A woman leaves an abusive relationship to begin a new life in a new city, where she forms an unlikely and ironic relationship with a suicidal hit man (unbeknownst to her). Enter a worn, ... See full summary »
Two lost souls: she a con-artist in L.A.; he a puppeteer in San Antonio have the same dream linking each with the other. He travels to L.A. to find this woman he has become obsessed with. ... See full summary »
Gordon McLeod is the manager of a second tier Scottish football team. Faced with pressure from his American owner, he is forced to bring on a marquee player to improve the fortunes of the ... See full summary »
A drama based on an ancient Chinese proverb that breaks life down into four emotional cornerstones: happiness, pleasure, sorrow and love. A businessman bets his life on a horse race; a gangster sees the future; a pop star falls prey to a crime boss; a doctor must save the love of his life.
Sarah Michelle Gellar,
San Francisco police officer Frank Connor is in a frantic search for a compatible bone marrow donor for his gravely ill son. There's only one catch: the potential donor is convicted ... See full summary »
When Suzanne Stein has a genetic analysis done on her unborn child, she discovers that although she has a healthy baby, the child will most likely be born gay, like her brother, David. She ... See full summary »
Ted Ryker is the top salesman in the New York office of a business machine company; the corporate stock lives by quarterly sales numbers, the competition is keen, and the economy may be in a downturn. Ted's company is marking time until a new product is ready - probably in a few months. Into the mix comes a new hire, a callow Midwesterner named Jamie, who's come East with his fiancée Belisa. Ted's a cynic - with a failed love in his past; he's profane, he's a lousy team player. He watches Jamie flounder, failing with presentation after presentation. Then, Ted finds a mutual attraction to Belisa. Where can this end? Written by
The drawing of a woman being shot in the stomach is based on a famous panel from the graphic novel "Batman: The Killing Joke." Michael Keaton is, of course, famous for playing Batman. See more »
[giving business maneuver analogy]
So, one day we're tracking this herd with the park rangers. Now, if you know anything about elephants, you know they eat up to a ton of vegetation every single day. Now if the authorities let them keep eating like that, there wouldn't be a single shrub left in the park. Ah, it's a damn shame. So as fucked up as it sounds, the rangers have to kill 100s of elephants every year, so the others don't starve to death. What they do is maim the leaders of the herd. And...
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I had the privilege of watching this film a few minutes ago. Since my opinion is still fresh and wouldn't be influenced by anything else at this very moment (at least not dramatically), I thought I'd share my thoughts.
Yes, my summary is "It doesn't know what it wants to be", and that is it's main flaw. Director, Michael Caleo, was brave enough to incorporate numerous themes and genres into this confused work. What starts off to be your average two lead comedy, wanders off into the thriller territory, and attempts to simultaneously touch upon the Rom-Com genre. I say Caleo was brave, because he took a risk where the odds were against him. He attempted something that could have easily failed, he tried to defy the conventions of your average Comedy/Drama by reinforcing (forcing, even) innovation.
Was it a complete failure? I wouldn't say so. I've been rather generous with my '6' rating, but there were a few redeeming qualities about it. The most overt quality was mainly Michael Keaton's on screen presence. His charisma was present, as always, and quirky demeanour was reminiscent of his pre 90s career. As for the rest of the cast, Brendan Fraser and Amber Valletta were tolerable, but nothing amazing.
The twist that unravels as the conclusion was lowbrow and felt rushed. In fact, a lot of the dialogue felt rushed. There seemed to be a lot of reliance on foul language to encapsulate it's comedic elements that it attempted to implement.
I'd like to sum this up by saying that if you aren't a Michael Keaton or Brendan Fraser fan, you might find it hard to be engaged, because as a movie on it's own, it isn't very good. However, it isn't all bad, Caleo's attempt is worth having a look at. The Last Time is an unconventional Dramedy (sort of) that didn't quite achieve what it wanted to.
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