| Photos (see all 27 | slideshow) | Videos (see all 16) |
| Presley Chweneyagae | ... | David / Tsotsi | |
| Terry Pheto | ... | Miriam | |
| Kenneth Nkosi | ... | Aap | |
| Mothusi Magano | ... | Boston | |
| Zenzo Ngqobe | ... | Butcher | |
| Zola | ... | Fela | |
| Rapulana Seiphemo | ... | John Dube | |
| Nambitha Mpumlwana | ... | Pumla Dube | |
| Jerry Mofokeng | ... | Morris | |
| Ian Roberts | ... | Captain Smit | |
| Percy Matsemela | ... | Sergeant Zuma | |
| Thembi Nyandeni | ... | Soekie | |
| Owen Sejake | ... | Gumboot Dlamini | |
| Israel Makoe | ... | David / Tsotsi's father | |
| Sindi Khambule | ... | David / Tsotsi's Mother | |
| Benny Moshe | ... | Young David / Tsotsi | |
| Bheki Vilakazi | ... | Newspaper Vendor | |
| Craig Palm | ... | Young Cop | |
| Jeremiah Ndlovu | ... | Old Man at the Tap | |
| Sibusiso Mkize | ... | Young Aap | |
| rest of cast listed alphabetically: | |||
| Mbali Khumalo | |||
| Marven Lekohotsa | |||
| Capieus Manamela | ... | Gang | |
| Lennox Mathabathe | ... | Policemen | |
| Katleoo Matidune | ... | Little boy | |
| Joyce Moshoshoe | ... | Gang | |
| Edward Oliphant | ... | Gang | |
| Brian Rolfe | ... | Officer | |
| Tumi Sejake | ... | Little girl | |
| Monthuthu Sibisi | ... | Baby | |
| Ntuthuko Sibisi | ... | Baby | |
| Ismael Songo | ... | Gang | |
| Moses Timati | ... | Gang | |
| Lindokuhle Tloubatla | ... | Myriam's Baby | |
| Samuel Tsebe | ... | Old kid | |
| Enoch Tsotetsi | ... | Gang | |
| Eduan van Jaarsveldt | ... | Policeman | |
Directed by | |||
| Gavin Hood | |||
Writing credits(in alphabetical order) | ||
| Athol Fugard | novel | |
| Gavin Hood | written by | |
Produced by | |||
| Sam Bhembe | .... | executive producer | |
| Joseph D'Morais | .... | executive producer | |
| Janine Eser | .... | associate producer | |
| Liza Essers | .... | co-executive producer | |
| Basil Ford | .... | executive producer | |
| Henrietta Fudakowski | .... | associate producer | |
| Peter Fudakowski | .... | producer | |
| Alan Howden | .... | executive producer | |
| Gavin Joubert | .... | line producer | |
| Robert Little | .... | executive producer (as Robbie Little) | |
| Rupert Lywood | .... | executive producer | |
| Doug Mankoff | .... | executive producer | |
| Paul Raleigh | .... | co-producer | |
Original Music by | |||
| Paul Hepker | |||
| Mark Kilian | |||
Cinematography by | |||
| Lance Gewer | |||
Film Editing by | |||
| Megan Gill | |||
Casting by | |||
| Moonyeenn Lee | |||
Production Design by | |||
| Emilia Roux | (as Emelia Weavind) | ||
Art Direction by | |||
| Mark Walker | |||
Set Decoration by | |||
| Nhlanhla Bhengu | |||
Costume Design by | |||
| Nadia Kruger | |||
| Pierre Vienings | |||
Makeup Department | |||
| Tania Brooke | .... | key hair stylist | |
| Tania Brooke | .... | key makeup artist | |
Production Management | |||
| Nerissa Black | .... | post-production manager | |
| Candice Tennant | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Richard Kellond | .... | first assistant director | |
| Phillip Mosoeu | .... | third assistant director | |
| Dylan Speer | .... | second assistant director | |
Art Department | |||
| Francis Grewe | .... | construction foreman | |
| Michael Hyman | .... | lead scenic | |
| Charles Keylock | .... | graffiti artist | |
| Raymond Muller | .... | construction foreman | |
| Luke Searle | .... | graffiti artist | |
| James Lee Taylor | .... | property master (as James Taylor) | |
| Jonathan Hely-Hutchinson | .... | draftsman (uncredited) | |
Sound Department | |||
| Shaun Murdoch | .... | sound mixer | |
| Jim Petrak | .... | adr engineer | |
| Jim Petrak | .... | sound re-recording mixer | |
| Alexander Saacks | .... | sound re-recording mixer | |
