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Sarah Michelle Gellar,
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San Francisco police officer Frank Connor is in a frantic search for a compatible bone marrow donor for his gravely ill son. There's only one catch: the potential donor is convicted ... See full summary »
Ted Ryker is the top salesman in the New York office of a business machine company; the corporate stock lives by quarterly sales numbers, the competition is keen, and the economy may be in a downturn. Ted's company is marking time until a new product is ready - probably in a few months. Into the mix comes a new hire, a callow Midwesterner named Jamie, who's come East with his fiancée Belisa. Ted's a cynic - with a failed love in his past; he's profane, he's a lousy team player. He watches Jamie flounder, failing with presentation after presentation. Then, Ted finds a mutual attraction to Belisa. Where can this end? Written by
Written by Bobby Summerfield (ASCAP) and Matt McGuire (ASCAP)
Performed by go: music
Published by Engine Co 30, Well-Tempered Music and Merson Music (ASCAP)
Courtesy of 5 Alarm Music See more »
I had the privilege of watching this film a few minutes ago. Since my opinion is still fresh and wouldn't be influenced by anything else at this very moment (at least not dramatically), I thought I'd share my thoughts.
Yes, my summary is "It doesn't know what it wants to be", and that is it's main flaw. Director, Michael Caleo, was brave enough to incorporate numerous themes and genres into this confused work. What starts off to be your average two lead comedy, wanders off into the thriller territory, and attempts to simultaneously touch upon the Rom-Com genre. I say Caleo was brave, because he took a risk where the odds were against him. He attempted something that could have easily failed, he tried to defy the conventions of your average Comedy/Drama by reinforcing (forcing, even) innovation.
Was it a complete failure? I wouldn't say so. I've been rather generous with my '6' rating, but there were a few redeeming qualities about it. The most overt quality was mainly Michael Keaton's on screen presence. His charisma was present, as always, and quirky demeanour was reminiscent of his pre 90s career. As for the rest of the cast, Brendan Fraser and Amber Valletta were tolerable, but nothing amazing.
The twist that unravels as the conclusion was lowbrow and felt rushed. In fact, a lot of the dialogue felt rushed. There seemed to be a lot of reliance on foul language to encapsulate it's comedic elements that it attempted to implement.
I'd like to sum this up by saying that if you aren't a Michael Keaton or Brendan Fraser fan, you might find it hard to be engaged, because as a movie on it's own, it isn't very good. However, it isn't all bad, Caleo's attempt is worth having a look at. The Last Time is an unconventional Dramedy (sort of) that didn't quite achieve what it wanted to.
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