The story of King George VI of the United Kingdom of Great Britain and Northern Ireland, his impromptu ascension to the throne and the speech therapist who helped the unsure monarch become worthy of it.
Helena Bonham Carter
The story of the assassination of U.S. Senator Robert F. Kennedy who was shot in the early morning hours of June 5, 1968 in the Ambassador Hotel in Los Angeles, and 22 people in the hotel whose lives were never the same.
In April 1994, after the airplane of the Hutu President of Rwanda is shot down, the Hutu militias slaughter the Tutsi population. In the Ecole Technique Officielle, the Catholic priest ... See full summary »
The intersecting life stories of Daniel Plainview and Eli Sunday in early twentieth century California is presented. Miner turn oilman Daniel Plainview is a driven man who will do whatever it takes to achieve his goals. He works hard but he also takes advantage of those around him at their expense if need be. His business partner is his son H.W., who in reality he "acquired" when H.W.'s biological single father, who worked on one of Daniel's rigs, got killed in a workplace accident. Daniel is deeply protective of H.W. if only for what H.W. brings to the partnership. Eli Sunday is one in a pair of twins, whose family farm Daniel purchases for the major oil deposit located on it. Eli, the local preacher and a self-proclaimed faith healer, wants the money from the sale of the property to finance his own church. The lives of the two competitive men often clash as Daniel pumps oil off the property and tries to acquire all the surrounding land at bargain prices to be able to build a ... Written by
The infamous "I drink your milk-shake!" is, in part, a real quote. Paul Thomas Anderson found the metaphor in congressive transcripts from the 1920s Teapot Dome scandal, in which New Mexico Republican Senator Albert Fall was convicted of accepting bribes for oil drilling rights to various lands. According to Anderson, "I think it was Albert Fall, who was asked to describe drainage before Congress. And his way of describing it was, 'If you have a milkshake and I have a milkshake, and my straw reaches across the room ...' I'm sure I embellished it and changed it around and made it more Plainview. But Fall used the word milkshake, and I thought it was so great. It was mad to see that word among all this official testimony and terminology - a fucking milkshake. I get so happy every time I hear that word." See more »
After H.W. starts the ceremonial first drilling of the new well, the "walking arm" of this cable-tool rig begins to plunge the bit up and down. The walking arm of a cable-tool rig cannot be used to start a well, as the rigid "tool string" can be forty feet long or more and the derrick tower must be used to drive the bit for about the first sixty feet. Only then can the walking arm be mated to the tool string's cable to continue the bore. See more »
I want you to look over there.
Look over there. That's my son. You see? See?
You see him? You don't tell me how to raise my family. I told you not to tell me how to raise my family. So, what do you see?
I'm happy for you that everything...
I've made a deal with Union and my son is happy and safe and I'm taking care of him now. So you look like a fool, Tilford, don't you?
I told you what I was gonna do.
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There are no opening credits, except for the title See more »
What is evil? What is hate? How low can an individual go with one's actions and still be considered human....? These, quite possibly, are the biggest questions raised in There Will Be Blood.
Paul Thomas Anderson and Daniel Day-Lewis, the tycoons at the helm of this dig for moral oil, tell a story that takes the archetypal anti-heroes of 'Citizen Kane' and Travis Bickle of 'Taxi Driver' to a whole new, 21st-century level. The film, using Lewis's character Daniel Plainview, walks through incredibly dangerous cinematic territory that questions religion, plays with the nature of greed and hate and evil, and with it all, draws terrifying parallels to the world we live in today. The film and its main character claw so deep through the limits of humanity and the landscape of hell, that you'll be thanking the Good Lord for the silver screen that divides you from this horrible world Paul Thomas Anderson has portrayed. But despite how safe you may seem in your cushy seat, you will undoubtedly walk out of the theater with all kinds of new demons and ghosts buzzing in your head and ripping away at your subconscious. In this way, Anderson has abandoned his primary previous influence of Robert Altman to take more of a Stanley Kubrick direction, creating moral allegories that creep into your psyche and don't ever leave. You should be scared. Very Scared.
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