A NASA astronaut (Thornton), forced to retire years earlier so he could save his family farm, has never give up his dream of space travel and looks to build his own rocket, despite the government's threats to stop him.
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A young man who survives a disaster at sea is hurtled into an epic journey of adventure and discovery. While cast away, he forms an unexpected connection with another survivor: a fearsome Bengal tiger.
Jack London's classic adventure story about the friendship developed between a Yukon gold hunter and the mixed dog-wolf he rescues from the hands of a man who mistreats him.
Director:
Randal Kleiser
Stars:
Klaus Maria Brandauer,
Ethan Hawke,
Seymour Cassel
American journalist Paul Kemp takes on a freelance job in Puerto Rico for a local newspaper during the 1960s and struggles to find a balance between island culture and the expatriates who live there.
Director:
Bruce Robinson
Stars:
Johnny Depp,
Aaron Eckhart,
Michael Rispoli
Chronicles the motorcycle trip of Ben Tyler as he rides from Toronto to Tofino, British Columbia. Ben stops at landmarks that are both iconic and idiosyncratic on his quest to find meaning in his life.
A high school swim champion with a troubled past enrolls in the U.S. Coast Guard's "A" School, where legendary rescue swimmer Ben Randall teaches him some hard lessons about loss, love, and self-sacrifice.
After graduating from Emory University, top student and athlete Christopher McCandless abandons his possessions, gives his entire $24,000 savings account to charity and hitchhikes to Alaska to live in the wilderness. Along the way, Christopher encounters a series of characters that shape his life.
Texan Charles Farmer left the Air Force as a young man to save the family ranch when his dad died. Like most American ranchers, he owes his bank. Unlike most, he's an astrophysicist with a rocket in his barn - one he's built and wants to take into space. It's his dream. The FBI puts him under surveillance when he tries to buy rocket fuel; the FAA stalls him when he files a flight plan - it's post-9/11, after all. His wife is angry when she finds out their bank is initiating foreclosure. Charlie fears failure and decides, precipitously, to launch. Are twenty-first century American dreams just a sign of insanity? Are those who believe in dreamers only fools? Written by
<jhailey@hotmail.com>
In the scene where Charles Farmer asks the employee of Dunkin Dounts for advertising on his rocket, the shot shows Farmer in front of a large glass window in front of a graveyard with a short chain link fence around it. The shot of the employee is the actual inside of the real Dunkin Donuts in Santa Fe, New Mexico. However the graveyard in the shot is a real graveyard with graves dating back to roughly 1910. The graveyard is actually behind the Dunkin Donuts. See more »
Goofs
The orbital views of Africa and Baja California are not accurate for a craft in a low orbit, and would require a much higher altitude. See more »
Quotes
Charles Farmer:
Ladies and gentleman, may I have your attention, please? I'm going to the moon, and I'm bringing a balloon.
Shepard Farmer:
I'm going to the moon and I'm bringing an oxygen tank.
Charles Farmer:
I believe you're going to the moon.
Stanley Farmer:
I'm going to the moon, and I'm bringing Mr. Grump.
Audrey 'Audie' Farmer:
No, but not at the table.
Shepard Farmer:
You're not bringing a hamster to the moon.
Stanley Farmer:
Yes, I can.
Charles Farmer:
Yes, she can. I believe she's going to the moon.
Stanley Farmer:
Ooh. Ha ha.
Sunshine Farmer:
I'm going to the moon, and I'm gonna bring sugar.
[...] See more »
Crazy Credits
During the credits, an interview on The Tonight Show is shown between Farmer and Jay Leno. Pictures play during the credits as well. See more »
It's clear a lot of critics don't know what to make of this movie. It's best described as mostly a fantasy with naturalistic elements. The emotions are real, they are strong, and the film is always grounded in the earth. But you are never quite sure where it is going. It will veer into farce, then melodrama, then social commentary, and back again. It seems to be taking place in the present day, yet not quite: the sensibilities are from the 60s, the entrepreneurial we-can-do-it spirit from the 80s, and the despair from the 00s. It is strange, and it is dreamlike, and at times it seems to barely make sense, but it all works. The audience I was with was enthralled and almost all of them stayed through the end of the credits -- a good sign indeed.
I can imagine what the high-concept presentation must have been like: "It's just your typical save-the-farm family drama, only dad is a . . ."
"Don't tell me. A space alien," yawns the studio-head.
"Well, close, but not quite. He's a former astronaut who may be a nut case, we're never quite sure."
The studio-head is a little more interested. "And he;s planning to blow up the world?"
"No, though a lot of people think he is."
The head of the studio thinks about. "I think I like it. Throw in some cute kids and we've got ourselves a movie."
I'm being cynical, of course, and this is not a cynical movie. There is not a false note in it in fact, the music is perfect, the cinematography is first-rate, the casting is superb (watch for Bruce Dern looking very similar to Doc Brown in the Back to the Future movies). While inspirational, follow your dream movies usually don't work for me, this one does, it has such an amazingly goofy charm that only the stiffest of film critics could resist it (and alas, according to that well-known movie review site, as I write this just under 40% don't get it.) If this movie in not on most 10-best lists at year-end, it is going to be one heck of a year.
I don't know if the film is going to do well. Early box office looks weak, but word- of-mouth may help. See it in a theater now if you are at all hesitant. This one will be remembered.
One final note: something like this story could actually happen in a generation or two, assuming humanity doesn't destroy itself. That spaceship-in-the-barn tale will make a great movie when it does. This story makes a great movie now.
36 of 58 people found this review helpful.
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It's clear a lot of critics don't know what to make of this movie. It's best described as mostly a fantasy with naturalistic elements. The emotions are real, they are strong, and the film is always grounded in the earth. But you are never quite sure where it is going. It will veer into farce, then melodrama, then social commentary, and back again. It seems to be taking place in the present day, yet not quite: the sensibilities are from the 60s, the entrepreneurial we-can-do-it spirit from the 80s, and the despair from the 00s. It is strange, and it is dreamlike, and at times it seems to barely make sense, but it all works. The audience I was with was enthralled and almost all of them stayed through the end of the credits -- a good sign indeed.
I can imagine what the high-concept presentation must have been like: "It's just your typical save-the-farm family drama, only dad is a . . ."
"Don't tell me. A space alien," yawns the studio-head.
"Well, close, but not quite. He's a former astronaut who may be a nut case, we're never quite sure."
The studio-head is a little more interested. "And he;s planning to blow up the world?"
"No, though a lot of people think he is."
The head of the studio thinks about. "I think I like it. Throw in some cute kids and we've got ourselves a movie."
I'm being cynical, of course, and this is not a cynical movie. There is not a false note in it in fact, the music is perfect, the cinematography is first-rate, the casting is superb (watch for Bruce Dern looking very similar to Doc Brown in the Back to the Future movies). While inspirational, follow your dream movies usually don't work for me, this one does, it has such an amazingly goofy charm that only the stiffest of film critics could resist it (and alas, according to that well-known movie review site, as I write this just under 40% don't get it.) If this movie in not on most 10-best lists at year-end, it is going to be one heck of a year.
I don't know if the film is going to do well. Early box office looks weak, but word- of-mouth may help. See it in a theater now if you are at all hesitant. This one will be remembered.
One final note: something like this story could actually happen in a generation or two, assuming humanity doesn't destroy itself. That spaceship-in-the-barn tale will make a great movie when it does. This story makes a great movie now.