| Jeremy Saacks | .... | sound re-recording mixer | |
| Julie Vandenberg | .... | supervising sound editor (as Juli Vandenberg) | |
Special Effects by | |||
| Davin Dullisear | .... | special effects foreman | |
| Cordell McQueen | .... | special effects coordinator | |
| Graham Press | .... | prosthetics | |
Visual Effects by | |||
| Isaac Lui | .... | lead animator | |
| Cyril Schumann | .... | lead effects compositor | |
Stunts | |||
| Vadim Dobrin | .... | stunts | |
| Kerry Gregg | .... | stunts | |
| Cordell McQueen | .... | stunt coordinator | |
| Wayne Smith | .... | stunts | |
Camera and Electrical Department | |||
| Marc Brower | .... | camera operator | |
| Sarel Pretorius | .... | steadicam operator | |
| Deon Vermeulen | .... | Steadicam operator | |
| Oliver Wilter | .... | gaffer | |
Costume and Wardrobe Department | |||
| Gillian Castle | .... | wardrobe mistress | |
Editorial Department | |||
| George Chavez | .... | color timer | |
| Brett Manson | .... | digital intermediate colorist | |
| Louise Mycielski | .... | post-production coordinator | |
| Pravashanee Reddy | .... | first assistant editor | |
| Carina Steyl | .... | post-production coordinator | |
Music Department | |||
| Casey Stone | .... | music scoring mixer | |
Other crew | |||
| Mia Bays | .... | marketing and distribution | |
| Maureen Conway | .... | script supervisor | |
| Janine Eser | .... | script editor | |
| Jaco Espach | .... | location manager | |
| Henrietta Fudakowski | .... | script editor | |
| Monica Keys | .... | production coordinator | |
| Hakan Kousetta | .... | production legal advisor | |
| Cyril Schumann | .... | title designer | |
| Pete Smith | .... | chief armorer | |
| Laura Vogt | .... | production accountant | |
| Leila Wreyford | .... | title designer | |
Thanks | |||
| Matthew W. Davis | .... | special thanks | |
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I saw this film on January 19th, 2006 in Indianapolis. I am one of the judges for the Heartland Film Festival that screens films for their Truly Moving Picture Award. A Truly Moving Picture " explores the human journey by artistically expressing hope and respect for the positive values of life." Heartland gave that award to this film.
Tsotsi is a leader of an informal black criminal gang in South Africa. They are simply awful and inhuman and cruel and uncaring. We may understand why they act this way as we see the segregated black slums they live in, and, through flashbacks, their orphan-like upbringing, but you can't bring yourself to forgive them for what they have become. They are some of the worst thugs of the earth.
And then, a tipping point moment comes to the leader Tsotsi. As he commits a car theft from a wealthy neighborhood, he unknowingly kidnaps a baby. He can't bring himself to let the baby die.
Tsotsi clumsily attends to the baby in his small, tin can slum house. He becomes a hybrid human; that is, half good and half evil.
The drama of the film is the tension of not knowing how he will turn out. And he surely can go either way. His gang of friends are a noticeable contrast to where Tsotsi's head and morality is. They are pure evil.
The movie is sub-titled but there is not much dialog among these uneducated almost simpleminded underclass of young men. The powerful impact on the screen is created by the sordid environment and the realism in the facial expressions of the gang. The film is also driven cleverly by the African hip-hop like music.
The film looks at the question whether the worst of our humans on earth can change and tip back into being civilized.
FYI There is a Truly Moving Pictures web site where there is a listing of past Truly Moving Picture Award winners that are now either at the theater or available on video.