| Fri. July 17 | 4:30 PM | MAX | |||
| Mon. July 27 | 9:30 AM | MAX |
| Bridget Moynahan | ... | Amy Newman | |
| Peter Weller | ... | Tom Newman | |
| Carly Schroeder | ... | Jessica Newman | |
| Jamie Bartlett | ... | Crawford | |
| Conner Dowds | ... | David Newman (as Connor Dowds) | |
| Marius Roberts | ... | Brian | |
| Muso Sefatsa | ... | Nephew | |
| Jacob Makgoba | ... | Local Hunter | |
| Ashley Taylor | ... | Rescue Chopper Ranger | |
| Tumisho Masha | ... | Ranger at Airstrip (as Tumisho K. Masha) | |
| Mary-Ann Barlow | ... | Ranger in Radio Room | |
| Thijs Ocenasek | ... | King Air Pilot 1 | |
| Louis Heering | ... | King Air Pilot 2 |
Directed by | |||
| Darrell Roodt | (as Darrell James Roodt) | ||
Writing credits | ||
| Darrell Roodt | (screenplay) (as Darrell James Roodt) and | |
| Beau Bauman | (screenplay) & | |
| Jeff Wadlow | (screenplay) | |
Original Music by | |||
| Tony Humecke | |||
Cinematography by | |||
| Michael Brierley | |||
Film Editing by | |||
| Avril Beukes | |||
| Ryan Kushner | |||
Casting by | |||
| Pam Dixon | |||
| Christa Shamberger | (as Christa Schamberger) | ||
Production Design by | |||
| Tiaan van Tonder | |||
Art Direction by | |||
| Tiaan van Tonder | |||
Costume Design by | |||
| Pierre Vienings | |||
Makeup Department | |||
| Debra Nicoll | .... | hair supervisor | |
| Debra Nicoll | .... | makeup supervisor | |
| Amanda Ross-McDonald | .... | hair stylist | |
| Amanda Ross-McDonald | .... | makeup artist | |
| Dolly Ryan | .... | assistant hair stylist | |
| Dolly Ryan | .... | assistant makeup artist | |
Production Management | |||
| Martina Schieder | .... | production manager | |
| Carine Stander | .... | production manager | |
| Beetle Van Graan | .... | unit manager (as Beatle van Graan) | |
Art Department | |||
| Anneri Albertse | .... | props buyer | |
| Tertius Carstens | .... | stand-by props: second unit | |
| Clifton Grainger | .... | carpenter | |
| Hein Kershoff | .... | assistant stand-by props | |
| Rosalind Lurie | .... | graphic designer | |
| Guy Potgieter | .... | set dresser | |
| Marinda Richter | .... | property master | |
| Solly Sithole | .... | assistant stand-by props | |
| Wynand Smit | .... | stand-by props: second unit | |
| Christo Strydom | .... | coordinator | |
| Delarey Wagenar | .... | action vehicles coordinator (as Delarey Wagener) | |
Sound Department | |||
| Charlotte Buys | .... | adr editor | |
| Charlotte Buys | .... | dialogue editor | |
| Charlotte Buys | .... | foley editor | |
| Nicky De Beer | .... | foley editor | |
| Nicky De Beer | .... | sound effects editor | |
| Anneline De Kock | .... | boom operator | |
| Mattew Desborough | .... | sound consultant: Dolby (as Matt Desborough) | |
| Michael Fox | .... | adr recordist: Los Angeles | |
| Akbar Ali Goolam | .... | foley recordist (as Akbar Goolam) | |
| Bill Higley | .... | adr recordist: New York | |
| André Jourdan | .... | adr recordist: South Africa | |
| Klint Macro | .... | adr recordist | |
| Ivan Milborrow | .... | sound engineer | |
| Jim Petrak | .... | adr recording engineer | |
| Christopher Piggins | .... | foley artist (as Chris Piggins) | |
| Jeremy Saacks | .... | sound re-recording mixer | |
| Matt Walsh | .... | adr recordist: Los Angeles | |
Special Effects by | |||
| Julian Howard | .... | special effects technician | |
| David Mahlangu | .... | special effects supervisor | |
| Michael Nkosi | .... | special effects coordinator | |
| Gerhard van der Heever | .... | special effects technician | |
Visual Effects by | |||
| Desmond Allan | .... | visual effects supervisor | |
| Jason Basson | .... | visual effects compositor | |
| Tallen Chow | .... | scratch removal | |
| Tallen Chow | .... | visual effects compositor | |
| Jean du Plessis | .... | scratch removal | |
| Isaac Lui | .... | lead animator | |
| Isaac Lui | .... | technical director | |
| Isaac Lui | .... | technical director: 3D (as Isaac Liu) | |
| Brett Manson | .... | digital compositor | |
| Brett Manson | .... | lustre operator | |
| Cyril Schumann | .... | visual effects compositor | |
| Tracey Williams | .... | visual effects producer | |
