A mentally unstable Vietnam War veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
When their relationship turns sour, a couple undergoes a procedure to have each other erased from their memories. But it is only through the process of loss that they discover what they had to begin with.
The intersecting life stories of Daniel Plainview and Eli Sunday in early twentieth century California presents miner-turned-oilman Daniel Plainview, a driven man who will do whatever it takes to achieve his goals. He works hard but also takes advantage of those around him at their expense if need be. His business partner/son (H.W.) is, in reality, an "acquired" child whose true biological single-parent father (working on one of Daniel's rigs) died in a workplace accident. Daniel is deeply protective of H.W. if only for what H.W. brings to the partnership. Eli Sunday is one in a pair of twins whose family farm Daniel purchases for the major oil deposit located on it. Eli, a local preacher and a self-proclaimed faith healer, wants the money from the sale of the property to finance his own church. The lives of the two competitive men often clash as Daniel pumps oil off the property and tries to acquire all the surrounding land at bargain prices to be able to build a pipeline to the ... Written by
Huggo / edited by statmanjeff
In an interview on the National Public Radio program "Fresh Air with Terry Gross," Paul Dano told Gross that he had originally been cast in the much smaller role of Paul Sunday, Eli's brother, and another actor had been cast as Eli. However, after Dano had already started filming his one scene as Paul Sunday, Paul Thomas Anderson decided to replace the actor playing Eli. Anderson then asked Dano to play Eli Sunday (a much bigger role) as well as Paul Sunday, and they decided to change the film to make the brothers identical twins. Anderson asked Dano to play Eli on a Thursday, and filming for the role began four days later, on the next Monday. Daniel Day-Lewis, by contrast, had a whole year to prepare to play Daniel Plainview. See more »
The climactic sequence takes place in 1927 according to the onscreen title. When the preacher refers to not being informed of the recent economic downturn by God, he is referring to the Crash of October 1929. See more »
[pitching his company to the people of Little Boston]
Ladies and gentlemen? Ladies and gentlemen. Thank you so much for visiting with us this evening. Now, I've traveled across half our state to be here and to see about this land. Now, I daresay some of you might have heard some of the more extravagant rumors about what my plans are; I just thought you'd like to hear it from me. This is the face. There's no great mystery. I'm an oilman, ladies and gentlemen. I have numerous concerns spread ...
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There are no opening credits, except for the title See more »
Pärt: Fratres for Cello and Piano
Composed by Arvo Pärt (as Arvo Part)
Performed by I Fiamminghi (as I Fiamminghi, The Orchestra of Flanders)
Conducted by Rudolf Werthen
Courtesy of Telarc International Corporation See more »
What is evil? What is hate? How low can an individual go with one's actions and still be considered human....? These, quite possibly, are the biggest questions raised in There Will Be Blood.
Paul Thomas Anderson and Daniel Day-Lewis, the tycoons at the helm of this dig for moral oil, tell a story that takes the archetypal anti-heroes of 'Citizen Kane' and Travis Bickle of 'Taxi Driver' to a whole new, 21st-century level. The film, using Lewis's character Daniel Plainview, walks through incredibly dangerous cinematic territory that questions religion, plays with the nature of greed and hate and evil, and with it all, draws terrifying parallels to the world we live in today. The film and its main character claw so deep through the limits of humanity and the landscape of hell, that you'll be thanking the Good Lord for the silver screen that divides you from this horrible world Paul Thomas Anderson has portrayed. But despite how safe you may seem in your cushy seat, you will undoubtedly walk out of the theater with all kinds of new demons and ghosts buzzing in your head and ripping away at your subconscious. In this way, Anderson has abandoned his primary previous influence of Robert Altman to take more of a Stanley Kubrick direction, creating moral allegories that creep into your psyche and don't ever leave. You should be scared. Very Scared.
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