Since girlhood, TAYLOR has believed that love and marriage are the most important events in every woman's life. Now she's 35 and single with no prospects in sight. As Taylor and her friends... See full summary »
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Carlos Mencia is back with his extended and uncensored full-length special, New Territory. This is Carlos like you've never seen him before, but he still gives you the bold opinions and ... See full summary »
Hilarious and outrageous comedy from a red-hot trio of Latino headliners on their sold-out national tour! With the biting social commentary of Carlos Mencia (29 PALMS, COMIC RELIEF VI), the... See full summary »
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[Carlos Mencia is sitting on a bench at a park. Right next to him is a heavy-set person wearing jeans and a plaid shirt, drinking from a water fountain. Mencia notices a set of keys lying on the ground next to the person]
Hey, bro. You dropped your keys.
[the person looks at him, turning out to be a woman]
Who are you calling, 'bro,' bitch?
[Carlos looks towards the camera in embarrassment]
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...so where's my friggin trophy? I seriously expected a banner and confetti to drop from my ceiling for watching a full 30 minutes of that crap. Comedy Central is truly dropping the ball lately, trying to fill the void left by Chappelle with multiple seasons of a retarded man impersonating retarded men. Dah duh nah!! If you pay attention to the show, you'll notice that when Mencia isn't stuttering over punchlines and laughing at his own skits, he only makes exaggerated observations which seem to lack any sense of humor. You ever notice how people in Buick's drive really slow? It's like Dah duh nah! Not even the midgets and half naked hot chicks manage to distract from Mencia's distinct lack of talent. Furthermore, Mencia isn't even a "wetback" as he constantly and adamantly proclaims he is, which makes him a fraud on top of it all.
If anything good could be said about Mencia, it's his effort. The man clearly has no talent, but like a wounded antelope in the mouth of a hungry alligator, god knows he's trying.
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