Up-and-coming sports reporter rescues a homeless man ("Champ") only to discover that he is, in fact, a boxing legend believed to have passed away. What begins as an opportunity to resurrect Champ's story and escape the shadow of his father's success becomes a personal journey as the ambitious reporter reexamines his own life and his relationship with his family.
Samuel L. Jackson,
Two toughs from the wrong side of the tracks in Manchester, choose different paths when they are released from prison. The quiet Ray wants out of the 'gangsta' life and into the local music... See full summary »
Tom and Josh Sterling have a start-up dot-com. It's gone public to initial success. Josh is the technical genius. Tom is the fast-talking and abrasive CEO, in charge of the business side. It's August, 2001, less than a month before they can sell their shares and, perhaps, make lots of money. But the company is running out of cash, its main client is stalling, and share values are falling. For Tom to maintain the firm's appearance, he must find cash: investors could rescue him, but at a high cost of his potential wealth and company control. Tom goes to his brother for a loan. At the same time, an old flame, Sarrah, comes back to the city. Can Tom hold things together, bravura and all? Written by
Screened this at the Sundance 2008 Festival. This movie actually caught me by surprise, it was very hip and surprisingly Josh Hartnett really brought it. The movie has a modern "Wall Street" type vibe, the story follows Tom (Hartnett) who is a super confident .com entrepreneur who is in crisis mode during the downward spiral of the .com stock bust just before September 2001. Hartnet nails this role with high energy output and makes this a very watchable flick. Austin Chick the director is obviously very talented and throws just the right amount of style and cool music into the film to keep it slick and contemporary which should broaden its appeal past just the Gen-X group. The one downside is that the film gives the other characters so little room to make their presence felt, especially David Bowies character who gets only a few minutes of face time. Other then that the movie really has a nice pace and the ending worked very well when you consider all the superficial things that Americans thought they cared about until Sept 2001, and then realized there are somethings much more important then money and stature.
Film should get some nice play on the indie circuit, though indie folks probably will be hard swayed to pay over for a Hartnett movie. I would reckon that Josh Hartnett will win over some who doubted him with this performance and maybe even get a little award type talk. I know its hard for me to believe either :)
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