Up-and-coming sports reporter rescues a homeless man ("Champ") only to discover that he is, in fact, a boxing legend believed to have passed away. What begins as an opportunity to resurrect Champ's story and escape the shadow of his father's success becomes a personal journey as the ambitious reporter reexamines his own life and his relationship with his family.
Samuel L. Jackson,
In the Pepperhill Estate of Manchester, an ongoing battle rages between Triad gangs and street gangs. Gang leaders Ray (Andrew Goth) and Terry (Goldie), who are cousins and lifelong friends... See full summary »
Tom and Josh Sterling have a start-up dot-com. It's gone public to initial success. Josh is the technical genius. Tom is the fast-talking and abrasive CEO, in charge of the business side. It's August, 2001, less than a month before they can sell their shares and, perhaps, make lots of money. But the company is running out of cash, its main client is stalling, and share values are falling. For Tom to maintain the firm's appearance, he must find cash: investors could rescue him, but at a high cost of his potential wealth and company control. Tom goes to his brother for a loan. At the same time, an old flame, Sarrah, comes back to the city. Can Tom hold things together, bravura and all? Written by
Written by David Hilker (BMI), John Costello (BMI), William London Thompson (ASCAP),
DeShaun Brown (BMI), Harry D'Agostino (BMI), Jeremy Jack (BMI)
Performed by The Conglomerate
Published by Mount Pilot Music (BMI), Ultra Urban Music (ASCAP)
Courtesy of Fervor Records, a division of Wild Whirled Music See more »
Josh Harnett's portrayal of Tom, a super confident ballsy CEO of an internet start-up who sees it all go wonky is much better than expected.
The film scores even more points for avoiding simple messages and instead turns a captivating tale of an internet start-up bankrolled to the hilt who finds its IPO is going south fast into something richer, a true character study.
The relationships, family, work, ex-girlfriend are all handled with a nice touch of real human values, the conversations (mostly) ring true.
And yes, Bowie is great, if rather brief.
All in all, a real surprise, beautifully shot, and well-crafted, and who knew, Josh Harnett can deliver complex characters...
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