| Vanessa Bauche | ... | Teresa | |
| Jesse Aaron Dwyre | ... | Fenton | |
| Conrad Pla | ... | Angel | |
| rest of cast listed alphabetically: | |||
| Paulina B. Abarca | ... | Mrs. Dupont | |
| Bernardita Aguayo | ... | Roommate | |
| Léo Arguello | ... | Newspaper director | |
| Cory Bertrand | ... | Accountant | |
| Garth Gilker | ... | Shop Foreman | |
| Karl Graboshas | ... | Tech Guy | |
| Guido Grasso Jr. | ... | Foreman | |
| Paula Jean Hixson | ... | Mrs. Rush | |
| Luz Tercero | ... | Clarita | |
Directed by | |||
| Federico Hidalgo | |||
Writing credits(in alphabetical order) | ||
| Federico Hidalgo | ||
| Paulina Robles | ||
Produced by | |||
| Pascal Maeder | .... | producer | |
Original Music by | |||
| Robert M. Lepage | |||
Cinematography by | |||
| Jean-Pierre St-Louis | |||
Film Editing by | |||
| Tony Asimakopoulos | |||
Production Design by | |||
| Gabriel Tsampalieros | |||
Art Direction by | |||
| Tereska Gesing | |||
Costume Design by | |||
| Maory Gastelo | |||
Makeup Department | |||
| Gaétan Landry | .... | key hair stylist | |
Production Management | |||
| Jean-François Roesler | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Gabriel Teller | .... | second assistant director | |
Sound Department | |||
| Arnaud Derimay | .... | sound recordist | |
| Scott Donald | .... | supervising dialogue editor | |
| Philippe Espantoso | .... | sound re-recording mixer | |
| David Gertsman | .... | sound effects editor | |
| Steven Gurman | .... | supervising sound editor | |
Other crew | |||
| Chantal Allard | .... | set production assistant | |
| Tibo Galbois | .... | post production coordinator | |
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| A Silent Love | A Better Life | Thunderhoof | One Way Ticket to Hell | Shadow of a Doubt |
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IMDb User Rating: |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Canada section |
*** This review may contain spoilers ***
Spoiler? - I wish we could have identified a "Spoiler".
We watched this movie thinking it was another of the same name. Drawn-out photography can be very successful in the correct context but, in this case, it seemed more like padding.
We never came to terms with understanding Teresa as the main character and why Fenton (who was supposed to have "fallen in love with her") should have persisted with her and his esoteric quest to "find Angel" was beyond credibility -perhaps just very Montreal French - in a Mexican what's more???
This was just one of the more significant and annoyingly unexplained loose ends in the movie. Others included Fenton's job attendance, how he flitted from place to place when Teresa pinched his car, the identity and relationship of the two boys (helpers?) Angel picked up from school, the substance of Angel's "tent" consultations, his marital status and something Teresa flashed that looked like an ultrasound. Keeping an audience guessing is one thing but it has limits when there's no answers.
Whatever the conclusion of the movie was supposed to imply just left us saying, "There's one born every minute".