| Leila Wreyford | .... | visual effects compositor | |
| Doron Zar | .... | lustre operator | |
Stunts | |||
| Wayne Giles | .... | stunt double | |
| Francois Grobbelaar | .... | stunt coordinator | |
| C.J. Lang | .... | stunt double | |
| Lee-Anne Liebenberg | .... | stunt coordinator | |
| Lee-Anne Liebenberg | .... | stunt double | |
| Janine Wyatt-Mair | .... | stunt double | |
Animation Department | |||
| Retha De Kock | .... | animatronics operator | |
| Shaun Froneman | .... | animator: 3D | |
| Shane Higgins | .... | animator: 3D | |
| Pule Magau | .... | animator: 3D | |
| Dominika Marcisz | .... | animator: 3D | |
| Graham Press | .... | animatronic supervisor | |
| Richelie Raubenheimer | .... | animatronics operator (as Richelle Raubenheimer) | |
| Simon Scholtz | .... | animatronics operator | |
| Jason Snyman | .... | workshop supervisor (as Jaco Snyman) | |
Costume and Wardrobe Department | |||
| Nanette Catherine | .... | stand-by wardrobe | |
| Mariano Gomez | .... | wardrobe master | |
| Penzie Miya | .... | wardrobe assistant | |
| Lebo Pelotona-Lehasa | .... | stand-by wardrobe | |
Editorial Department | |||
| Daphne Bezem | .... | digital post-production coordinator | |
| Lauren Bond | .... | film lab coordinator | |
| Rika Camizianos | .... | assembly editor | |
| Rika Camizianos | .... | first assistant editor | |
| Greg Kirby | .... | colorist: dailies (as Greg Kirkby) | |
| Brett Manson | .... | digital colorist | |
| Leila Reekie | .... | second assistant editor | |
| Carina Steyl | .... | post-production coordinator | |
| Nicci Van Niekerk | .... | post-production executive | |
| Jonene van Zyl | .... | post-production coordinator | |
Transportation Department | |||
| Vusi Mbentsa | .... | unit driver | |
| Godfrey Nkese | .... | unit driver | |
| Beetle Van Graan | .... | unit transport manager | |
Other crew | |||
| Desmond Allan | .... | title compositor | |
| Dez Borejszo | .... | set stand-by (as Dezmond Borejszo) | |
| Bettina Browne | .... | lion trainer | |
| Pierre Buys | .... | base camp manager | |
| Bruce Capel-Davies | .... | production coordinator | |
| Archie Casson | .... | production accountant | |
| Nurma Anne Dippenaar | .... | script supervisor (as Nurma-Ann Dippenaar) | |
| Kenneth Fletcher | .... | unit assistant: second unit | |
| Ronnie Govender | .... | production auditor | |
| Axel Kompat | .... | scanning qc engineer | |
| Myrto Makrides | .... | script supervisor: second unit | |
| Brian McMillan | .... | lion trainer (as Brian McMullan) | |
| Elizabeth McMullan | .... | lion trainer (as Eadie McMullan) | |
| Natalie Mycielski | .... | assistant accountant | |
| Robert Naidoo | .... | production auditor | |
| Chris Pollard | .... | lion trainer | |
| Lynton Richards | .... | puppeteer | |
| Dezi Rorich | .... | epk team | |
| Faizal Salie | .... | animal department assistant | |
| Elizabeth Seoketsa | .... | production secretary | |
| Jet Shaw | .... | lion trainer | |
| Nilesh Singh | .... | publicist | |
| Greg Smith | .... | lion trainer (as Gregory Smith) | |
| Beetle Van Graan | .... | location manager (as Beatle van Graan) | |
| Garin Van Munster | .... | animal department coordinator | |
| Eric Weld | .... | lion trainer | |
| Leila Wreyford | .... | title compositor | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb USA section |
| Add this title to MyMovies |
there are dangers in Africa. there are dangers even in fancy safaris. that is why safari camps, game preserves-private and public- pay particular close attention to the safety of vacationers. the writers and producers of this film clearly took zero time actually investigating anything to do with African safaris. it is too bad because there are certainly exciting, thrilling and even terrifying stories to be made. if they had written this script with any basis in fact it could have been watchable instead of down right laughable. the African vistas are beautiful, though--impossible to get that wrong. sadly even the characters are quite poorly constructed. perhaps in a better realized plot, the underdeveloped characters would not be so noticeable. but, as is, the actors play one simplistic note glaringly.