A NASA astronaut (Thornton), forced to retire years earlier so he could save his family farm, has never given up his dream of space travel and looks to build his own rocket, despite the government's threats to stop him.
Francis and Blake Falls are conjoined twins who live in a neat little room in a rundown hotel. While sharing some organs, Blake is always fit and Francis is very sickly. Into their world ... See full summary »
In the late 1800s, somewhere in the West, two cowboys, the laconic Tar and the prolix Slope, sit by a daytime campfire eating beans. Their cattle are somewhere nearby. Slope begins to ... See full summary »
Billy Bob Thornton,
Taken aback by his mother's wedding announcement, a young man returns home in an effort to stop her from marrying his old high school gym teacher, a man who made high school hell for generations of students.
Billy Bob Thornton,
Seann William Scott,
Sunny Holiday, an aspiring singing star, abandons his wife and young baby to set off on a nine-month tour of bleak western towns. He takes off with his road manager in a pink Chrysler in ... See full summary »
For Tes (Akerman) and her two cohorts Kara (Nikki Reed) and Dawn (Deborah Ann Woll), the job sounded simple enough: intercept a double-cross drug shipment for their crime boss Mel (Willis) ... See full summary »
Deborah Ann Woll
Texan Charles Farmer left the Air Force as a young man to save the family ranch when his dad died. Like most American ranchers, he owes his bank. Unlike most, he's an astrophysicist with a rocket in his barn - one he's built and wants to take into space. It's his dream. The FBI puts him under surveillance when he tries to buy rocket fuel; the FAA stalls him when he files a flight plan - it's post-9/11, after all. His wife is angry when she finds out their bank is initiating foreclosure. Charlie fears failure and decides, precipitously, to launch. Are twenty-first century American dreams just a sign of insanity? Are those who believe in dreamers only fools? Written by
When the rocket launches, incredibly, the wooden barn remains unburned. In a scene during the second launch, exhaust smoke can be seen coming out the bottom of the barn walls, so it's safe to assume Farmer has designed his barn to overcome the explosive nature of the launch. See more »
You see, when I was a kid, they used to tell me that I could be anything I wanted to be. No matter what. And maybe I am insane, I don't know, but I still believe that.
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During the credits, an interview on The Tonight Show is shown between Farmer and Jay Leno. Pictures play during the credits as well. See more »
"If we don't have our dreams, we have nothing" Charles Farmer
How do you take an inherently interesting story about a former pilot and astronaut drop out, who launches himself into orbit, and make that story slow, dull, and corny? The Polish brothers (director, writers) achieve that state possibly because the modest $13 million budget is still much more than they ever had and their approach is too reverential to the hero, who by any standards pursues a quixotic goal of launching himself at the risk of jettisoning his family and close friends.
Charles Farmer (Billie Bob Thornton) is determined to achieve his goal in the face of losing his too well ordered and clean farm and his loving, dutiful, and way too accepting wife, Audrey (Virginia Madsen). Thornton, underplaying with that fetching drawl and highly-developed outsider persona, does a credible job of dreaming his impossible dream without appearing unstable or psychotic. Madsen, while always attractive, has such a clichéd part as the long-suffering mate that the character could appear to be even more unrealistic than her husband.
The two young daughters mug for the camera or make too much happy to be credible. Only two characters ring true all the time: Farmer's son, Shephard (Max Thierot), who is cool as a teen mission controller; and an uncredited Bruce Willis, who plays an ex-astronaut friend of Farmer trying to talk him out of a potentially disastrous launch. Everyone else is a caricature, as the film itself is almost a parody of the American dream: It relies on the American tradition of individualism, evenat the expense of those closest to the dreamer. That's an American tragedy.
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