A psychologically troubled novelty supplier is nudged towards a romance with an English woman, all the while being extorted by a phone-sex line run by a crooked mattress salesman, and purchasing stunning amounts of pudding.
Paul Thomas Anderson
Philip Seymour Hoffman
A mentally unstable Vietnam war veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
The intersecting life stories of Daniel Plainview and Eli Sunday in early twentieth century California presents miner-turned-oilman Daniel Plainview, a driven man who will do whatever it takes to achieve his goals. He works hard but also takes advantage of those around him at their expense if need be. His business partner/son (H.W.) is, in reality, an "acquired" child whose true biological single-parent father (working on one of Daniel's rigs) died in a workplace accident. Daniel is deeply protective of H.W. if only for what H.W. brings to the partnership. Eli Sunday is one in a pair of twins whose family farm Daniel purchases for the major oil deposit located on it. Eli, a local preacher and a self-proclaimed faith healer, wants the money from the sale of the property to finance his own church. The lives of the two competitive men often clash as Daniel pumps oil off the property and tries to acquire all the surrounding land at bargain prices to be able to build a pipeline to the ... Written by
Huggo / edited by statmanjeff
Daniel Plainview was modeled loosely after famous oil man Edward Doheny and his characteristics were based on Count Dracula. Greystone Mansion in Beverly Hills was used at the end of the film; this house was built by Doheny for his son, Edward L. Doheny, Jr. (Ned). See more »
When Daniel starts throwing bowling balls at Eli, all twenty pins are standing in both lanes of the bowling alley. After a couple of camera angle changes, nine pins in the left alley are shown knocked over despite Eli nor the bowling balls coming near them. See more »
Abandoned my child.
Say it louder... say it louder!
I've abandoned my child! I've abandoned my child! I've abandoned my boy!
Now beg for the blood!
Please, give me the blood, Eli. Let me get out of here.
Give me the blood, Lord, and let me get away!
See more »
There are no opening credits, except for the title See more »
A film that will leave film-goers pondering for a long time
PT Anderson delivers perhaps his best work with "There Will Be Blood". Unlike "Magnolia", the film's daunting runtime is not very daunting whilst watching it. All acting in the film was solid, even the work of the child actors. Daniel Day-Lewis in particular delivered a truly phenomenal performance, capturing the power of greed, fear, insanity, and comedy simultaneously, at many points throughout the film. At no point does the time period distract from the power of the film. Sometimes period pieces cannot be appreciated because they delve too deep into historical details -- turning the experience into more of a documentary than a narrative set in the past. This is not the case for "There Will Be Blood", as human interactions are the focus of the film. Johnny Greenwood's chilling score is very strong, benefiting from the elegant minimalism that he show's in the band Radiohead. The cinematography is also spectacular. Robert Elswit beautifully captures the essence of the environment and the tension amongst the characters. All in all, this is truly a perfectly crafted film.
489 of 840 people found this review helpful.
Was this review helpful to you?