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Bathory: Countess of Blood (2008)
"Bathory" (original title)

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Bathory is based on the legends surrounding the life and deeds of Countess Elizabeth Bathory known as the greatest murderess in the history of mankind. Contrary to popular belief, Elizabeth Bathory was a modern Renaissance woman who ultimately fell victim to mens aspirations for power and wealth.

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Cast

Cast overview, first billed only:
...
...
...
Ferenc Nadasdy
...
Merisi Caravaggio
Deana Horváthová ...
Darvulia (as Deana Jakubisková-Horváthová)
...
King Mathias II
Antony Byrne ...
Pastor Ponicky
Bolek Polívka ...
Peter
...
Cyril
Monika Hilmerová ...
Countess Czobor
...
Lucia
Jaromír Nosek ...
Miklós Zrínyi (as Míra Nosek)
Marek Majeský ...
Gábor Báthory
...
Bethlen
Jana Olhová ...
Dora
Edit

Storyline

Bathory is based on the legends surrounding the life and deeds of Countess Elizabeth Bathory known as the greatest murderess in the history of mankind. Contrary to popular belief, Elizabeth Bathory was a modern Renaissance woman who ultimately fell victim to mens aspirations for power and wealth.

Plot Summary | Plot Synopsis


Motion Picture Rating (MPAA)

Rated R for strong violence and torture, sexuality and some graphic nudity | See all certifications »
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Details

Language:

Release Date:

10 July 2008 (Slovakia)  »

Also Known As:

Bathory: Countess of Blood  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Famke Janssen was originally signed on for the part of Bathory, but for reasons unknown she backed out. Anna Friel read the script and fell in love with it and sent the director a letter convincing him to cast her. It was written in Slovak language, because her babysitter was from Slovakia and helped her writing it. See more »

Connections

Referenced in Vsechnopárty: Episode dated 24 November 2009 (2009) See more »

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User Reviews

 
Highly enjoyable and Mesmerising
9 June 2011 | by (United Kingdom) – See all my reviews

The great thing about this film is it's unique style, which has great flair, very like the best of Ken Russell. It doesn't try to be blandly mainstream, the director is too talented for that, he has too much vision to fit in with the prosaic , boring and anodyne rot usually filling our screens. This film entertains with gusto, flair, beauty and horror. One may quibble with any film and look for faults, but this film is fascinating and compelling, suitable for anyone interested in the drama of the life of Erzsebet Bathory. One soon comes to see through the eyes of the lead characters, their brutal and beautiful world lives and breathes again, shockingly, before our eyes.

Erzsabet's story is told in a such a colourful, dynamic and thoroughly gripping way, that certainly had me looking forward to seeing more, like asking for a second helping of a surprisingly delicious pudding, I relished what I found to be so enjoyable after having heard such bad reviews. Erzsabet's life and times were brutal and this is shown graphically but not too eye wateringly. The performances are highly entertaining and extremely powerful especially the characters of Erzsabet, Caravaggio and Thurzo. Some have quibbled about the English accents of the actors but actually I thought Ezsabet's Hungarian accent rather convincing, the chill of steel to the edge of her voice. It is a very accessible story, so who would be so daft as to require the actors to speak Hungarian and so lose half the audience, who are either too dense or lazy to read subtitles. Frankly a ridiculous quibble, one does not notice anything but how fine the performances truly are.

Visually stunning and beautiful, the script gives us a thumpingly good story and altogether it is a mesmerising piece of cinema. It is so powerful that twenty four hours after watching, it still haunts me and I look forward to seeing more from this director and creative team. I feel I've discovered, at last, a piece of English language cinema that isn't formulaic, that isn't dull and predictable, that isn't the same old same old, that isn't like every other pleasant enough but unimaginative 'product,' here is something unique and artistically brave and exciting.

Altogether I think one would have to be in a very sour and unforgiving mood to find fault. If you want to be entertained and why else watch, everyone should enjoy this unfairly maligned but unusually fascinating film.


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For those who've seen it, how is the film? wildsilver_fairy
Was the countess mad? wildsilver_fairy
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distribution jacksonmiss
Theatrical Trailer with Pirats of the Carabian in theatres now beatrixwesle
Is this being released in the US and when... gailrenee
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