British actress Naomie Harris has been nominated for an Oscar for her role as a crack-addicted mother in the 2016 indie drama Moonlight. "No Small Parts" takes a look at some other roles she's played in her career.
Two lost souls: she a con-artist in L.A.; he a puppeteer in San Antonio have the same dream linking each with the other. He travels to L.A. to find this woman he has become obsessed with. ... See full summary »
A woman leaves an abusive relationship to begin a new life in a new city, where she forms an unlikely and ironic relationship with a suicidal hit man (unbeknownst to her). Enter a worn, ... See full summary »
A drama based on an ancient Chinese proverb that breaks life down into four emotional cornerstones: happiness, pleasure, sorrow and love. A businessman bets his life on a horse race; a gangster sees the future; a pop star falls prey to a crime boss; a doctor must save the love of his life.
Sarah Michelle Gellar,
San Francisco police officer Frank Connor is in a frantic search for a compatible bone marrow donor for his gravely ill son. There's only one catch: the potential donor is convicted ... See full summary »
Ted Ryker is the top salesman in the New York office of a business machine company; the corporate stock lives by quarterly sales numbers, the competition is keen, and the economy may be in a downturn. Ted's company is marking time until a new product is ready - probably in a few months. Into the mix comes a new hire, a callow Midwesterner named Jamie, who's come East with his fiancée Belisa. Ted's a cynic - with a failed love in his past; he's profane, he's a lousy team player. He watches Jamie flounder, failing with presentation after presentation. Then, Ted finds a mutual attraction to Belisa. Where can this end? Written by
Before reviewing this film, let me state that I don't think there's another actor who can create as much interest and tension as Michael Keaton. I often wonder how different the career of this beyond-brilliant actor would be if he had played the second Batman. Anyway, The Last Time is Michael's film. He looks great, he's thin, he's complex and he's outwardly cold. Which makes you wonder why he would put up with so many of Brendan Fraser's flaws, even if it meant getting to romance BF's beautiful wife, Amber Valletta. The story was for the most part compelling, though I wasn't totally comfortable with not knowing what the corporation actually made (Was I supposed to?) and why Daniel Stern was so hilariously freaked out. Near the end,the film took an emotional dip which led one to guess the ending before one should. Despite many flaws in logic, I think this was a fascinating film and would recommend it to anyone. My main complaint is what it always is: the swearing. Not because I don't like swearing, but it's always those false Hollywood-type vulgarities that everyone uses in the film, but very few men employ in real life. How do they come up with these sexual-scatological-homoerotic/phobic and ultimately silly curses. Try using any one of them at a business office, and you'd be out the door or on the carpet. Good film. Good performances. However, Michael Keaton, deserves to be in much more important films.
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