| Thelma Heintzelmann | ... | Paula Steinhof | |
| Paul Vincent de Wall | ... | Tobi Pröllinger | |
| Constanze Spranger | ... | Jenny Pröllinger | |
| Albert Berisa | ... | Radu | |
| Jülide Girisken | ... | Ioana | |
| Claudia Michelsen | ... | Susanne Steinhof | |
| Christian Leonard | ... | Wolf Steinhof | |
| Jürgen Vogel | ... | Klaus Pröllinger | |
| Karina Krawczyk | ... | Silvia Pröllinger | |
| Martin Kiefer | ... | Black Warrior | |
| Miriam Fiordeponti | ... | Elsa | |
| Marek Harloff | ... | Lehrer Blank | |
| Leslie Malton | ... | Frau Meyer | |
| Imke Büchel | ... | Frau Jensen | |
| Simon-Paul Wagner | ... | Sascha | |
| Andi Stefanescu | ... | Chef | |
| Hagen von der Lieth | ... | Rimsky | |
| John Kirby | ... | Mr. Rutherford | |
| rest of cast listed alphabetically: | |||
| Bernd T. Hoefflin | ... | Akkordeonspieler | |
Directed by | |||
| Gernot Krää | |||
Writing credits(in alphabetical order) | ||
| Gernot Krää | ||
Produced by | |||
| Lars Büchel | .... | producer | |
| Ingo Fliess | .... | producer | |
| Bernd T. Hoefflin | .... | producer | |
| Ralf Zimmermann | .... | line producer | |
Original Music by | |||
| Max Berghaus | |||
| Stefan Hansen | |||
| Dirk Reichardt | |||
Cinematography by | |||
| Eva Fleig | |||
Film Editing by | |||
| Sören Görth | |||
Casting by | |||
| Sandra Görth | |||
| Kathrin Tabler | |||
| Anja Wüstefeld | |||
Production Design by | |||
| Karin Betzler | |||
Costume Design by | |||
| Anke Wahnbaeck | |||
Makeup Department | |||
| Petra Löber | .... | makeup artist | |
Production Management | |||
| Urs Heilig | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Nicole Schroeder | .... | first assistant director | |
Art Department | |||
| Seth Turner | .... | painter | |
Sound Department | |||
| Richard Borowski | .... | dialogue re-recording mixer | |
| Sascha Heiny | .... | sound re-recording mixer | |
| Jörg Krieger | .... | sound editor | |
| Martin Langenbach | .... | foley artist | |
| Martin Langenbach | .... | supervising sound editor | |
| Jörn Martens | .... | boom operator | |
| Tobias Peper | .... | sound editor: atmospheres | |
| Volker Zeigermann | .... | sound | |
Special Effects by | |||
| Endres Löber | .... | special effects | |
| Norbert Skodock | .... | special effects supervisor | |
Visual Effects by | |||
| Axel Bohlmann | .... | digital compositor | |
| Marc Briede | .... | digital compositor | |
| Dirk Frischmuth | .... | visual effects supervisor | |
| Frank Hellmann | .... | DI supervisor | |
| Markus 'Maggi' Selchow | .... | compositor | |
| Hannes Tödter | .... | visual effects artist | |
| Hannes Tödter | .... | visual effects operator | |
Camera and Electrical Department | |||
| Thomas Helm | .... | assistant electrician | |
| Philipp Koller | .... | camera operator | |
| Ole Ki Bun Wedemann | .... | gaffer | |
Editorial Department | |||
| Ronney Afortu | .... | colorist | |
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| Die Distel | Foreign Stuff | Autumn Gold | The World is Big and Salvation Lurks Around the Corner | The Bourne Identity |
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| Full cast and crew | Company credits | External reviews |
| IMDb Family section | IMDb Germany section |
Paulas Geheimnis (Paula's Secret) is an offbeat detective film which shines due to its relevant social message.The entire film is based on a young girl's childish dreams as we see how a search for a lost diary turns out to be a truly amazing adventure for two German kids.Thefts are a common occurrence at many metro stations in Europe.This film makes us all aware of organized criminal gangs who employ stolen children for their selfish motives.An apt social message is given to us by presenting glimpses of impoverished children from European Union. The focus is on the sad plight of poor children from Romania who are forced to steal in Germany and other European Union countries for their mafia bosses in Romania and elsewhere.They are forced to live in absolute misery as they cannot expect any kind of help from anybody. German director Gernot Kraa also shows attitudes of yuppie parents who are always ready to pamper their children.This is displayed by their inherent fascination for holidays without bothering to find out whether their wards are performing well at schools or not ?