A psychologically troubled novelty supplier is nudged towards a romance with an English woman, all the while being extorted by a phone-sex line run by a crooked mattress salesman, and purchasing stunning amounts of pudding.
Paul Thomas Anderson
Philip Seymour Hoffman
A mentally unstable Vietnam war veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
The intersecting life stories of Daniel Plainview and Eli Sunday in early twentieth century California presents miner-turned-oilman Daniel Plainview, a driven man who will do whatever it takes to achieve his goals. He works hard but also takes advantage of those around him at their expense if need be. His business partner/son (H.W.) is, in reality, an "acquired" child whose true biological single-parent father (working on one of Daniel's rigs) died in a workplace accident. Daniel is deeply protective of H.W. if only for what H.W. brings to the partnership. Eli Sunday is one in a pair of twins whose family farm Daniel purchases for the major oil deposit located on it. Eli, a local preacher and a self-proclaimed faith healer, wants the money from the sale of the property to finance his own church. The lives of the two competitive men often clash as Daniel pumps oil off the property and tries to acquire all the surrounding land at bargain prices to be able to build a pipeline to the ... Written by
Huggo / edited by statmanjeff
The instantly famous milkshake monologue Daniel has at the end of the movie comes straight from the congressional transcripts of the 1920s "Teapot Dome" scandal, in which New Mexico Republican Senator Albert Fall was convicted of accepting bribes for the oil-drilling rights to public lands in California and Wyoming from several oil-industry fat cats (including Edward Doheny). The scandal was Sinclair's inspiration for the novel, and Edward Doheny was Anderson's inspiration for Daniel Plainview. See more »
In the "bastard from a basket" scene, H.W. and the interpreter leave after the latter says "I thank God I have none of you in me". It is clear by his lip movement that what the actor originally said was "none of me in you." See more »
Abandoned my child.
Say it louder... say it louder!
I've abandoned my child! I've abandoned my child! I've abandoned my boy!
Now beg for the blood!
Please, give me the blood, Eli. Let me get out of here.
Give me the blood, Lord, and let me get away!
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There are no opening credits, except for the title See more »
just got back from an early screening here in san francisco and thought i'd just lay down a few lines. Mr. Anderson was in attendance but did'nt really comment on the film, I would have liked to hear what he had to say, as I have not been so knocked over the head by an American film in so many years. He was humble in his introduction and let the movie speak for itself. It is a near perfect stew of direction, cinematography, score and last but not least, acting. Daniel Day Lewis is absolutely mesmerizing, Paul Dano made me squirm as the wretched young priest. oh my god, i have chills just thinking about both of these performances. they stay with you. a lot of the film reminded me of Terrence malick, though it did'nt emulate him. just a nice reminder. i think i'll watch days of heaven now. i wish there were more films like this coming out of the states, let's keep our fingers crossed.
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