The Counterfeiters is the true story of the largest counterfeiting operation in history, set up by the Nazis in 1936. Salomon "Sally" Sorowitsch is the king of counterfeiters. He lives a ... See full summary »
Best buddies Acerola and Laranjinha, about to turn 18, discover things about their missing fathers' pasts which will shatter their solid friendship, in the middle of a war between rival drug gangs from Rio's favelas.
An elderly man owns a small, isolated general store, somewhere in rural South Africa. After suffering a series of burglaries, which culminate in the murder of a night-watchman, the ... See full summary »
Poverty draws many young men in the sultry tin shacks and alleyways of Indian mega-cities to violence. For Yogi, assaults have become a daily routine, so much so that the sight of his ... See full summary »
In Johannesburg, a small time criminal, Tsotsi, is a teenager without feelings, hardened by his tough life. After a series of violent gang hits, Tsotsi hijacks a car. However, whilst driving, Tsotsi finds that there is a baby on the back seat. He brings the baby to his house in the slum. The next six days bring about a change in him that couldn't be foreseen. Written by
based on the review by Claudio Carvalho, Rio de Janeiro, Brazil
Seldom do I see a film that makes me want to start babbling about it to everyone I meet. I even registered just to vote and to say a few words.
Beautiful pictures, simple story and one tremendously talented actor by the name of Presley. This man is a national treasure to be cherished as a god of African cinematography. I had the feeling that he could make even the worst movie with the most tragic script into Shakespeare. Don't let the world forget this actor, because seldom do you see such raw talent, so much body and facial expression and so much depth. And he probably doesn't even have a formal education.
Congratulations to Gavin Hood, the Polish producers and above all to Lance Gewers, who I think should win Camerimage.
There was a question at the press conference, where one of the press seemed almost disgusted that Gewers did the unfashionable and instead of filming from the hand like in "City of God" he decided for the static approach. I hate fundamentalism of any sorts and it seems that right now everybody thinks hand-filming to be the only way to go.
I agree with Gewers: If a film is shot from the hand then the story stops being about the people and becomes about 'technical tricks'. Lance Gewers, I salute you.
49 of 78 people found this review helpful.
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