||
| Willem Schmid | |||
| Catherine Tarantino | ... | Ibo's mother | |
| Germain Wagner | |||
Directed by | |||
| Yilmaz Arslan | |||
Writing credits(in alphabetical order) | ||
| Yilmaz Arslan | ||
Produced by | |||
| Yilmaz Arslan | .... | producer | |
| Eddy Géradon-Luyckx | .... | producer | |
| Donato Rotunno | .... | producer | |
| Felix Sorger | .... | line producer: Luxembourg | |
| Eric Tavitian | .... | producer | |
Original Music by | |||
| Evgueni Galperine | |||
Cinematography by | |||
| Jean-François Hensgens | |||
Film Editing by | |||
| André Bendocchi-Alves | |||
Casting by | |||
| Jean-Luc Ristic | |||
Production Design by | |||
| Regine Constant | |||
Set Decoration by | |||
| Patrick Dechesne | |||
Makeup Department | |||
| Aurélie Elich | .... | key makeup artist | |
Production Management | |||
| Antoine Beau | .... | production manager | |
| Thomas Gache | .... | second unit manager | |
| Frédéric Joudiau | .... | production manager | |
| Rene von Bodisco | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Alexandre Brown | .... | second assistant director | |
| Sébastien Fernandes Tasch | .... | first assistant director | |
| Charlotte Marrel | .... | trainee assistant director | |
Art Department | |||
| Luc Ridremont | .... | carpenter | |
| Marc Ridremont | .... | construction coordinator | |
Sound Department | |||
| Peter Aufderhaar | .... | sound editor | |
| Laurent Benaïm | .... | sound | |
| André Bendocchi-Alves | .... | dialog editor | |
| André Bendocchi-Alves | .... | supervising sound designer | |
| Claas Berger | .... | sound editor (as Claas-Benjamin Berger) | |
| Normann Büttner | .... | foley recordist | |
| Claudia Enzmann | .... | supervising sound editor | |
| Christiane Foge | .... | sound editor | |
| Emil Klotzsch | .... | sound editor | |
| Mel Kutbay | .... | foley artist | |
| Stefan Meetz | .... | sound editor | |
| Christoph Merkele | .... | sound re-recording mixer | |
| Benjamin A. Rosenkind | .... | sound re-recording mixer (as Benjamin Rosenkind) | |
| Alexander Theodossiadis | .... | sound mixer | |
| Alexander Theodossiadis | .... | sound recordist | |
| Benjamin Wolf | .... | sound editor | |
Stunts | |||
| Micha Mann | .... | stunt coordinator (as Michael Mann) | |
Editorial Department | |||
| Margit Wiltschko | .... | assistant editor | |
Other crew | |||
| Thomas Gache | .... | set manager | |
| Alexa Gross | .... | personal assistant to director | |
| Recent Posts (updated daily) | User |
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| VERY NICEM OVIE FOR KURDS AND ALL PEOPLE :) | kurdish_soccer |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Luxembourg section |
It seems that not many people have seen this film. It is shown on a few cinemas in France. The story is about Kurt and Turky conflicts in German. Somebody may feel it nasty because of the bloody scenes and the hate between those two ethical groups. However, I feel very sorrow for them. I was once a immigrant in a totally new environment and I feel uneasy and face a lot of problems, (luckily not as much as those on the screen). When you are the minority and all your fellows stick to the historical hostile towards another minority group, it is very hard for an individual to exit the doomed tragedy. The film evoke two basic questions faced by a lot of newcomers: is this rich country better than the poor hometown? & Can we forget the past in the new world?