A woman leaves an abusive relationship to begin a new life in a new city, where she forms an unlikely and ironic relationship with a suicidal hit man (unbeknownst to her). Enter a worn, ... See full summary »
Two lost souls: she a con-artist in L.A.; he a puppeteer in San Antonio have the same dream linking each with the other. He travels to L.A. to find this woman he has become obsessed with. ... See full summary »
When Suzanne Stein has a genetic analysis done on her unborn child, she discovers that although she has a healthy baby, the child will most likely be born gay, like her brother, David. She ... See full summary »
A drama based on an ancient Chinese proverb that breaks life down into four emotional cornerstones: happiness, pleasure, sorrow and love. A businessman bets his life on a horse race; a gangster sees the future; a pop star falls prey to a crime boss; a doctor must save the love of his life.
Sarah Michelle Gellar,
An ice hockey star is accosted by a youth gang who attempt to rob him; after he chases them off he catches the youngest member and gives him a ride home, where he meets the boy's mother. A ... See full summary »
Maria Conchita Alonso,
San Francisco police officer Frank Connor is in a frantic search for a compatible bone marrow donor for his gravely ill son. There's only one catch: the potential donor is convicted ... See full summary »
Ted Ryker is the top salesman in the New York office of a business machine company; the corporate stock lives by quarterly sales numbers, the competition is keen, and the economy may be in a downturn. Ted's company is marking time until a new product is ready - probably in a few months. Into the mix comes a new hire, a callow Midwesterner named Jamie, who's come East with his fiancée Belisa. Ted's a cynic - with a failed love in his past; he's profane, he's a lousy team player. He watches Jamie flounder, failing with presentation after presentation. Then, Ted finds a mutual attraction to Belisa. Where can this end? Written by
Was shooting in New Orleans just before Hurricane Katrina hit and the production crew had to evacuate. See more »
[giving business maneuver analogy]
So, one day we're tracking this herd with the park rangers. Now, if you know anything about elephants, you know they eat up to a ton of vegetation every single day. Now if the authorities let them keep eating like that, there wouldn't be a single shrub left in the park. Ah, it's a damn shame. So as fucked up as it sounds, the rangers have to kill 100s of elephants every year, so the others don't starve to death. What they do is maim the leaders of the herd. And...
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A Transparent Attempt to Create a Psychological 'Thriller'
Michael Caleo's background in writing for television shows in this flimsy little flick that despite a solid cast comes across as tired retelling of the bad guy to good guy to bad guy sequences. There are some good one-liners in the film, with a script that is so peppered with the 'f' word that it is crippled by it, but the story has been done before and much better and this time around the 'twist' is obvious from the film's opening lines.
Goofus-doofus Midwesterner Jaime (Brendan Fraser) has moved form Ohio to New York with his gorgeous girlfriend Belisa (Amber Valletta) to join a sales company whose chief salesman is foul mouthed, ill tempered Ted (Michael Keaton) who appears to loathe everyone and the world. Jaime is assigned to Ted, but Jaime's level of intelligence borders on idiocy and his fate with the company seems doomed...until Jaime introduces Belisa to Ted...and the romantic fireworks start. Ted falls for Belisa and begins to change his outlook, confiding his inner spirit as a professor of English literature to Belisa. A transformation takes place and as Jaime spirals downward while Ted and Belisa's affair ignites, role reversal happens as a not at all surprising plot unfolds.
Michael Keaton is a fine actor and makes the best of this mouthy role, but Brendan Fraser's talents are completely wasted - a hint from the start that all is not as it appears... It is a mediocre movie and even if the audience doesn't turn off the soundtrack to rid the script of the trashy language, it can become insulting to the intellect. But again, Keaton helps it float. Grady Harp
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