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Bathory: Countess of Blood (2008)
"Bathory" (original title)

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Bathory is based on the legends surrounding the life and deeds of Countess Elizabeth Bathory known as the greatest murderess in the history of mankind. Contrary to popular belief, Elizabeth Bathory was a modern Renaissance woman who ultimately fell victim to mens aspirations for power and wealth.

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Cast

Cast overview, first billed only:
...
...
...
Ferenc Nadasdy
...
Merisi Caravaggio
Deana Horváthová ...
Darvulia (as Deana Jakubisková-Horváthová)
...
King Mathias II
Antony Byrne ...
Pastor Ponicky
Bolek Polívka ...
Peter
...
Cyril
Monika Hilmerová ...
Countess Czobor
...
Lucia
Jaromír Nosek ...
Miklós Zrínyi (as Míra Nosek)
Marek Majeský ...
Gábor Báthory
...
Bethlen
Jana Olhová ...
Dora
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Storyline

Bathory is based on the legends surrounding the life and deeds of Countess Elizabeth Bathory known as the greatest murderess in the history of mankind. Contrary to popular belief, Elizabeth Bathory was a modern Renaissance woman who ultimately fell victim to mens aspirations for power and wealth.

Plot Summary | Plot Synopsis


Motion Picture Rating (MPAA)

Rated R for strong violence and torture, sexuality and some graphic nudity | See all certifications »
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Details

Language:

Release Date:

10 July 2008 (Slovakia)  »

Also Known As:

Bathory: Countess of Blood  »

Filming Locations:

 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Famke Janssen was originally signed on for the part of Bathory, but for reasons unknown she backed out. Anna Friel read the script and fell in love with it and sent the director a letter convincing him to cast her. It was written in Slovak language, because her babysitter was from Slovakia and helped her writing it. See more »

Connections

Referenced in Vsechnopárty: Episode dated 24 November 2009 (2009) See more »

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User Reviews

 
A myth-buster with a "legend" all its own
30 October 2010 | by (NYC suburbs) – See all my reviews

Lavish, romanticized account of the life and times of 16th century Hungarian countess Erzsébet Bathory, history's most prolific serial killer...

BATHORY, a would-be epic with nice period detail, aspires to myth-buster status by painting the "Bloody Countess of Čachtice" as a victim of political chicanery in a male-dominated society but all it accomplishes is a "legend" of its own by white-washing history, facts be damned. Here, as a wealthy woman who's vast holdings could turn the tide in a power struggle between Catholics and Protestants as they fight off a Muslim invasion, Countess Bathory is more sinned against than sinning and framed for crimes she never committed. Yeah, right. Valentine Penrose & Alexander Trocchi's well-researched "The Bloody Countess: Atrocities Of Erzsébet Bathory", offers a significantly different account based on historical records:

"Descended from one of the most ancient aristocratic families of Europe, Erzsébet Bathory bore the psychotic aberrations of centuries of intermarriage. From adolescence she indulged in sadistic lesbian fantasies where only the spilling of a woman's blood could satisfy her urges. By middle age she had regressed to a mirror-fixated state of pathological necro-sadism involving witchcraft, torture, blood-drinking, cannibalism and, inevitably, wholesale slaughter. These years, at the latter end of the 16th century, witnessed a reign of cruelty unsurpassed in the annals of mass murder with the Countess' depredations on the virgin girls of the Carpathians leading to some 650 deaths. Her many castles were equipped with chambers where she would hideously torture and mutilate her victims, becoming a murder factory where hundreds of girls were killed and processed for the ultimate youth-giving ritual: the bath of blood..."

In Juraj Jakubisko's film, Erzsébet Bathory is depicted as an intelligent woman ahead of her time and a Protestant preyed upon by the Catholic Church as well as her late husband's covetous best friend although she still finds time for a passionate affair with the Italian painter Caravaggio (!) as her subjects try inventing spring-powered roller skates, phonographs, still photography, and primitive airplanes a la Leonardo Da Vinci. The tale, a de-fanged poison valentine to renaissance Hungary, is served up on a grand scale but twists the truth into a monumental mis-carriage of injustice that's recommended to revisionists only. What's next, JEFFREY DAHMER -THE MUSICAL?


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For those who've seen it, how is the film? wildsilver_fairy
Was the countess mad? wildsilver_fairy
Basic Facts on the Countess tonedeaftalent
distribution jacksonmiss
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Is this being released in the US and when... gailrenee
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