New York, the city that never sleeps, is trapped in a nightmare of horror and destruction when a massive earthquake rocks the unsuspecting city. Countless lives are lost, families are torn ... See full summary »
Charles S. Dutton
An earthquake reaching a 10.5 magnitude on the Richter scale, strikes the west coast of the U.S. and Canada. A large portion of land falls into the ocean, and the situation is worsened by aftershocks and tsunami.
A research program abandoned by the best solar physicist when the Pentagon wanted to put it to military use has been resumed by his former deputy. Her incompetence and the Defense ... See full summary »
Junior, after loosing his marriage and job, moves to his father's house where the attractive tenant Bruna is living. After finding objects from the past, he involves himself in a dizzying spiral with, maybe,no return.
It's tornadoes, hurricanes, electrical storms, and mass destruction as the effects of global warming brew into a super storm that threatens to rend the earth with an unprecedented power. Beautiful scientist Faith Clavell, storm chaser Tommy Tornado, and Judith Carr, the head of FEMA, can stop the inevitable from happening-if they have the courage to venture into the roiling blackness of the storm itself. Written by
Echo Bridge Home Entertainment
In Category 7, it is reveled that when the thermal plume from the city collides with a chunk of falling mesosphere, the storms happen. This can be stopped and cause the storms to end if the electricity is gone. But in the first movie, 'Category 6: Day of Destruction' (2004)(TV), Chicago didn't have electricity when the storms hit. See more »
No, Monty! You heard what you wanted to hear. Now you listen to me. You have committed a grave sin, and you will be punished because you were right about one thing, Monty, it is the End of Days. And your guilty. Of anger. Of envy. Of lust. Your only hope is to repent, Monty. Now you tell me where the children are and then, and only then, will I help you out of this hell you've made for yourself. And the worst thing about your hell, Monty, I won't be there with you.
[she lightly kisses him]
[...] See more »
Ooooooook - I read every review posted here, and I gotta tell ya, almost all are WAY off the mark. For one thing, this movie was BRILLIANT. How many other film makers have the GUTS to deliver, with gusto, a throw-back-to-the-80's-made-for-TeeVee-movie, complete with a plot and hundreds of sub-plots so improbable, you don't have to suspend your disbelief, you have to brutally murder it? What great fun! The special F/X? You mean like the PLEASE-DON'T-NOTICE-THE-STORY-LINE shots of waves destroying the Statue of Liberty, for instance? Let me just say, that without that standard-stock, must-include destruction of Lady Liberty, the film makers would have been crucified for not including it. If you're going to wipe out New York, that statue has to be one of the first things to go. Otherwise, you lose credibility on an oh, say Category 9.33 scale...
James Brolin must have been THRILLED to get that part...and electrocuting him, the voice of all things unholy about preachers, was also a default requirement. If you're gonna do a movie about natural disaster, Christians have GOT to die, and they must deserve to.
Tell you what I LOVED about the script - well - a couple of things.... First, our hero's wife seems REALLY OBSESSED over hubby having an affair....the world may be ending, Buffalo NY may be in the midst of becoming God's personal pick-up-sticks playground, but baby, we are going to talk about you and HER right now!!! And WOW - you had to LOVE the whole kidnapping angle as the families were whisked away from their Magical Mystical Tour of a collapsing NYC. Again, if you don't wedge in some utterly impossible, completely off-the-wall sub-plot like a well-organized, highly efficient kidnapping of CHILDREN that took less than a couple of hours to actually plan and pull off, you risk losing your SAG card. KUDOS!!!
***NOTE***I've sat in on a few script writing sessions for series television, and in defense of writers, I can tell you they more often than not are forced to write scripts like this one, despite their protests. So give the PRODUCERS (and the network)the credit here - it's well-earned, I'm sure.
The choppy camera work, the slow motion, all of it was in PERFECT HARMONY with the quality of work expected for this endeavor. The film crew will feel like it's virtually raining Emmy's...they, in turn, can thank the EDITORS for this gift, who can in turn thank the DIRECTOR, who like as not is right now sitting in his 7th grade drama class, wondering where it all went so wrong....
Rockets, a fighter jet with an octogenarian at the controls, and a hero who works in his garage with a bunch of high school drop outs to save us from THE END OF THE WORLD all made this a delightful film. For the finale (which I will TIVO so I can watch it over and over), I am going to wear my double knit polyester disco clothes, mute the sound, and spin up some Bee Gees for my own musical score.
Then, mercifully, about the time the requisite speech from someone begins about the ills of SUV's, my alarm will go off, and I'll awaken to the sound of thunder....
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