A film director and a script writer (performed by Lars von Trier and Niels Vørsel themselves) write a screenplay, in which an epidemic spreads about the whole world. Like the protagonist ... See full summary »
A woman on the run from the mob is reluctantly accepted in a small Colorado town. In exchange, she agrees to work for them. As a search visits town, she finds out that their support has a price. Yet her dangerous secret is never far away...
Medea is in Corinth with Jason and their two young sons. King Kreon wants to reward Jason for his exploits: he gives the hand of his daughter, Glauce, to Jason as well as the promise of the... See full summary »
The owner of an IT firm wants to sell up. The trouble is that when he started his firm he invented a nonexistent company president to hide behind when unpopular steps needed taking. When potential purchasers insist on negotiating with the "Boss" face to face the owner has to take on a failed actor to play the part. The actor suddenly discovers he is a pawn in a game that goes on to sorely test his (lack of) moral fibre. Written by
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A number of visual elements were hidden in the danish distribution of this film. These visual elements, called "Lookeys", were part of a contest to find them all. The first finder was to get a price and a role as an extra in an upcoming film. See more »
Finally a breath of fresh air, after being let down by several of the long awaited features of my favorite directors (such as INLAND EMPIRE and The Fountain, both of which were good but not adequate considering the directors) von Trier delivers.
After the heavy handed Manderlay and Dogville von Trier decided he needed to take a "dogme pill" to recharge his batteries and what we have is this fine gem. While this is a comedy it is a very different kind of comedy, it is a self aware comedy but even more than that it is a comedy that is also willing to take on more abstract concepts.
Just like the late Ingmar Bergman, von Trier has a real knack for comedy even though he hardly goes in that direction. The basic premise of the film is that an actor is hired on as a fictional boss, conjured up by the real boss who wanted someone to hide behind. What adds a fine twist to that is that most of the employees feel that they know the boss to some degree because they have received letters and emails from him throughout the companies history, leading to some very funny situations.
What I love about von Trier's films is that they do not ask permission, and they do not apologize for being what they are. Von Trier is a bold artist and is the only consistently brilliant filmmaker working today.
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